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Recommended Records
| Recommended Records | |
| |
| Founded | March 1978 |
| Founder | Chris Cutler |
| Distributor(s) | RēR Megacorp (U.K.) RēR USA (U.S.) Locus Solus (Japan) |
| Genre | Rock in Opposition, avant-rock, experimental music |
| Country of origin | England |
| Location | Thornton Heath, Surrey |
| Official Website | RēR Megacorp |
Recommended Records (RēR) is a British independent record label and distribution network founded by Chris Cutler in March 1978. RēR features largely "Rock in Opposition" and related music, but it also distributes selected music released on other independent labels.
In 1982 Cutler established November Books, the publishing wing of Recommended Records, and between 1985 and 1997, Recommended Records and November Books published RēR Quarterly, a "quarterly" sound-magazine edited by Cutler.
In 1989 Recommended Records became known as RēR Megacorp with a turnover of £180,000 in 1994.[1]
edit] History
When English avant-rock group Henry Cow toured Europe between 1975 and 1977 they encountered many bands in a similar situation to their own: they were forced to operate outside the music industry that refused to recognise their music. In 1978 these groups got together and formed Rock in Opposition (RIO), "a collective of bands united in their opposition to the music industry and the pressures to compromise their music" [2]. To provide a record label and distribution network for these artists, Chris Cutler of Henry Cow established Recommended Records (RēR) as a model for a non-profit music company. When RIO folded as an organisation in late 1979, RēR continued RIO's work by representing and promoting marginalised musicians and groups. RēR became a "virtual" RIO, and "... is part of the continuing legacy of RIO". [3]
RēR founder, Chris Cutler, November 2007.
Recommended Records grew from "Ré", a private record label in 1978 to "RēR Megacorp" in 1989, an internationally recognised independent record company with distributors worldwide. They have consistently introduced new and interesting artists from around the world, many of whom might never have been able to release records. They have always put the artist first and commercial viability second.
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