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African Decorating – Bringing the Savannah to Your Home
When you think of Africa, there may be several different kinds of decoration that come to mind. One is the traditional African-American cultural decorating theme, while you might also consider the Serengeti and a more natural type of concept. However, both of these themes are perfectly met together for the African decorating choice. Here’s what you’ll want to do.
google_protectAndRun("render_ads.js::google_render_ad", google_handleError, google_render_ad); First of all, the idea of African interiorism is founded on the ideas of richness and history. This is a culture that stretches far back into time, before many other cultures existed. The vast history allows the decor to showcase more neutral tones that signify closeness to nature and the earth, while also demonstrating a practicality and resourcefulness. Indeed, there is also a concerted effort towards celebrating the history and the colors of the people and the land.
There are a number of ways that you can begin to use the African theme in your home. If you’re looking to create an overall renovation of your style, you might want to begin by incorporating a warmer tone to the chosen rooms by painting the walls and ceilings in neutral and warm colors. Colors like mustards and burnt oranges are terrific for this purpose.
You might also want to consider lighter browns – think rich, earthy tones when you start this process. Other great colors are a muted grey or a taupe. Consider the color of terra cotta in order to get an idea of the warmth.
To further add to the warm feelings of the room, you might want to consider adding terra cotta flooring. This flooring is incredibly durable and fashionable, resistant to moisture and wear and tear – perfect for the busy family. But it also recalls the time of naturally built homes that were fashioned from the earth. In conjunction with the warm hued walls, this can create a homely feeling without adding too much pattern or design.
However, the real appeal of African themes is that pattern and that design that can only be created by African artisans. You may want to consider incorporating African tribal textiles while can show various images of people and animals. The designs can include bright colors to highlight the patterns or be done in muted tones to subtly accent a room. You can find textiles like cushions, pillows, wall hangings, and bedroom linens that can help to add to any room.
A larger theme in African design is that idea of celebrating the animals of the region. Find textiles and sculptures that include images of panthers, leopards, tigers, and elephants. These animals are revered in African culture and are celebrated by bringing their images into the home. You might want to consider some elephant statuary or perhaps a wall hanging with animal scenes.
The terms Arts and Crafts
The terms Arts and Crafts and Mission Style are often used synonymously today. They refer to a style of home design and furnishings emphasizing natural materials, especially wood, and showcasing a pronounced geometry in the design. Their tremendous revival in popularity stems largely from their association with hand-crafted elements is a rarity in this technologically advanced age. The pieces offer an heirloom quality and a patina that deepens with age. Arts and Crafts furnishings and interiors are also typically very durable and classic with a timeless appeal. They suit today’s desire to simplify and get back to basics. Arts and Crafts interiors are an ideal marriage of function and aesthetic, spaces are designed to work for those living there. To create your own Arts and Crafts interior, there are several elements to consider, both in materials and design.
The materials of an Arts and Crafts interior, while not limited to nature, emphasize wood, stone, glass (made from sand), ceramic tiles (made from minerals/earth), and textiles (using wool, cotton, or linen fibers, and, of course, leather) Much of the visual pattern comes from the grain of the wood selected. Traditionally oak was used, but currently natural cherry is frequently enjoyed. The oak tends to have golden brown gleam, while the cherry is redder. Both darken naturally with age, this is to be expected.
Flooring, all architectural trim/molding, doors, stair rails and stiles, and exposed structural supports are all typically wood, oak most prevalent. Waxed or oil finishes prevail. Joints are pegged or hand-crafted metal hardware is used. Door knobs, cabinet pulls and the like are again hand-crafted wrought iron or bronze in black, umber, or verdigris. Many are square or rectangular shaped and are hand hammered. For a lighter look, some homeowners today are opting for a soft brushed pewter or nickel finish. Once you have the guidelines, you can bend them to suit. If an alternative to a wood floor is desired, tile or slate would be appropriate substitutes. The tile should be large and laid in a linear pattern, not on the diagonal.
To balance and complement the visual depth of the wood, walls are often treated with a textured paint, or plastered (the old bungalows have original plaster.) A good bet is the river rock finish that Ralph Lauren paint provides. Paint schemes bear an influence from nature with goldenrod yellows, burnt sienna browns, Cimarron and Indian reds, sage and moss greens, and a neutral palette of earthy tans, toasts, and beiges. The overall feeling has a harmony, a continuity of all elements working together, none upstaging the other. It is about creating an organic home, one that works within its environment and makes the most of its surroundings both outside and inside.
