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Inversion is the syntactic phenomenon of intentional changing word-order of the initial sentence model.

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Classification. There are two basically different types of inversion: gram­matical and stylistic. Grammatical inversion is devoid of stylistic information. It is just a technical means of forming different types of questions. Stylistic inversion is such a change of word-order which gives logical stress or emo­tional colouring to the language units placed in an unusual syntactic position.

Stylistic inversion is typical of the predicate, predicative and all the sec­ondary parts of the sentence:

In came Jack, (predicate)

Insolent Connor's conduct was. (predicative)

Little chances Benny had. (direct object)

To her family Martha gives all her time, (indirect object).

A horribl e death Douglas died, (cognate object)

This is a letter congratulatory, (attribute)

To the disco Hilda went, (adverbial modifier)


 



 



starved heart of that girl? 3. There was no breeze came through the door. 4. And if his feelings about the war got known, he'd be nicely in the soup. Arrested, perhaps - got rid of, somehow. 5. She narrowed her eyes a trifle at me and said I looked exactly like Linda's boy. Around the mouth. 6. David had been nearly killed, ingloriously, in a jeep accident. 7. "Shuttleworth, 1-і want to speak to you in - in strictest confidence - to ask your advice. Yet -yet it is upon such a serious matter that I hesitate - fearing...". 8. It was better that he knew nothing. Better for common sense, better for him, better for me. 9. He ran away from the battle. He was an ordinary human being that didn't want to kill or be killed, so he ran away from the battle. 10. Failure meant poverty, poverty meant squalor, squalor led to smells and stagnation. 11. Daniel is an unnatural, ungrateful, unlovable boy. 12. Their anxiety is so keen, their vigilance is so great, their excited joy grows so intense, that how can she resist it! 13. The sky was dark and gloomy, the air damp and raw, the streets wet and sloppy, 14.1 know the world and the world knows me. 15. And they wore their best and more colourful clothes. Red shirts and green shirts and yellow shirts and pink shirts. 16. Through his brain, slowly, sifted the things they had done together. Walking together. Dancing together. Sitting silent together, watching people together. 17. Sit down, you dancing, prancing, shambling, scrambling fool parrot! Sit down! 18. Badgworthy was in seventh heaven. A murder! At Chimneys! Inspector Badgworthy in charge of the case. Sensational arrest. Promotion for the inspector. 19. He, and the falling light and the dying fire, the time-worn room, the solitude, the wasted life, and gloom, were all in fellowship. 20. People sang. People cried. People fought. People loved. People hated. Others were sad. Others gay. Others with friends. Others lonely. Some died. Some were born. 21. Richard said that he would work his fingers to the bone for Ada, and Ada said that she would work her fingers to the bone for Richard. 22. I wake up and I'm alone, and I walk round the town and I'm alone, and I talk with people and I'm alone and I look at his face when I'm home and I'm dead. 23. "Where mama?" - "She home". 24. And Fleur ~ charming in her jade-green wrapper - tucked a corner of hef lip behind a tooth, and went back to her room. 25. A dark gentleman... A very bad manner. In the last degree constrained, reserved, diffident, troubled. 26. Why do we need refreshment, my friends? Because we are but mortal, because we are but sinful, because we are but of the earth, because we are not of the air? Can we fly, my friends? We can not. 27. How have I implored anu begged that man to inquire into Captain's family connections; how have I urged and entreated him to take some decisive step. 28. She says - you kno#


her way - she says, "You're the chickenest-hearted, feeblest, faintest man I ever see". 29. The one was all the other failed to be. Protective, not demand-in*; dependable, not weak; low-voiced, never strident. 30. Passage after pas­sage did he explore; room after room did he peep into. 31. June stood in front, fending off this idle curiosity - a little bit of a thing, as somebody said, "all hair and spirit". 32. Down dropped the breeze, the sails dropped down. 33. Little by little, bit by bit, and day by day, and year by year the baron got the worst of some disputed question. 34. Better to reign in hell than serve in heaven. 35. There's many a man in this Borough would be glad to have the blood that runs in my veins. 36. You just come home or I'll... 37. Have I not had to wrestle with my lot? Have I not suffered things to be forgiven? 38. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. 39.1 am above the rest of mankind, in such a case as that. I can act with philosophy in such a case as that. 40. And so, from hour to hour, we ripe and ripe. And then, from hour to hour, we rot and rot.


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Читайте в этой же книге: CHAPTER 6 | Metonymy is transference of a name of one object to another object. Metonymic transference of names is based upon the principle of conti­guity of the two objects. | METAPHOR | Epithets are such attributes which describe objects expressively. | ANTONOMASIA | SYNONYMS | OXYMORON | This figure of contrast stands close to oxymoron. The major differ' ence between them is structural: oxymoron is realized through a single | Classification. | NOMINATIVE (NOMINAL) SENTENCES |
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Stylistic repetition of language units in speech (separate words, word-combinations or sentences) is one of the most frequent and potent stylis­tic devices.| Plans of Seminars

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