Darkness Curves

Darkness curved around the apartment towers of Marina Baie des Anges, one night enclosing another as the realms of physics and the dreamtime merged into each other. The last trains of balcony lights bent into themselves as the people of the cliff face lowered their blinds for bed. A jazz piano sounded faintly from a roof terrace, overlaid by the siren of a cruise liner avoiding a flotilla of fishing craft, carbide lamps over their sterns.

Still wearing the zebra dress, Frances had slept beside me. Her smudged make-up, the streaks of mascara and lipstick on her chin turned her face into an amiable kabuki clown's. She brushed the hair from her eyes and stared at herself in the ceiling mirror.

'Paul? I'll drive you home.'

'I'll find a cab – the concierge can call one.'

'It's better if I take you. Anyway, I need to look in somewhere first.' She ran a hand across my chest, then kissed my nipple in a show of affection. 'You really woke up. I hope it wasn't just this nasty little frock.'

She sat up and let me lower the zip, then eased the tight sheath over her shoulders. She tossed it onto a chair, where it settled into itself, desire deflating.

'Yuck – I'll throw it away.'

'Don't. I like it.'

'Why? I'll get it dry-cleaned. No? Isn't that going a little far?'

Curious to know everything about me, she examined my face in the pale light, her finger tracing the contours of my cheeks and chin. She had moved me a few squares across the board inside her head, at the cost of enormous effort, but her confidence in herself had returned.

'Where did you get the dress?' I asked, certain that I had thrown it away after leaving the refuge. 'And the tights?'

'Not in the Rue d'Antibes. They were in a rubbish bin near La Bocca. '

'You were following me?'

'No. But a lot of people are.'

'Why?'

'They think you may find something.'

'About Greenwood?'

'Maybe. Or something about you.' She sighed and scratched an ear, concerned for my naivety. On the way to the bathroom she collected the zebra dress, and briefly posed with it. 'Your friend Halder saw you stuff it into the bin. He was a bit shocked, so he passed it to me. Of course, I knew exactly what it meant. Does it suit me?'

'After midnight? Absolutely.'

'It makes me look twelve.'

'Thirteen. There's a difference.'

'I suppose there is. Have you ever had sex with a thirteen-year-old?'

'As it happens, I have.'

'Really? I'm impressed. You don't look the type.'

'I was twelve at the time. She was my girlfriend. I always did exactly what she told me.'

'Sensible little chap,' Frances commented. 'No wonder I like you.'

'One day she said we were going to have sex. So we did.'

'Thirteen years old. Any others since then?'

'Of course not.'

'Why "of course"? Let your imagination go out to play. You're not a paedophile.'

'Does that make it all right?'

'In a way, I think it does.'

We sped along the RN7 towards Antibes, past the Casino hypermarket at Villeneuve-Loubet and the Fort Carré. The ceramics shops sat in the darkness, their terracotta urns facing each other across the road like chesspieces. I lay back in the passenger seat of the BMW and let the night air rush into my face, thinking affectionately of Frances. She made love in the same single-minded way that she drove her car, firmly gripping the controls and scanning the road ahead for unexpected potholes.

She was still using me, for reasons I was too tired to fathom, but my head felt clearer than it had for months.

We left Golfe-Juan and its marina, a white city asleep on the water. Near the old Ali Khan mansion, where the prince had first noticed Rita Hayworth's fading mind, Frances turned off the RN7. We began to climb the steep road that led towards the billionaire heights of Super-Cannes. Luxury villas as lavish as palaces stood in their groomed parks. On the wrought-iron gates, surveillance cameras crouched like hawks.

Frances fumbled over the repeated gear changes as we struggled towards the high corniche. She stalled the engine beneath a sallow array of sodium lights at the junction with the Vallauris road.

' Frances, do we need to come this way? It's like Everest without the charm.'

She started the engine again, and tapped a folder filled with property brochures that lay on my lap. 'I promised to leave these with Zander. He's at the Villa Grimaldi – the bigwigs at Eden-Olympia do their entertaining there.'

'They'll all be asleep. It's 3.30. Four hours from now they'll be at their desks.'

'Not tomorrow. They're holding some kind of reunion dinner. Look around the place – you won't have to talk to them.'

We turned off the corniche road and stopped on a gravel forecourt like a moonlit beach. Two security men in Eden-Olympia uniforms checked Frances 's pass and waved us forward as the gates opened. Screened by tall cypresses, the Villa Grimaldi stood above its sloping lawns, a former palace hotel of the belle époque. We passed the car park, where chauffeurs dozed over their steering wheels, and followed the drive towards a side entrance. A black Range Rover clumsily straddled a flowerbed, its tyres flattening the rose bushes. Isolated figures patrolled the lawns, like shadows free to play among themselves for a few hours each night. Behind the shrubbery sounded the low-pitched murmur of radio traffic, a soft anatomy of the night.

'Give me five minutes.' Frances switched off the engine and took the brochures from me. 'Use the men's restroom – there's some expensive aftershave. Jane might spot that La Bocca pong…'

We stepped through the conservatory entrance of the former hotel. The glass-ceilinged lounge was lit by the moon, and upholstered chairs were drawn around a concert platform where dust covers concealed a grand piano. A single standard lamp shone in the central hallway. Statues of condottieri stood in their airless niches, darkness flaring in their eye sockets and nostrils.

A steward carrying a tray of glasses and a bottle of Armagnac greeted Frances and gestured towards an interior courtyard, where a dinner party was still in progress. The four remaining guests sat in shirtsleeves around a table loaded with the debris of a lavish midnight breakfast. Spent champagne bottles lay on their sides among a clutter of silver cutlery and lobster claws.