Fireplaces have wood or stone mantels, with stone, ceramic, or occasionally brick surrounds. The wood is oak with a golden stain, usually waxed or rubbed, not polyurethane. Satin or matte finishes rule. Stone is field stone, stacked dry or with mortar, it presents a terrific textural visual. River rock may be used instead and the round smooth stones provide a counterpoint to the rectilinear geometry otherwise present. Ceramic tiles will typically have a motif from nature, perhaps a leaf or acorn, or have an iridescent finish. Today glass tiles are also used to great advantage. Brick, when employed, is smooth faced and laid in clean horizontal bands. Again, one of the clear features of an Arts and Crafts interior is the linear quality. The feeling that the house is part of a bigger view, part of the horizon, is all an effort to be from and of the earth.
Historically, many of the Arts and Crafts and Mission homes sported art glass windows, or at least many panes. This enabled windows to be left uncovered and still appear decorative. Today, art glass windows can be cost prohibitive except in select areas, so if treatment is desired for either privacy, light, or heat control, simpler is better. This translates to options such as a plain Roman shade, silhouettes, wood blinds, or panels on either tabs or rings, on a decorative rod (wood or wrought iron), with finials. If tiebacks are desired consider sisal tassels, simple and bold, or a band of the same fabric as the drapery. No trim or other decorative element is required. Fabric patterns may herald nature, such as a leaf print, or be based in geometry. There is a wide range on the market today including historical prints by William Morris and designs by Frank Lloyd Wright. The same may also be found in wall coverings, though use them sparingly, as they are often busy and distracting. Arts and Crafts and Mission styles today both represent a desire for a wholesome, hearty lifestyle, a return to yesterday’s values.
Furnishings in the Arts and Crafts home are wood, occasionally with a wrought iron or ceramic tile accent. Glass is rarely used. Tables being functional as well as good looking, often have at least a drawer and a shelf for storage. Shapes are squares, rectangles and octagons, though today more rounds are available. Again the geometry created by edges is most apparent. Sofas and chairs are often wood backed with exposed wood arms and cushions that can be readily cleaned or changed out depending on the season. Flexibility and adaptability are prime features. Mission style goes a step further and often offers sofas or chairs with a deep wood shelf surround, acting as the arm and a table (Frank Lloyd Wright design), which gives the illusion of a built-in piece. Leather is frequently used or fabrics in natural fibers such as cotton, linen, or wool. Rich colors and geometric or patterns drawn from nature abound. The most significant interest comes from the combination of elements, again, no one piece dominating. Busy patterns are used sparingly, increasing longevity and flexibility of the furnishings. Resources for furnishings include Stickley, American Impressions by Ethan Allen, and Cotswald Furnishings, a superior resource for hand-crafted furnishings and more in Atlanta.
Lighting in an Arts and Crafts or Mission home is critical, especially with all the dark woods and depth of color schemes popular. While ceiling lights, including recessed can give a good general light, it is far more effective and pleasing to adopt a wealth of luminaries. Torchieres (floor lamps that give up light, and are best placed in corners) can provide valuable general lighting, while table lamps and floor lamps provide invitation and welcome. Accent lighting can be done with mantel lamps, sconces, and dresser lamps. The two most common types of lamps are the mica and metal designs, the body of the lamp being hammered bronze or copper, the shade a sheet of mica; and the art glass lamps with wood or art glass bases and shades of glass in geometric patterns and a squared coolie shape. Other lighting options include a wealth of reproduction lighting through several lighting sources such as Arroyo Craftsmen, and Yamagiwa (available through designers; they also have an outstanding line of Frank Lloyd Wright designs.)
Accents, accessories, and artwork should be kept to a minimum to allow for a fuller appreciation of the architecture of the home and materials of nature showcased. This is a good chance to provide balance to the predominance of wood with elements in glass, ceramics, and metal. Both bowls and vessels are readily available in all materials mentioned here. Iridescent ware in both ceramics and glass provides an airy complement to the weight and depth of the wood.
