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Contents
1. Introduction…................................................................................................ 3
2. History Museum of Fine Arts named after AS Pushkin………………4-5
2.1 Types of exposure.....................................................................................5
3. Мuseum activities……………………………………………………….. 6
3.1 The archaeological activity…………………………...………………6
3.2 The Scientific activity…………………………………………………6
3.3 The Educational activity……………………………………………...6
3.4 The exhibitions………………………………………….……….…..6-7
3.5 The Musical activities……………………………………………….....7
4. Exhibition of Le Corbusier in the Pushkin Museum……………………...7
5. Biography and Creativity Le Corbusier……………………...…………...7
6. Periods of life………………………………………………………...…….7
6.1 Swiss period 1887-1917……………………………………………….7
6.2 Purism period 1917-1930……………………………………………...8
6.3 1930 - the beginning of "international" style………………………….8
6.4 Period 1940-1947……………………………………………………...8
6.5 period of "new plastitsizma" - 1950-1965…………………...…...…8-9
7. Sections of the exhibition…………………………………………….…..9-10
8. Glossary…………….…………………………………………………..11-13
9. Abstract………………………………………………………….…...14-15
Introduction
In the XVIII century, in the depths of the Moscow University came cabinet, which are collected and processed by the scientific collections of numismatics and heraldry. It was the first of the future museum exhibits. The idea of creating a Museum of Fine Arts Moscow belonged University scientists. The creation of "the aesthetic of the museum" insisted Princess Zinaida Volkonskaia, salon which used a certain influence in the cultural and artistic life of Moscow. In 1831, the program has been posted to the future museum.
History Museum of Fine Arts named after AS Pushkin
Museum of Fine Arts named after AS Pushkin is one of the largest art collections of foreign art in Russia from ancient times to the present day. The Museum was founded on August 17, 1898, when the first stone of the building was laid. The founder and first director of the Museum in 1911-1913 was Ivan Tsvetayev (1847-1913), professor at Moscow University.
The building takes the form of an ancient temple on a high podium with Ionic colonnade on the facade. The glass roof provides a sufficient amount of daylight in the rooms of the second floor. Electric lighting in the halls was not planned. It was believed that it is better to visit sculpture museum with natural light and it will be open only during daylight hours. In interior decoration elements from different historical periods were used according to the original documents. Striving for accuracy in detail, Tsvetayev constantly provided the architect with modern literature on the special model for its era architectural monuments, which were to be used as prototypes for the design of the facade and interiors. For example, the main facade of the Museum was decorated with colonnade, on a larger scale reproduces the proportions of the colonnade of the eastern portico of the Erechtheion temple, located on the Acropolis of Athens (built in 421-406 years. BC). Tsvetayev ordered Casts and other copies in foreign shops in the forms taken from the originals. Most of the Museum's collection is an antique art. The collection reflected the latest archaeological discoveries and scientific reconstruction of sculptural monuments. Art of the Middle Ages, the Italian and Northern Renaissance, was first introduced in Russia, and was an independent sections exposure. The Grand opening of the Museum of Fine Arts named after Tsar Alexander III was held on May 31, 1912. In 1932, the museum was renamed in the National Museum of Fine Arts. In 1937, the museum was named after Alexander Pushkin. Museum soon became popular among the general public: the attendance during the week was 700-800, and on Sundays and holidays up to 2 500 people. Many people came: teachers and school pupils, students of Advanced Courses for Women, Moscow Archaeological Institute, National University named after Shanyavsky. The halls conducted classes with students and tours for the public.
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Этика музейного и галерейного дела | | | Sections of the exhibition. |