William Wycherley

The Country Wife

A product of the tolerant early Restoration period, the play reflects an aristocratic and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time. Even its title contains a lewd pun. It is based on several plays by Molière, with added features that 1670s London audiences demanded: colloquial prose dialogue in place of Molière's verse, a complicated, fast-paced plot tangle, and many sex jokes. It turns on two indelicate plot devices: a rake's trick of pretending impotence in order to safely have clandestine affairs with married women, and the arrival in London of an inexperienced young "country wife", with her discovery of the joys of town life, especially the fascinating London men.

The Country Wife is more neatly constructed than most Restoration comedies, but is typical of its time and place in having three sources and three plots. The separate plots are interlinked but distinct, each projecting a sharply different mood. They are:

Horner's impotence trick
the married life of Pinchwife and Margery
the courtship of Harcourt and Alithea

The Restoration

Aphra Behn (1640 - 1689)

Aphra Behn stars in the canon of English literature as the first known English woman to earn her living by the pen. She is famous for her prose workOroonoko(1688) and for her comic Restoration dramas such asThe Rover(1681) andThe Lucky Chance(1686). As well as plays and prose she wrote poetry and translated works from French and Latin.

From what we know of her life she had a colourful childhood and adolescence, some of which was spent in Dutch Guiana in the West Indies (providing material for Oroonoko).

The Forc'd Marriage, her first play, was produced in 1671, and its witty and vivacious style was typical of her work. The Rover, produced in two parts, was a highly successful depiction of the adventures of a small group of English Cavaliers in Madrid and Naples during the exile of Charles II. Oroonoko is the story of an enslaved African prince and is now considered a foundation stone in the development of the English novel. Among her sources was the Italian commedia dell' arte (improvised comedy).

In her time she was a popular celebrity who caused something of a stir due to her independence as a professional writer and her concern for equality between the sexes.

She often published under her spy code-name, Astrea

John Bunyan

Bunyan's Pilgrim's Progress is a work of pros e. It is a major work of the Restoration.

John Bunyan was a passionately religious man, imprisoned in 1660 for preaching without a license, and spending most of the next twelve years in jail. It was after his release and during his second imprisonment in 1676 that he seems to have written his most famous and influential work, The Pilgrim's Progress. It is an allegory told by a dreamer, much like certain medieval poems (Pearl is the clearest example). Its full title is The Pilgrim's Progress from this World to that which is to come and is was published in two parts, in 1678 and 1684. The dreamer sees a man, Christian, clothed in rags, with a burden on his back, leaving his house behind in the knowledge that it will burn down. The book he holds in his hands has told him so. He has to flee his family who think he has gone mad and escape the City of Destruction. On the advice of Evangelist he begins a journey through a series of allegorical places: the Slough of Despond, the House Beautiful, the Valley of Humiliation, the Valley of the Shadow of Death, Vanity Fair, Doubting Castle and so on to the Celestial City that he seeks. Each character and place in the dream is given an appropriate name: so Christian meets the goodly Hopeful and Faithful, the cheating Mr Legality and the evil Giant Despair. The format is not unlike that of Spenser's The Faerie Queene in this sense and in that of a divinely inspired journey. The second part concerns the Christiana, Christian's wife, who is inspired to follow on a similar pilgrimage.

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