Asian Interiors – Head to the East for Simple Decoration
Oriental or Asian themed designs have a classical appeal in part due to the ancient nature of the civilizations upon which these design styles are based. When most nations were little more then feudal chieftains fighting their neighbors for food and land China was developing gunpowder, garnishing silk and had century-long traditions already in place.
google_protectAndRun("render_ads.js::google_render_ad", google_handleError, google_render_ad); This rich culture while somewhat diminished by their slow acceptance of industrialization nevertheless provides Asian races a long and varied palette against which to design a unique and colorful collection of interior themes and garden decorations that are as varied as they are beautiful.
Whether you want to invoke the feeling of richness of the Ming dynasty or follow the simple and almost mystical aspects of feng shui design, go with Chinese elements, Japanese or more exotic or simple designs from Korean to Indochina cultures few other design styles incorporate such a vast mixture of races and cultures into a single design theme – and this allows you a wonderfully rich palette and available list of design themes attributes from which to draw your concepts.
First you should decide if you wish to have a darker more somber design or a light and airy feeling – both are readily available and distinctly oriental in nature but will demand differing color palettes and design elements.
Then you should decide whether you wish to fill out the design theme you choose with rich and lustrous items or more common and relaxing pieces. Once you choose which of these four basic methods to proceed towards you are ready to begin.
Dark and Rich:
If you choose to take a darker and more somber design with rich décor and fittings then you will probably be looking at using black lacquered pieces, Ming dynasty replicas, ivory statuary with large pieces of artwork and shoji screens as these are typical of this style of design.
Wall colors in a rich and dark room will actually need to be neutral or off-white, since most of the pieces will be large and dark and a backdrop that will not hide them needs to exist. If color is desired it should be bold such as dark blues and greens or light blue in kitchens or baths.
Furnishings should be elaborate with shiny silken fabrics and rich patterns. Wood elements should be elaborately carved and darkly stained or lacquered. Use of copper or wooden carvings and heavy wall hangings with lighting that draws attention to key pieces will complete such a look.
Floors can be hardwood or bamboo and should have elaborate carpets and throw rugs in key areas, preferably in unique sizes and shapes with designs and colors to help set the theme of the room.
Dragons are common design elements and are completely in place in any richly outfitted room although for Dark and Rich pieces should be exquisite in nature or subtle in placement to avoid seeming out of place.
Dark and Easy
As with the richer variant lighter colored backgrounds for the walls and floors are advised, although in this case variants and accent walls are more in keeping since the feeling of richness will not be from the heavy furnishings and fittings but rather from an overall theme and meshing of design elements. Using less Chinese and more Indian, Japanese or Indochina furnishings and design elements is more in keeping here – with lots of wicker and black frames and lighter, smaller furnishings helping to keep the theme less rich and more utilitarian in nature.
Furnishings in an ‘easy’ dark Asian room should be more of the Indonesian or Thailand variant with rattan and teak being common material choices.
Light and Rich:
Choosing to go with lighter brighter colors and the more rich variants places you in a more Japanese or Thai pattern, where sleek modern lines with subdued color palettes in grays, greens and golds mix with craftsmanship of celadon pottery and shoji screens to create a distinctly Asian-themed room that is light bright and airy.
Wall colors can be tans, camels or white and tapestries and wood carvings along with expensive carved wooden chests help fill out the rich nature of the room, with few pieces of artwork and modern but modest lighting to help complete the feel.
Light and Easy:
Similar to the lighter colors with richer fixtures the light and easy Asian look relies more on the vibrant blues and reds of Indian and Indonesia design to add a touch of spice and vibrancy that allows for more of a feeling of everyday use and less a showplace or shrine that light and rich can evoke.
Less commonly seen then other styles of Asian influence using a theme like this with accents of buddhas and dragons and a few select pieces of pottery along with comfortable and modern although obviously Asian-influenced furniture designs can create a modern American space with a distinctly Asian feel that will never go out of style.
Concepts of Asian Design:
Due to the vast nature of “Asia” there are really many different styles which can be mixed and selected from regardless of which ‘tone’ is chosen. To aid in understanding the available themes and formats as well as common design attributes of each we list the more common below:
Chinese: China influenced design features highly detailed artwork that is rendered in bright colors and a variety of materials. China featuring both real-world elements from nature and famous landmarks as well as fantasy such as dragons abound. Wall hangings and specific style of furnishings with heavy use of dark wood and upholstery is common.
Indian: Although its own design style as well, India is considered in part ‘Asian’ and attributes such as the northern India use of vibrant reds and blues in tapestries and materials is often used in Asian design.