The guests were senior executives at Eden-Olympia. Besides Pascal Zander, I recognized the chairman of a German merchant bank and the chief executive of a French cable company.

The fourth man was Robert Fontaine's successor, an affable American named George Agassi, to whom I had briefly spoken in Jane's office. They were pleasantly high, but in an almost self-conscious way, as if they were members of a tontine blessed by the unexpected death of two or three of its members. An aggressive male banter crossed the night air, watched at a distance by the stewards. Only Zander was drunk, barking at a steward to light his cigar, white shirt open to the waist, its silk facings smeared with shellfish. He raised his glass to Frances when she handed the brochures to him, and opened a folder at random. As he questioned her about the property his left hand began to feel her thighs.

Leaving them to it, I walked back to the conservatory. Searching for the men's room, I followed a sign that pointed down an oak-lined corridor to the library. The purple carpet, trodden perhaps by Lloyd George and Clemenceau, muffled my steps, and I could hear a curious wailing, like the bleating of sheep, coming from the smoking room.

I paused by a pair of glass swing doors fitted with ornate brass bars. A television set played in a corner of the smoking room, watched by two more of the dinner guests, sitting in their leather armchairs. The only light came from the screen, its reflection trembling in the glass eyes of the dead moose whose stuffed heads hung from the walls. A stack of video-cassettes lay on a table between the two men, who scanned the clips like film producers seeing their studio's daily rushes. They sat with their backs to me, nodding their appreciation of the finer points of the action. One of the men had cut away his shirtsleeve at the elbow, and a lint bandage covered his forearm, but he seemed untroubled by the injury.

I recognized the scene they were watching, filmed from the terrace steps at the Cardin Foundation, which I had witnessed only a few hours earlier. This time the robbery appeared in close-up, taking place within yards of the cameraman's lens, but there were the same swerving lights, raised truncheons and panic, the same stunned technicians and reeling make-up girls.

I listened to the screaming of the Japanese women. The noise ended when the man with the bandage operated the remote control, and replaced the Cardin cassette with another. The two men sat back to watch a scene filmed in an underground car park, where an elderly Arab in a grey suit lay on the concrete floor beside a car with a broken windscreen.

Some shift of light in the smoking room made both men turn, perhaps sensing my presence. I drew back into the corridor.

Beyond the smoking room was the library, its leather-padded doors slightly ajar.

I stepped into the high-ceilinged room, its stale air heavy with the immemorial odour of unread books, pierced by a sharper and more exotic scent that I had caught earlier that night. Glass-fronted mahogany cases lined the walls, filled with leather-bound volumes that no one had opened for a century. A faint light shone from the gilt-ribbed spines, but a far greater lustre glowed from the booty in the centre of the room.

Fur coats were heaped high on the billiard table, the rich pelts of lynx, sable and silver fox. There were more than a dozen coats, some full-length, others with puffed sleeves and exaggerated shoulders. Two mink stoles and an ocean-blue sheared-mink poncho lay on the floor, their resilient pile still recovering from the booted feet that had stepped across them.

I looked down at this hillock of hair, savouring the curious perfume that had drifted across the night air from the Cardin Foundation. In their terror, the Japanese models had shed the powder from their skin, and the ice-like talc now lay on the dusty linings.

'Paul…?'A voice spoke behind me. 'I didn't know you were here. My dear man, you should have joined us at dinner.'

I turned to find Alain Delage standing in his shirtsleeves by the doors. He greeted me affably, unconcerned by his slurred speech and flushed face. He swayed in the dim light, trying to find his feet, and I noticed the bruises on his chest and arms, as if he had been involved in a violent street-brawl.

In one hand he held a cassette, and he seemed about to present me with a record of our shared evening. Did he know that I had seen the robbery take place? His eyes wandered around my face, searching for a sign of my approval, as if he were a moderate tennis player who had managed to beat the club professional.

'Magnificent, aren't they?' He pointed to the fur coats. 'The finest graded pelts. We should give one to Jane.'

'Alain, that's kind of you. But her generation… they have a thing about fur. What about Simone?'

'Yes, well, she'd love one. Think of the two women in mink together. Jane likes to do what Simone says…'

'Where did the furs come from?'

'I'm not sure.' Delage gazed around the shelves of books, hoping for an answer in their sealed pages. 'We borrowed them from an advertising company. We're using them in a film for Wilder Penrose.'

'They're props, then?'

'That's it.' Alain smiled at me, happy to display a freshly chipped tooth. He blinked behind his lenses, an earnest accountant who was proud to have acquitted himself well in this dangerous action.

I sensed that he wanted to confide in me, and assumed that I was about to become one of his intimate circle.

Frances was waiting for me in the conservatory, brochures under her arm. I already guessed why she had made the detour to the Villa Grimaldi, another stage of my education into the realities of Eden-Olympia.

'Paul, are you all right? You look as if you've seen something.'

'I have.' I opened the passenger door of her car, realizing the role played by the brochures. I glanced at the Range Rover parked across the rose bushes. In his escape from the Cardin Foundation, the driver had torn a deep rent in the wing. ' Frances, for the first time I understand what's going on.'

'Tell me. I've been trying to find out for years.'

'These robberies, the amateur drug-dealing, all this playground violence – the people running Eden-Olympia are pretending to be mad. Frank Halder was right…'

Дата добавления: 2015-09-07