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Kate Chopin (1850-1904)
Katherine O'Flaherty known by her married name Kate Chopin, was an American author of short stories and novels
" The Awakening "
Names to associate with The Awakening:
* Edna Pontellier
* Robert Lebrun
Published in 1899. The novel examines the smothering effects of late 19th-century social structures upon a woman whose simple desire is to fulfill her own potential and live her own life. It is a story of both courage and defeat, lyrically written and boldly poignant.
Edna Pontellier, the wife of a successful New Orleans business man and the mother of two, vacations with her family at a seaside resort. She spends a lot of time with Robert Lebrun, a romantic young man who has decided to attach himself to Edna for the summer. After many intimate conversations, boating excursions, and moonlit walks, they both realize that they are developing romantic feelings for each other. Edna realizes that there is much within herself that has remained dormant throughout her adult life.
When vacation ends and the Pontelliers return to New Orleans, Edna frees herself from the trappings of her old life, including her social position, her role as a mother, and her role as a wife. Moving out of her husband's house, she establishes herself in a cottage and hopes that Robert Lebrun will return soon from an extended business trip.
Upon Robert's return, Edna discovers that he is unable to come to grips with her newfound freedom. Indeed, he seems hopelessly bound by the traditional values of the French Creole community. Simultaneously, she discovers that her husband has set in motion a plan that will essentially force her to move back into his house.
Edna thereupon returns to the seaside resort in the off-season. She makes arrangements for a lunch to take with her to the beach, and carries along a towel for drying off as well. Unable to resist the lure of the water, she swims out as far as she can and, having exhausted herself, drowns. Most readers interpret this final passage as a deliberate attempt at suicide.
" Story of an Hour "
Names and phrases to associate with "Story of an Hour":
1. Mrs. Millard
2. Josephine
3. "Free! Body and soul free!"
This short story is about an hour in the life of the main character, Mrs. Millard. She is afflicted with a heart problem. Bad news has come about that her husband has died in a train accident. Her sister Josephine and Richard who is her husband's friend has to break the horrifying news to her as gently as possible. They both were concerned that the news might somehow put her in great danger with her health. Ironically, Mrs. Millard reacts to the news with excitement. Even though the news is heartbreaking she is finally free from the depressing life she was living. She keeps whispering "Free! Body and soul free!". She now is happy because she doesn't have to live for anyone but herself now. At the end of the story, Mr. Millard opens the door and is surprised by Josephine's cry. Mr. Millard didn't have a faintest idea about the accident. With a quick motion, Richard tried to block Mr. Millard's view of his wife but it was too late. The doctors said she died of a heart disease. The story ends with a short phrase "of joy that kills"
James Fenimore Cooper (1789-1851)
He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales, featuring frontiersman Natty Bumppo. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece
“On the human imagination events produce the effects of time. Thus, he who has travelled far and seen much is apt to fancy that he has lived long; and the history that most abounds in important incidents soonest assumes the aspect of antiquity.”
“We live in a world of transgressions and selfishness, and no pictures that represent us otherwise can be true, though, happily, for human nature, gleamings of that pure spirit in whose likeness man has been fashioned are to be seen, relieving its deformities, and mitigating if not excusing its crimes.”
In this book the hero is just arriving at manhood with the freshness of feeling that belongs to that interesting period of life, and with the power to please that properly characterizes youth. As a consequence he is loved; and, what denotes the real waywardness of humanity, more than it corresponds with theories and moral propositions, he is loved by one full of art, vanity and weakness, and loved principally for his sincerity, his modesty, and his unerring truth and probity.
--the preface which details the attraction between Judith and Natty.
Stephen Crane (1871-1900)
His first novel, Maggie: A Girl of the Streets. Crane released the book under a pseudonym and paid for the publishing himself. It was not a commercial success, though it was praised by several critics of the time.