Japanese: Japanese design is all about simplicity. With sleek modern design elements in their furniture and subtle palettes of grays and greens, black and whites this style is all about relaxation and comfort in small spaces. Shoji screens and platform beds are common, as is using simple black and white artwork, bamboo mats and rich screens as window treatments and coverings. Adding Imari pieces of Asian porcelain will also help on the task for decorating your interior.
Korean: Often featuring wooden chests called “Tansu” with brass accents, decorated stair-steps and decorated screens Korea has a proud and unique heritage although it has often been referred to as the ‘melting pot’ of Asian design concepts.
Thailand: The Thai design features simple rattan furniture, gold-leafed statuary (often of the Buddha) and crisp designs in pottery such as the celadon style.
When it comes to Asian design the problem is not one of conforming to a theme, but in isolating a theme from the vast number of available options and staying true to that design concept. Whether you go with the rich Chinese, simple Indonesian or somewhat eclectic Korean as your base a well-done Asian theme brings feelings of harmony and comfort to any abode.
British India – Where Style Rules Over the Land
The “British” India style comes from the time the British Empire ruled India as a province and as such reflects both the rich English love of woods and heavy Victorian draperies, British East and Indian Victorian decor with fine art, along with typical Indian motifs and materials such as ivory and reed.
google_protectAndRun("render_ads.js::google_render_ad", google_handleError, google_render_ad); Extensive workmanship done in cheaper but beautiful materials and woods, and intricate designs in cloth, draperies and rugs. The mixture of the ‘old’ world in England and the new influences of Indian culture mixed to form a unique and beautiful feeling from the viewer that is quite unlike either style on its own but a fusion of the best and most elegant that each has to offer.
In many ways the rich almost opulent furnishings that make up the base for the British India style is not completely surprising since the elite classes of British colonials who dominated India were primarily the rich and were known for their sophisticated and discerning tastes.
What is perhaps surprising to some is the jumble of inexpensive and sometimes even cheap materials and artwork that accents these pieces or that was used for practical purposes that now appear quaint or even outright strange – such as the placing of a bed’s posts into bowls: a practice that was necessary to prevent crawling insects such as ants from making themselves at home.
Due to the unique problems and customs of India a rather eclectic mix of new and old, British and Indian pieces rapidly became the norm with many homes assuming at least to some degree the feeling of a high-end second-hand curio stop or antique display warehouse with every piece reflecting some of the history and personal details of the owner and their tastes. Some things now purely decorative such as the silk hangings around beds were necessary at the time to reduce the insect bites and discomfort of a steamy and bug laden night far away from the familiar cooler British Isles.
Often referred to as “Anglo-Indian” furniture the hybrid nature of furniture made in India for British colonials – featuring typical western functionality and structure with an Indian execution they have often been overlooked as a unique type or style until recently when one Amin Jaffer published an essay dealing with life in British India and commented on the fact that so many unique styles and pieces have been overlooked as art and classes unto themselves due to the very nature of their cross-pollination making them hard to classify as either existing style.
Chairs were typically seen as status symbols of British rule – since the typical Indian interior had no use for them, all business being conducted at the floor level so of course a British subject ‘ruling’ above Indians was an obvious status indicator that crosses culturally and caused many Indian lords and rajas to begin using thrones
The early governing body of India was “The East India Company” which was largely taken over in 1773 by the British government. To this date furniture and curio shops use the ‘East India’ term to describe many British Indian style objects and decorative items.
Due to the fact that trade and then British government drove most relations of western culture to its Indian subjects it is no surprise that a somewhat officious feeling to major pieces and room design in British homes was the core of what has now become to be known as the “British India” style – with heavy wood walls and thick strong tables and chairs the power and nature of British rule was made clear, while the best of Indian culture and art was reflected in the smallest of details such as handmade wood carvings and statues, or intricate glass works done in British Victorian styles with typically Indian trademarks. It was not unusual to see unique sculptures made from scraps show up as ‘treasures’ then just as now and this in fact became a large part of the style.
Another feature of the British India style that has now become synonymous with it is the use of chests and elephant statues and carvings as decoration. A room done in the British India style would not be complete with wooden chests, possibly iron-bound or with intricate carvings and unique woodwork – nor would it be true to the design if no ivory, draperies or throw rugs were to be seen.
Just as in the west decorative pillows and throws were popular but the style was often more Indian in nature then Victorian as it made no sense to import items that could be purchased locally far more cheaply just to see more familiar patterns in the fabric.
