Supra-phrasal unit

сверхфразовое единство

- a combination of sentences presenting a structural and semantic unity backed up by rhythmic and melodic unity;

- is used to denote a larger unit than a sentence;

- generally comprises a number of sentences interdependent structurally (usually by means of pronouns, connectives, tense-forms) and semantically (one definite thought is dealt with);

- can be extracted from the context without losing its relative semantic independence;

- can be embodied in a sentence if the sentence meets the requirements of this compositional unit;

- though usually a component part of the paragraph, may occupy the whole of the paragraph;

- This structural unit, in its particular way of arranging ideas, belongs almost exclusively to the <belles-lettres style>, though it may be met with to some extent in the <publicist style>. Other styles, judging by their recognised leading features, don not require this mode of arranging the parts of an utterance except in rare cases which may be neglected.

Source: <I.R.G.>:194-196

See: <paragraph>, <belles-lettres style>, <syntactical SDs>

Paragraph

абзац

- a graphical term used to name a group of sentences marked off by indentation at the beginning and a break in the line at the end;

- a distinct portion of a written discourse showing an integral unity;

- (as a linguistic category) a unit of utterance marked off by purely linguistic means: intonation, pauses of various lengths, semantic ties which can be disclosed by scrupulous analysis of the morphological aspect and <meaning> of the component parts, etc.

- a linguistic expression of a logical, pragmatic and aesthetic arrangement of thought;

- the length normally varies from eight to twelve sentences (in <newspaper style> - one or two);

Source: <I.R.G.>:198-199

See: <supra-phrasal unit>, <newspaper style>, <syntactical SDs>

{{пропущены принципы деления на абзацы в разн. стилях}}

Indirect onomatopoeia

a combination of sounds the aim of which is to make the sound of the utterance an echo of its sense (“echo – writing”) (I.R.G.)

e.g. “And the silken, sad, uncertain, rustling of each purple curtain“(E.Poe)

- is very effectively used by repeating word which themselves are not onomatopoeic

e.g. Silver bells … how they tinkle, tinkle, tinkle … // To the tintinnabulation that so musically wells // From the bells, bells, bells, bells, // Bells, bells, bells, – // From the jingling and the tinkling of the bells. (E.Poe - The Bells)

Rhyme

рифма

the repetition of identical or similar terminal sound combination of words

@ full rhyme

identity of the vowel sound and the following consonant sounds in a stressed syllable (might – right, needless – heedless)

See: <rhyme>

@

- incomplete rhymes:

[m3]@ vowel rhymes

the vowels of the syllable in corresponding words are identical, but the consonants may be different (flesh -–fresh – press)

See: <rhyme>

[m3]@ consonant rhymes

show concordance in consonants and disparity in vowels (worth – forth, tale – tool – Treble – trouble; flung – long)

See: <rhyme>

@

Source: <I.R.G.>

See: < rhythm>, <euphony>,

Rhythm

1) a flow, movement, procedure, etc. characterised by basically regular recurrence of elements or features, as beat, or accent, in alternation with opposite or different elements or features (Webster’s New World Dictionary)

2) a combination of the ideal metrical scheme and the variations of it, variations which are governed by the standard (I.R.G.)

See: <rhyme>, <euphony>,

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