This was followed by The Red Badge of Courage 1895, a powerful tale of the American Civil War. The book won international acclaim for its realism and psychological depth in telling the story of a young soldier facing the horrors and triumphs of war for the first time. Crane never experienced battle personally, but conducted interviews with a number of veterans, some of whom may have suffered from what is now called post-traumatic stress disorder. Because his depiction of the psychological as well as military aspect of war was so accurate, he was hired by a number of newspapers as a correspondent during the Greco-Turkish 1897 and Spanish-American wars 1898. In 1896 the boat in which he accompanied an American expedition to Cuba was wrecked, leaving Crane adrift for fourteen days. A result of the incident was Crane's development of tuberculosis, which would eventually become fatal. He recounted these experiences in The Open Boat and Other Tales 1898. In 1897, Crane settled in England, where he befriended writers Joseph Conrad and Henry James. Shortly before his death, he released Whilomville Stories 1900, the most commercially successful of the twelve books he wrote. Crane died of tuberculosis, aged only 28, in Badenweiler, Germany.
"Maggie: A Girl of the Streets"
Names and phrases to associate with Maggie:
1. Maggie
2. Jimmie
3. Pete
As the novel opens, Jimmie, a young boy, is leading a street fight against a troop of youngsters from another part of New York City's impoverished Bowery neighborhood. Jimmie is rescued by Pete, a teenager who seems to be a casual acquaintance of his. They encounter Jimmie's offhandedly brutal father, who brings Jimmie home, where we are introduced to his timid older sister Maggie and little brother Tommie, and to Mary, the family's drunken, vicious matriarch. The evening that follows seems typical: the father goes to bars to drink himself into oblivion while the mother stays home and rages until she, too, drops off into a drunken stupor. The children huddle in a corner, terrified.
As time passes, both the father and Tommie die. Jimmie hardens into a sneering, aggressive, cynical youth. He gets a job as a teamster. Maggie, by contrast, seems somehow immune to the corrupting influence of abject poverty; underneath the grime, she is physically beautiful and, even more surprising, both hopeful and naïve. When Pete--now a bartender--makes his return to the scene, he entrances Maggie with his bravado and show of bourgeois trappings. Pete senses easy prey, and they begin dating; she is taken--and taken in--by his relative worldliness and his ostentatious displays of confidence. She sees in him the promise of wealth and culture, an escape from the misery of her childhood.
Theodore Dresier (1871-1945)
An American naturalist author known for dealing with the gritty reality of life.
"Sister Carrie"
Names to associate with Sister Carrie:
1. Caroline (Carrie) Meeber
2. Hurstwood
Sister Carrie (1900) is a novel about a young country girl who moves to the big city where she starts realizing American Dream by embarking on a life of sin rather than by hard work and perseverance.
Leaving her rural Wisconsin home, 18 year-old Caroline Meeber heads for Chicago, Illinois, where she wants to live with her older sister's family. Soon, however, Carrie finds out that working in a sweatshop and living in a squalid and overcrowded apartment is not what she wants. When she meets a man named Drouet, a travelling salesman whose acquaintance she already made on the train to Chicago, she readily leaves behind her family—they never see "Sister Carrie" again—when he offers to look after her. Drouet installs her in a much larger apartment in return for her favours. Through Drouet, Carrie meets Hurstwood, the manager of a respectable bar. From the moment he sets eyes on her, Hurstwood is infatuated with the young girl, whereas for Carrie, Hurstwood is just a wealthy man past the prime of his life. Before long they start an affair, communicating and meeting secretly in the expanding, anonymous city. Although Hurstwood has a family and Carrie might conclude that he does, the lovers never talk about it and it never seems to occur to Carrie to ask.
One night, at his job, Hurstwood is presented with the opportunity to embezzle a large sum of money. He succumbs to the temptation and decides, on the spur of the moment, to leave everything behind and start a new life with Carrie. Under a pretext, he lures Carrie onto a northbound train and escapes with her to Canada. After a while, his guilty conscience makes him pay back most of the money, but there is no way he could return to his former life so the couple eventually decide to move to the East coast.