Elegant with several ‘heavy’ main pieces and inexpensive art and accents with a few ‘typical’ Indian necessities such as mosquito nets is the heart of this style and provided you stay true to this you will not go wrong.
Casual Design
The word ‘casual’ brings to mind the concept of a lack of concern, a carefree and even somewhat lazy approach that is more functional then decorative and like most such impressions getting it right is much harder then it looks to the untrained eye!
Being able to merge the attributes that make a room look homey, warm and comforting without making it look tired, old and sloppy can be difficult. Doing so in a way that is both comfortable to live in and easy to maintain while still being relatively inexpensive to design and create is what takes the real skill though!
Naturally you want the rooms in your home to be comfortable and easy to live in and maintain – a simple beanbag with a washable liner would accomplish that nicely and I suppose one could call that casual although most would define that style as ‘early bachelor’ as would having your laundry hamper in the living room where you can throw your clothes as you come home from work while easy to live in this is not what we refer to as casual style.
To create a casual decor style that is livable but obviously done on purpose and by someone with taste and a certain amount of sophistication you need to follow a few rules, such as:
Most casual rooms will rely on larger and more ‘blocky’ pieces of furniture rather then vertically high pieces or thin petite works. The larger scale provides a comfortable sense of security and confidence, as well as giving room for storage and spreading out.
Contemporary design
How is Contemporary Decoration Identified?
Perhaps because of an emphasis on clean lines and order, contemporary decorating will always draw comparison to modern and minimalist approaches to explain differences.
We won’t change that here either.
Contemporary features softer lines and an emphasis on comfortable texture to set it’s distinctive mood. Color, while not elaborately used is warming, even rich in the mid range, and never stark in the neutrals. More inviting than modern while remaining clean. Clean not sterile.
Modern Contemporary Decorating with Color and the Proper use of color
Rid your mind of any idea this color palette can be boring. An infusion of vibrant color can come from an accent wall of a different color, vivid accessories such as cushions, contemporary area rugs, and pillows, bold works of art. Let a prime piece of contemporary furniture, a sofa perhaps, be considered art and go uncharacteristically bold.
Let simplicity be your driving force in working a living room Contemporary plan
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You will be looking to create a good relationship between the environment your home provides and it’s user.
Here the word stark might come to mind again. It is a common fear but avoidable if you focus on putting visual order into your life. Order can be comforting and comfort is tranquility. Move forward with that thought in mind.
Surfaces and Putting Contemporary Texture to the Test
A modern lifestyle needs modern surfaces that are both functional and practical. On floors that means smooth. Choose Berber over cut pile where there are carpets. Flush fitting, durable finish hardwoods over v-grooved, waxed strip floors. You’ll need to avoid intricate detail on all surfaces, including moldings, furnishings and accessories. Not only do these interrupt objective softer lines but, maintenance and cleaning is more difficult.
Wood surfaces such as tables, shelving units and flooring can be dark toned or light but should remain consistent throughout a room. The choice of wood types and grain are open to your preference. But, don’t break from the consistency and continuity of your design concept mixing wood tones.
To add some depth to vertical lines where needed, a wall can be covered in a fine textured linen modern home wall paper. Don’t use anything with an elaborate pattern. Once again, remember you want to avoid intricate details.
Added texture can come from choices of upholstery fabrics and window treatment. Offset sleekness and smooth lines with linen, wool or raw silk. Focus on texture and color over elaborate patterns which might confuse the overall contemporary look.
The law of order
It is worthy of emphasis to stress the need to keep clutter minimal. In a busy household this isn’t always an easily attainable goal. But clutter can be kept out of sight so as not to confound all the order your decorating work will accomplish.
The use of multi-door, flush mount cabinets along the length of a wall can be incorporated easily into the furnishing decor theme. Let this generous amount of space with multiple divisions serve as a handy depository for your secret stash of papers and games, magazines and knick knacks, table linens and props, and everything else inappropriate to the view.
Distinguishing materials
Bright metals are a material of important application and prevalence in Contemporary decorating. Chrome, nickel and stainless steel is incorporated into the design of many furniture pieces, decorative accessories, lamps, and stand alone art. Versatility of the material cannot be denied but, the beauty in these metals is beheld in the addition of sleekness to the decorating purpose.
