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As the name implies, the printing ink is pressed onto
the substrate through a screen or a stencil (fig. 3.1-54).
For this a squeegee is drawn across the printing form,
which forces the ink through the screen’s open mesh
(see sec. 2.4.1).
In the screen-making process the screen that serves as
an image carrier is opened in accordance with the image
to be printed. The main methods applied are as follows:
• In the direct process the screen is covered with a light sensitive stencil emulsion and exposed with a film
positive. The exposed parts of the coating then cure
and the unexposed parts of the coating are washed
off. This method is preferred for halftone jobs.
• In the indirect process a special screen printing film
is first exposed with a positive film and developed,
and only then transferred to the screen. After drying
the film base is removed; the printing form is ready.
• Finally, it is also possible to combine the above
methods into a direct-indirect process: the special
screen printing film is first applied to the screen,
additionally covered through the screen, and only
then exposed and developed.
• A special form of screen printing (rotary screen
printing) is applied when printing textiles or wallpaper.
Here cylindrical metal stencils are used that
have been produced – for example – in an electroplating
process (like the metal foils used in some
electric razors).
There are detailed recommendations for quality control
in halftone screen printing that may be considered as
standard. The quality of the print is not only affected by
the actual copying process, but also by the selection of
the screen frame, the screen fabric, and the preparation
of the process. Of absolute importance is the correct dimension of the screen frame considering the printing
format and the tension of the fabric. Checking the fabric
tension with a screen tension meter is important for
good register in multicolor printing. The evenness of the stencil thickness across the entire print format and the repeatability of the coating process are essential criteria for the quality. This is only achievable with an automatic coating machine or when direct films are applied. It is advisable to carry out routine checks of the roughness value of the printing side and of the thickness of the stencil. (The roughness value RZ [see e.g., ISO 4287]should be between 4 µm and 10 µm.)
The most important control device for the production
of screen printing forms is the UGRA Plate Control
Wedge 1982 (see fig. 3.1-51), well-known in offset
printing. If in the microline target the finest positive
lines reproduced on the printing plate are 10 µm, the
copy is correct. The tone value decrease in the middle
tones is then approximately 4%for frequencies of 24/cm
or 30/cm. This value corresponds to the circumstances in offset printing for 60/cm and positive platemaking.Once the copy has been calibrated together with the test wedge, that is, the optimal light sum has been determined for a certain type of stencil with a specified thickness, the contone wedge is a simple means of control for other copies, the solid step of the contone wedge on the ready-to-print screen forms must correspond to the value determined in the calibration. If a different step is shown a new calibration procedure must be initiated.
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Letterpress Printing, Flexography | | | Color Management |