Neighbor Groups

A neighbor group consists of a two notes preceding a targeted note; one above the targeted note, the other below. In this example, the pitch on first beat of the second measure (C) is preceded by a diatonic pitch above (D), and a chromatic approach tone below (B):

Chord Progressions

These same passing tones and approach tones are utilized when constructing walking bass lines over a series of chords. The goal is to create a line with good melodic motion, which also presents the basic harmony of the song. This first example uses only chord tones (1-3-5-7) of each respective chord:

Here, chromatic passing tones are used to move by half-step from one chord to the next:

Here is another example using chromatic tones, including a chromatic approach tone resolving to the root of the Bbmaj7 chord:

Varying From the Quarter-Note Pulse

Walking bass lines are by no means limited to quarter-note motion. Variations in the rhythm, as with any melodic line, help to maintain the forward motion of the line, as well as maintaining the interest of the listener. Here, not only is the rhythm different (using an eighth-note division in the first measure, and triplet divisions in the second measure), but notice how in each of the first two measures, the root falls on the second beat.

Conclusion

Walking bass lines are a great study device when learning new songs, and they can also be a valuable part of a jazz mallet performer's repertoire. The examples on this web page are only a starting point. Transcribe the works of great bassists (Ron Carter, Dave Holland, Eddie Gomez, Charles Mingus, Paul Chambers, Jaco Pastorius, Gary Peacock, among many others), players who demonstrate how such a basic element of the jazz rhythm section can be immensely artistic and melodic.

(This page and all the materials within copyright ©2001 James Walker, All Rights Reserved. No portion of this page may be duplicated or distributed without the author's written consent.)

Дата добавления: 2015-10-24