Lighting fixtures and use of light in contemporary design is an element of extreme importance. Think of it in that way –an element– when you put light to use and your project will finish in the right direction.
Illuminate and draw attention to key features. Beam streams of pure clean halogen light over focal points such as the central coffee table of a seating group. Flood softer light tight to and along walls.
Look for well designed track lighting to bring power to ceiling areas where power is unavailable. Opt for pot lighting where you can and directional spot fixtures where needed for reasons of utility.
Floor lamps are preferred over table lamps. Include these bright metal “sculptures” as a part of your metallic accent and accessory program and accomplish usable lighting with the same stroke.
You should be able to fill a room with light when needed or as you wish, be able to work the lighting for affect in much the same way a stage production crew might do in theater.
A final thought
Absolutely nothing in the decor package and design should be overpowering or try to make a solo statement. Make your personal statement through the appearance of the project in its totality.
Decorating According to Feng Shui
Feng Shui, pronounced (fung schway) the literal Chinese translation is (Wind and Water) and is reportedly an actual belief system that involves a complex mixing of religious, geographical, philosophical, mathematical astrological and aesthetic concepts.
google_protectAndRun("render_ads.js::google_render_ad", google_handleError, google_render_ad); The ancient art of Feng Shui that includes these mystical elements of Chinese philosophy is not actually a decorating style but rather a discipline that has become associated with the modern architectural and decorating themes that are based upon its core tenants. To be considered to have good Feng Shui a design, layout or object must be in harmony with nature, and some people themselves are thought to influence these designs by adding or subtracting from their surrounding feng shui.
People themselves however do not ‘have’ feng shui – they simply assert their chi (inner energy and life force) upon their environments and as such can affect the surroundings.
Until the 20th century few westerners knew that the art of feng shui even existed. This was because until this time traditions and knowledge of these techniques were passed down mainly through oral methods or through so-called ‘common sense’ and what felt natural to the Chinese peoples. Much as modern day city codes influence what is ‘right’ and ‘wrong’ so did feng shui work in Chinese culture – with disputes actually being managed by the legal system and courts in many cases.
When westerners were introduced to these philosophies they first were derogatory and skeptical but then became interested not so much in the belief system but in the logical and integrated approach to housing and layouts that following ‘good’ feng shui seemed to encourage. As with any good decorating style fenq shui followed a theme – in this the general theory that nature herself has chi (or qi as the Chinese say) focused primarily in water and wind and that to properly attune oneself to the natural chi one must align dwellings, possessions, landscaping etc. to attune with the proper flow of natures chi.
Some common guidelines for proper feng shui include:
The decorating aspects of fenq shui rely less on mystical attempts to fit in with nature and instead focus on the ideas of harmony and staying true to the nature of the space. Forcing early craftsman furniture into a log cabin for instance may not be a violation of fenq shui as an art, but as decoration it is a violation! The concept is to engage as many of your senses as possible while staying true to the underlying theme and attributes of your room and / or space. Some common examples designers use to accomplish this include:
· Italy and design are synonymous. In the world of design creativity, be it industrial design, art, fashion or furniture the world looks to Italy for inspiration. Since Roman times, Italians have led the way. It has been that way for such a span of time that this ability is more than heritage; it is a bloodline that sees and values the beauty hidden in an object.
Italian Design
google_protectAndRun("render_ads.js::google_render_ad", google_handleError, google_render_ad); Getting it right – Italian chic
Bring up Italian decorating in a group of people and you will doubtless get a number of varied interpretations on the meaning.
There are parts of the country such as Tuscany and Venice where tradition is deep and the characteristics of the decor are famed. But, these are regional themes. To outsiders, extravagant replication of neoclassic ideas are very common interpretations of what Italian decorating is all about but that is something to be preserved in history, not suitable to today’s chic Italian lifestyle.
Today’s Italians are in a race to improve the appearance and functionality of their living space. It has been that way really, since the problems of the post World War II era had been dealt with and Italian fascination with creativity was free to flourish once again.
The race will no doubt continue until some future catastrophic event changes it’s course.
Italian decorating today most definitely means leading edge. Leading edge in a way that you should not confuse with Modern.
Leading edge that doesn’t completely fit your understanding of Contemporary. Leading edge that stands alone as “newborn” Italian decorating. Newborn from a marriage of the creativity of a host of world leading designers with the strong traditions of master craftsmen, in a setting blessed with a wealth of solidly constructed, long occupied structures.
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