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Text 1 Yellow Journalism

VOCABULARY FILE | FROM THE HISTORY OF A NEWSPAPER | CLASSIFICATION OF NEWSPAPERS | Now it is time to speak about READING HABITS of people of different age, social or political status or interests. | LISTENING PRACTICE | PENTAGON PAPERS | SAMPLE ANALYSIS | ACHIEVEMENT TEST | Variations in Frequency of Publications and Programs | Ann Quidlen (born in 1951) |


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Read the text and find the information about the new features introduced in the newspaper by Joseph Pulitzer and William Hearst. What explanation to the term “yellow journalism” is given in the text? Do you know any other explanations? Share you knowledge with your group mates.

Yellow journalism is a pejorative reference to journalism that features scandal-mongering, sensationalism, jingoism or other unethical or unprofessional practices by news media organizations or individual journalists.

The term originated during the circulation battles between Joseph Pulitzer's New York World and William Randolph Hearst's New York Journal from 1895 to about 1898, and can refer specifically to this period. Both papers were accused by critics of sensationalizing the news in order to drive up circulation, although the newspapers did serious reporting as well. The New York Press coined the term "Yellow Journalism" in early 1897 to describe the papers of Pulitzer and Hearst. The newspaper did not define the term, and in 1898 simply elaborated, "We called them Yellow because they are Yellow." W R Hearst routinely invented sensational stories, faked interviews, ran phony pictures and distorted real events. Such approach came to be known as yellow journalism, named after the Yellow Kid, a character in New York World ’s comic strip Hogan’s Alley.

Joseph Pulitzer purchased the World in 1882 after making the St. Louis Post-Dispatch the dominant daily in that city. The publisher had got his start editing a German-language publication in St. Louis, and saw a great untapped market in the nation's immigrant classes. Pulitzer strove to make The World an entertaining read, and filled his paper with pictures, games and contests that drew in readers, particularly those who used English as a second language. Crime stories filled many of the pages, with headlines like "Was He A Suicide?" and "Screaming for Mercy". In addition, Pulitzer only charged readers two cents per issue but gave readers eight and sometimes 12 pages of information.

While there were many sensational stories in the World, they were by no means the only pieces, or even the dominant ones. Pulitzer believed that newspapers were public institutions with a duty to improve society, and he put the World in the service of social reform. During a heat wave in 1883, World reporters went into the Manhattan's tenements, writing stories about the appalling living conditions of immigrants and the toll the heat took on the children. Stories headlined "How Babies Are Baked" and "Lines of Little Hearses" spurred reform and drove up the World' s circulation.

Just two years after Pulitzer took it over, the World became the highest circulation newspaper in New York, aided in part by its strong ties to the Democratic Party. Older publishers, envious of Pulitzer's success, began criticizing the World, harping on its crime stories and stunts while ignoring its more serious reporting—trends that influenced the popular perception of yellow journalism, both then and now.

Pulitzer's approach made an impression on William Randolph Hearst, a mining heir who acquired the San Francisco Examiner from his father in 1887. Hearst read the World while studying at Harvard University and resolved to make the Examiner as bright as Pulitzer's paper. Under his leadership, the Examiner devoted 24 percent of its space to crime, presenting the stories as morality plays, and sprinkled adultery and "nudity" (by 19th century standards) on the front page.

But while indulging in these stunts, the Examiner also increased its space for international news, and sent reporters out to uncover municipal corruption and inefficiency.

www.en.wikipedia,org


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