The second part of the book is set in New York City. Hurstwood and Carrie rent a flat where they live as man and wife under an assumed name. Gradually, Hurstwood realizes that finding a new job is not easy at all. As his money is slowly running out, the couple have to start economizing, which Carrie does not like at all. She starts looking for a job herself and finds employment at one of the many theatres. Her rise to stardom is sharply contrasted with Hurstwood's downfall: she leaves him, and the rapidly ageing Hurstwood, overwhelmed by apathy, is left all alone, without a job and without any money. At one point, during a strike, he even works as a scab driving a Brooklyn streetcar. He joins the homeless of New York and finally, in a cheap hotel, puts an end to his life.
"An American Tragedy"
Names to associate with An American Tragedy:
1. Clyde Griffiths
2. Robert Alden
3. Sondra Finchley
An American Tragedy (1925) is a famous American novel, by Theodore Dreiser. Written in 1925, the book is the story of a young man Clyde Griffiths, whose troubles with women and the law take him from his religious upbringing in Kansas City to the fictional town of Lycurgus,New York. Among Clyde's love interests are the materialistic Hortense Briggs, the charming farmer's daughter Roberta Alden and the aristocratic Sondra Finchley. The book is naturalistic in style, containing subject matter such as religion, capital punishment and abortion, and attempting to shed light on societal evils.
Clyde's downfall begins when he takes a job as a bell-boy at a local hotel. The boys he meets are much more liberal than he, and they introduce Clyde to the world of alcohol and prostitution. Clyde enjoys his new lifestyle, and does everything in his power to win the affections of the flirtatious Hortense Briggs. But Clyde's life is forever changed when a stolen car he is travelling in with friends kills a young child. Clyde is forced to flee Kansas City, and after a brief stay in Chicago, he reestablishes himself at the collar factory of his uncle in Lycurgus,New York.
Although Clyde vows not to give in to women in the way that caused his Kansas City downfall, he quickly succumbs to the charms of Roberta Alden, a poor girl working under him at the factory. While Clyde initially feels fulfilled by Roberta, his ambition forces him to realize that he could never marry her. He dreams of the aristocratic Sondra Finchley, the daughter of a wealthy Lycurgus man, and a family friend of his uncle's. As developments between him and Sondra begin to look promising, Roberta discovers that she is pregnant.
Trying unsuccessfully to secure an abortion of the child, Clyde procrastinates the decision while his relationship with Sondra continues to mature. As he realizes that he has a wonderful opportunity to marry into such an aristocratic family, Clyde hatches a diabolic scheme to drown Roberta in a manner that seems accidental.
Upon taking Roberta for a canoe ride in one of the Finger Lakes in upstate New York, Clyde loses the nerve to murder her -- however, Roberta accidentally falls out of the boat and drowns, Clyde being too cowardly to save her. The trail of circumstantial evidence points to murder, and the local authorities are only too eager to convict Clyde. Following a sensational trial before an unsympathetic audience, and with no legal support from his wealthy relatives, Clyde is found guilty and sentenced to death. The jailhouse scenes and the correspondence between Clyde and his mother stand out as an exemplar of pathos in modern literature.
Paul Laurence Dunbar (1872-1906)
Dunbar is largely noteworthy (at least in his literary career) as a forerunner to the Harlem Renaissance, which ETS does stress.
Dunbar was a seminal African-American poet in the late 19th and early 20th century. Dunbar gained national recognition for his 1896 Lyrics of a Lowly Life. Born in Dayton, Ohio to parents who had escaped from slavery, Dunbar died from tuberculosis at 34.
His first collection of poetry, Oak and Ivy was published in 1892 and attracted the attention of James Whitcomb Riley, the popular "Hoosier Poet". Both Riley and Dunbar wrote poems in both standard English and dialect. His second book, Majors and Minors (1895) brought him national fame and the patronage of William Dean Howells, the novelist and critic and editor of Harper's Weekly. He was closely associated with Frederick Douglass and Booker T. Washington.
