The notion of style in functional stylistics

The Theory of Functional Styles

The notion of style has to do with how we use the language under specific circumstances for a specific purpose. The notion of using English, for instance, involves much more than using our knowledge of its linguistic structure. It also involves awareness of the numerous situations in which English can be used as a special medium of com­munication with its own set of distinctive and recognizable features. The various branches of linguistics that investigate the topic, such as sociolinguistics, psycholinguistics, pragmatics, discourse analysis, textlinguistics, and stylistics present a remarkable range of method­ologies and emphases. We'll be interested in how stylistic research treats of the subject.

Linguistic literature gives various definitions of the notion 'style' that generally boil down to the following three meanings of this term:

• A variety of the national language traditionally used in one of the socially identifiable spheres of life that is characterised by a particular set of linguistic features, including vocabulary, grammar and pronunciation. These are chiefly associated with the social and regional varieties, such as educated, colloquial, low colloquial, dialectal, uneducated, etc. From this point of view the most broad and well known subdivision in many national languages today usually describes these varieties as neutral, literary (high) and colloquial (low): e.g. Cockney, upper-class, educated English.

• Generally accepted linguistic identity of oral and written unite of discourse, such as public speech, a lecture, a friendly letter, a newspaper article, etc. Such units demonstrate style not only in a special choice of linguistic means but in their very arrangement, i.e. composition of a speech act, that creates a category of text marked by oratory, scientific, familiar or publicist style.

• Individual manner of expression determined by personal factors, such as educational background, professional experience, sense of humour, etc.: e.g. personal style of communication, the style of Pushkin's early poetry.

Style is our knowledge how language is used to create and interpret texts and conversational interactions. It involves being aware of the range of situations in which a language can be used in a distinctive and predictable way and of the possibilities available to us when we want to produce or respond to creative uses of the language

Stylistic features relate to constraints on language use that may be only temporary features of our spoken or written language. We often adopt different group uses of language as we go through our day; we may use a different style speaking with our children in the family, reporting to our boss at work or practicing sports. We change our speaking or writing style to make a particular effect: imitating somebody's accent when telling a story, giving a humorous account of events in an informal letter and so on. Style is first and foremost the result of our choice of content of our message and the appropriate range of language means to deliver the message effectively.

Uses of English in numerous situations that require definite stylistic features are studied by the theory of functional styles.

This theory involves consideration of such notions as norm and function in their relation to style.

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