Читайте также:
|
|
• Gray balance. Printing the standard colors cyan,
magenta, and yellow together does not produce a
neutral gray but a brown tint. To counteract this,
the positive cyan color separation is produced with a
5–10% higher area coverage than the magenta and
yellow separation.
• Masking the original. Color transparencies usually
have a wide density range, for instance 2.80 optical
density units, which is detrimental to the reproduction
process. If a slightly blurred negative (mask) is
produced from the transparent positive on very
slow reacting panchromatic continuous-tone film
that has a density range of 1.00, the combination of
transparency (original) and mask will now have a
density range of only 1.80 (2.80 – 1.00 = 1.80) density
units, which is closer to the range reproducible in
the print. Additional color filters used during the
production of the mask allow color values to be corrected
at the same time (e.g., correction of desaturation
when the color of the filter is the complimentary
color of the color separation being corrected).
• Masking to correct color separations. An auxiliary
recording (mask) is produced photographically for
each color separation and has the opposite errors to
those in the separation. The color separation and
mask are copied together so that the errors cancel
themselves out.
• Alteration of dot size by controlled over-exposure (dry dot etching). When copying halftone screened color separation films in the contact copier, an enlarge-
ment of the dots can be achieved by over-exposure
caused by light scattering effects in the light sensitive
coating. There is a systematic relationship between
the degree of increase in dot size and the exposure
time.When copying from a negative to a positive,
over-exposure will give a positive correction.Overexposure
will give a negative correction when copying
from a positive to a negative (fig. 3.1-55).
• Reducing or intensifying halftone dots on the film. The
aim is (also known as “halftone etching”) to reduce
the size of the halftone dots without “dry dot etching”.
The developed and dried film is treated with an
aqueous reducing solution that gradually converts
the black silver of the image to a water soluble silver
salt, which is then washed away. This process occurs
mainly outwards from the edges of the blackened
areas of the film coating.Halftone dots with a flat
blur edge react particularly well to the reducer.Halftone
dots are intensified on the film by dyeing the
coating with a dye that attaches itself only to the
blackened areas of the coating, or by increasing the
quantity of black silver in the image as a result of a
physico-chemical process.
• Undercolor removal (UCR; see sec. 1.4.2). Electronic
color separation devices allow gray values in the
colored image to be produced by the black color
separation alone, instead of by overprinting the
three process colors. Tertiary colors are made up of
black and only two of the process colors. The advantage
of this system of color separation correction
is that the gray of the image is reproduced correctly,
even if there are deviations in color of the
process colors, which would show up immediately
as tints in a gray produced from the three colors.
Proof (see sec. 3.1.6)
• Simulation of the dot gain of the printed job. Analog
color proofing processes start with the films of the
separated colors. In order to produce a proof that
corresponds to the expected printed result, the dot
gain produced by the printing process must be simulated.
For example, in the toner-based proofing
process (see fig. 3.1-43) dot gain may be controlled
within certain limits by varying the exposure time
and toner supply.
• Simulation of the substrate. The optical properties
of the substrate have a large influence on the printed
result. These may be approximated in the proofing
process by the use of various carrier materials
available or by laminating translucent films with
different diffusion factors due to different surface
roughnesses.
Дата добавления: 2015-11-16; просмотров: 64 | Нарушение авторских прав
<== предыдущая страница | | | следующая страница ==> |
Color Management | | | Джерела вiдомостей про давньогерманськi племена |