He wrote a dozen books of poetry, four books of short stories, and five novels and a play. His essays and poems were published widely in the leading journals of the day. During his life, considerable emphasis was laid on the fact that Dunbar was of pure black descent, with no white ancestors.
Dunbar's work is known for its colorful language and use of dialect.
Ralph Waldo Emerson (1803-1882)
Born in Boston, Massachusetts, to the Rev. William Emerson, a Unitarian minister in a famous line of ministers; Emerson was later to become a Unitarian minister himself. He gradually drifted from the doctrines of his peers, then formulated and first expressed the philosophy of Transcendentalism in his essay Nature.
"Nature"
An essay published anonymously in 1836. It is in this essay where the foundation of transcendentalism is put forth, a belief system that espouses a non-traditional vision of nature. Building on his early lectures, Emerson defines nature as an all-encompassing divine entity inherently known to us in our unfettered innocence, rather than as merely a component of a world ruled by a divine, separate being learned by us through passed-on teachings in our experience.
* Our age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generation beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe. Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?
* Undoubtedly we have no questions to ask which are unanswerable. We must trust the perfection of the creation so far, as to believe that whatever curiosity the order of things has awakened in our minds, the order of things can satisfy. Every man's condition is a solution in hieroglyphic to those inquiries he would put. He acts it as life, before he apprehends it as truth.
* If the stars should appear one night in a thousand years, how would men believe and adore, and preserve for many generations the remembrance of the city of God which had been shown!
* Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection.
* The sun illuminates only the eye of the man, but shines into the eye and the heart of a child.
* Standing on the bare ground, — my head bathed by the blithe air, and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.
* Give me health and a day, and I will make the pomp of emperors ridiculous.
* Every natural fact is a symbol of some spiritual fact.
* We are, like Nebuchadnezzar, dethroned, bereft of reason, and eating grass like an ox.
* A man is a god in ruins.
"Poet"
It is not about "men of poetical talents, or of industry and skill in meter, but of the true poet."
The final lines in the essay are, "Wherever snow falls or water flows or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love,--there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble."
" Self Reliance "
In the essay he formulates his philosophy of self-reliance an essential part of which is to trust in one's present thoughts and impressions rather than those of other people or of one's past self. This culminates in the quote: "A foolish consistency is the hobgoblin of little minds."He stresses originality, believing in one's own genius and living from within. From this springs the quote: "Envy is ignorance, imitation is suicide."
" Two Rivers"
Thy summer voice, Musketaquit,
Repeats the music of the rain;
But sweeter rivers pulsing flit
Through thee, as thou through the Concord Plain.
Thou in thy narrow banks art pent:
The stream I love unbounded goes
Through flood and sea and firmament;
Through light, through life, it forward flows.
I see the inundation sweet,
I hear the spending of the steam
Through years, through men, through Nature fleet,
Through love and thought, through power and dream.
Musketaquit, a goblin strong,
Of shard and flint makes jewels gay;
They lose their grief who hear his song,
And where he winds is the day of day.
So forth and brighter fares my stream,--
Who drink it shall not thirst again;
No darkness taints its equal gleam,
And ages drop in it like rain.
"Brahma"
If the red slayer think he slays,
Or if the slain think he is slain,
They know not well the subtle ways
I keep, and pass, and turn again.
Far or forgot to me is near;
Shadow and sunlight are the same;
The vanished gods to me appear;
And one to me are shame and fame.
They recon ill who leave me out;
When me they fly, I am the wings;
I am the doubter and the doubt,
I am the hymn the Brahmin sings.
The strong gods pine for my abode,
And pine in vain the sacred Seven;
But thou, meek lover of the good!
Find me, and turn thy back on heaven.
"The Dial"
You probably don't need to know too much about Transcendentalism to ace all the questions that might pop up on the GRE, but you should know about The Dial, which was a Transcendentalist periodical. Ohter names you should associate with the movement and the periodical are:
Henry David Thoreau
Margaret Fuller
Jones Very
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