Fig. 18. Cathedral of Christ the Saviour

The Russian-Byzantine Revival style of his project, intended to underline similarity of the new church with old cathedrals of the Moscow Kremlin, displeased many of his fellows, who wanted to see the cathedral built in the severe Neoclassical style. Nevertheless, the emperor personally approved his design. Thon and his disciples continued to work on the cathedral for the next 50 years, until the master's death in 1881.

In 1836-1842 Thon supervised the construction of another ponderous church with a spacious interior, that of Presentation to the Temple for the Semenovsky regiment in St. Petersburg. He followed this with dozens of Neo-Russian-Byzantine designs for churches and cathedrals in provincial towns, including Sveaborg, Yelets, Tomsk, Rostov-on-Don, and Krasnoyarsk. Some of his revivalist projects were assembled in the Model Album for Church Designs (1836).

From 1838 to 1851 Thon was employed in construction of the Neo-Russian Grand Kremlin Palace and the Kremlin Armoury in Moscow. The grandiose palace, famed for opulent interiors of its 700 rooms and halls, was meant to symbolize the grandeur of the Russian state. It was a daring design which incorporated parts of earlier structures. The palace has served successively as an official residence for the Russian tsars, Soviet rulers, and the Presidents of the Russian Federation. At the same time, Thon rehabilitated the abandoned Izmaylovo Estate into an almshouse for the veterans of the Napoleonic Wars.

Thon's last important commissions were the Nikolaevsky railway stations in Moscow and Saint Petersburg (1849–1851). In his design for the stations the architect implemented some of the newest construction technologies. Despite large pieces of steelwork used in the construction, Venetian facades and medieval clock towers of the stations cleverly masked their modern function. Both structures, although extensively reconstructed, are still standing.

After the death of his patron, the Emperor, Thon's failing health prevented him from working on other projects apart from the great cathedral in Moscow. He died at St. Petersburg in 1881.

Even during his lifetime, the more radical of his contemporaries, such as Alexander Herzen, dismissed his architecture as "reactionary manifestation of the tyrant's rule". The Soviet authorities, labelling Thon's churches ugly chests of drawers, systematically destroyed as many of them as possible, including all his churches in St Petersburg and vicinity and the work of his life, the Cathedral of Christ the Saviour. The fall of the Soviet rule in 1991 brought about a renewed interest in the work of the Neo-Russian-Byzantine master.

St. Nicolas church (Fig. 19) built in 1896 after the project taken from Thon’s Model Album for Church Designs is situated in the Orel region (Maloarkhangelsk district, village Upaloye). The church was greatly destroyed during the Soviet times. Nowadays it is being rebuilt.

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