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Excerpt from Miss Julie by August Strindberg, the Play Seen by Natalie and Markus on Their Second Date

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  1. A second important advantage / of frequency division systems / is / the greater / number / of possible channels.
  2. A) Consider the synonyms; match words with their definitions.
  3. A) Identify each of the electronic components below and draw their circuit symbol in the space provided.
  4. A) Match the idioms with their definitions.
  5. A. The article below describes the lives of two Russian teachers of English, Anya and Olga. Read the article and find out whether they are satisfied with their jobs.
  6. After finishing secondary school or college you can apply to a university, polytechnic, college of education or you can continue to study in a college of further education.
  7. AND THEIR LIFE

 

JULIE: Shall I obey you?JEAN: For once—for your own sake. I beg of you. Night is crawling along, sleepiness makes one irresponsible and the brain grows hot.k Sixty-three

 

 

Then something decisive happened. An insignificant factor that would enlarge into a major determinant. Everything went exactly as it had during their first evening. Charm took effect, and even progressed. Markus came out of it elegantly. He was smiling with his least Swedish smile possible, almost a kind of Spanish smile. He strung out some tasty anecdotes, skillfully mixed in cultural and personal references, successfully managed transitions from the intimate to the general. He gracefully unfurled a fine piece of engineering known as “man of the world.” But, at the heart of his sense of well-being, he was suddenly prisoner of a confusion that was going to derail the machine: he was having an outbreak of melancholy.At the beginning, it wasn’t much at all to deal with, more like a form of nostalgia. But no, as you drew much nearer, you could discern the mauve look of melancholy. And even closer up, you could see the real nature of a certain sadness. From one second to another, like a morbid, pathetic urge, he found himself face to face with the emptiness of that evening. But why am I trying to put on my best face, he asked himself? Why try to make this woman laugh, do my damnedest to delight her, a woman who’s so completely inaccessible? His past as a man unsure of himself caught him in its claws. And that wasn’t all. The development of this withdrawal was tragically reinforced by a second determinant: he spilled his glass of red wine on the tablecloth. It could have been seen as a simple blunder. Maybe even a charming one; Natalie had always had a spot in her heart for awkwardness. But at the moment, he was no longer thinking of her. He was seeing that trivial event as a much more serious harbinger: the reappearance of red. The never-ending eruption of red in his life.“It’s not such a big deal,” said Natalie, noticing Markus’s look of catastrophe.Of course not; it wasn’t a big deal. It was tragic. The red sent him back to Marilyn. Back to a vision of all the women in the world who were rejecting him. A snicker droned in his ears. Images of all his apprehensions surfaced again: he was a child being mocked on the school playground, a soldier being hazed, a tourist being swindled. All of it represented by the spreading of the red stain on a white tablecloth. He imagined the world watching him, whispering as he walked by. He was swimming in his too-large suit of a womanizer. Nothing could stop this drift into paranoia. A drift heralded by melancholy, and the simple feeling of seeing the past as a refuge. At that moment, the present stopped existing. Natalie was a shadow, a ghost from the world of women.Markus rose and was lost in silence for a moment. Natalie watched him, without knowing what he was going to say. Was he going to be funny? Grim? Finally, he declared in a calm tone of voice, “I’d better leave.”“Why? Because of the wine? But … that happens to everybody.”“No … it’s not that … it’s just …”“Just what? I bore you?”“But no … of course not … even dead you couldn’t bore me …”“Then what?”“Then nothing. It’s just that I’m attracted to you. I’m attracted to you a lot.”“…”“I have only one desire, to kiss you again … but I can’t imagine for a single moment your being attracted to me … so, I think it would be best for us to stop seeing each other … I’m bound to suffer, but that suffering won’t be as harsh, if I have the nerve to say …”“You think like that all the time?”“But how can I not? What do I have to do just to be here, opposite you? Do you know how to do that, do you?”“Be opposite myself?”“You see, what I’m saying is idiotic. It would be better for me to leave.”“I’d like you to stay.”“To do what?”“I don’t know.”“What are you trying to do to me?”“I don’t know. I only know that I feel good when I’m with you, that you’re unpretentious … considerate … delicate with me. And I’m realizing that it’s what I need, plain and simple.”“And that’s all?”“That’s already a lot, isn’t it?”Markus was still standing. Natalie got up, too. They remained like that for a moment, frozen in uncertainty. Heads turned in their direction. It’s pretty rare not to move when you’re standing. It might bring up the idea of that painting by Magritte with men falling from the sky like stalactites. So there was a bit of Belgian painter in the bearing of the two of them, which isn’t, obviously, the most reassuring of images.Markus left Natalie and walked out of the café. The moment had turned perfect, and he had to escape. She didn’t understand his attitude. She’d been having a nice evening, and now, she held this against him. Without realizing it, Markus had acted brilliantly. He’d reawakened Natalie. He’d pushed her into asking herself some questions. He’d said that he wanted to kiss her. Then was that all it was? Did she want to? No, she didn’t think so. She didn’t find him particularly … but that wasn’t really important … then, why not … she thought he had something … and he was fun, too … then why had he left? What an idiot. Now everything was spoiled. She was deeply annoyed … what an idiot he was, yes, what an idiot, she kept repeating while the customers in the café studied her. Such a beautiful woman dumped by a second-rate guy like that. She didn’t even notice their glances. She stood there frustrated and annoyed about not having mastered the situation, not having known how to hold him back, how to understand him. There was no reason to blame herself; she wouldn’t have been able to do anything. In his eyes, she was much too desirable to be near.When she got home, she dialed his number, but hung up before it rang. She wanted him to call her. After all, she was the one who’d taken the initiative for this second date. He could have at least thanked her. Sent a message. There she was, waiting in front of the telephone, and it was the first time in so long that she’d experienced such a thing: waiting. She couldn’t sleep and poured herself a little wine. Put on some music. Alain Souchon. A song she used to love listening to with François. She couldn’t get over being able to listen to it like this without breaking down. She kept walking in circles around the living room, even danced a little, let the feeling of being high enter her with the energy of something promised. Sixty-four

 

 


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Читайте в этой же книге: Excerpt from the Scenario Delicacy | Astrological Signs of the People on Natalie’s Team | The Invention of the Wall-to-Wall Carpet | Code for the Door to Markus’s Building | Excerpt from an Interpretation of the Painting The Kiss by Gustav Klimt | Title of a Painting by Kazimir Malevich | Little Love Story About Markus, Told Through His Tears | President Obama’s Remark at the Al Smith Dinner Regarding the Issue of His National Origin | Concrete Information About File 114 | Natalie’s Text Message to Markus After Their First Dinner |
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Excerpt from the Package Insert for Guronsan| First Verse of “L’amour en fuite” (“Love on the Run”), the Alain Souchon Song Natalie Listened to After Her Second Evening with Markus

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