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TYLER
Fuck that, maybe you're my
hallucination.
Jack falters, pointing at Tyler's feet. There's no walkie-
talkie there. Jack looks down, sees the WALKIE-TALKIE
CRUSHED under his own foot.
JACK
Oh... Christ...
Jack holds his head, walks around, at his wit's end.
JACK
Why... why... why...?
TYLER
Why what?
JACK
Why can't I get rid of you? Why
can't I just wish you away?
TYLER
You need me.
JACK
No, no, I don't.
(pause)
I thank you, I really do. Thank you,
but I don't need you anymore.
TYLER
Look, I can be selfish, I know that.
(pause)
I'm not blind to my own failings...
JACK
Noooo, please...
Jack backs up against a window, numb and weary.
TYLER
From now on, we'll share Marla.
We've been spending too much time
apart...
JACK
... no, no, no...
TYLER
No more running off without you.
From here on out, we do it together.
JACK
Why are you doing this?!
TYLER
I'm doing this for us.
JACK
Please understand... I've gotten all
I can from this, Tyler.
TYLER
(sullen)
If I leave, you will be right back
where I found you...
JACK
I swear on my life, I won't...
TYLER
You will. You know you will.
Jack stares at Tyler, tears welling up, hangs his head. He
looks at the gun in his hand...
TYLER
Can you live with that?
Jack stares at the gun a long time... then...
Jack brings the gun up, PUTS THE GUN IN HIS MOUTH.
Tyler cocks his head.
TYLER
What are you doing?
JACK
What have you left for me?
TYLER
Why do you want to do that? Why do
you want to put that gun in your
mouth?
JACK
Not my mouth. Our mouth.
Tyler is calm.
TYLER
This is interesting.
Tyler smiles in appreciation, slowly walks forward, stands
very close to Jack.
TYLER
Why are you going with this, Ikea-
boy?
JACK
It's the only way to get rid of you...
Jack COCKS the hammer on the gun.
TYLER
I can see you feel very strongly. I
feel strongly too.
(pause)
Hey, you and me.
(pause)
Friends again?
Their eyes are locked, unblinking. Long silence.
JACK
Do something for me.
TYLER
What?
JACK
Appreciate something.
TYLER
What?
JACK
Look at me...
TYLER
What?
JACK
My eyes are open.
EXTREME SLOW MOTION:
Jack's finger squeezes the trigger...
KABLAM! -- Jack's cheeks INFLATE with gas. His eyes bulge.
BLOOD flies out from his head. The WINDOW behind him
SHATTERS. SMOKE wafts out of his mouth and tear ducts.
RESUME NORMAL SPEED as the GLASS FALLS behind Jack...
Tyler stands, in gunsmoke, eyes glazed, sniffs the air...
TYLER
What's that smell...?
Jack slumps to the floor... Tyler falls...
Tyler hits the ground. The back of TYLER'S HEAD is BLOWN
OPEN, revealing blood, skull and brain.
Suddenly, a GROUP of SPACE MONKEYS burst into the room,
moving forward to Jack. TYLER'S BODY IS GONE.
TALL SPACE MONKEY
Are you all right, sir...?!
Jack quakes, holding the side of his head; a ragged hole
blown in his CHEEK. He's bleeding hard, but he's alive.
JACK
I'm okay...
Jack looks to the Space Monkeys, trying to get his eyes to
see. TWO SPACE MONKEYS enter with Marla. One holds a gun
to Marla as she struggles.
SHORT SPACE MONKEY
Are you sure? You look terrible,
sir! What's happened?
JACK
Everything's fine.
ANOTHER SPACE MONKEY
Sir, you look really awful! Do you
need medical assistance?
Jack sees Marla, tries to get to his feet, falls...
JACK
Bring the girl to me. The rest of
you get out. Now!
The Monkeys bring Marla, releasing her, saluting.
MARLA
What happened...?
JACK
Don't ask.
Marla crouches, takes out wadded TISSUES and tries to apply.
them to Jack's wound. Space Monkeys are leaving, hesitantly.
JACK
Get to the rendezvous point. Move it!
Jack and Marla are left alone.
MARLA
My God, you're shot...
JACK
Yes.
Jack tries to got up. Marla helps him.
MARLA
Who did this to you?
JACK
I did, I think. But, I'm okay... I'm
fine...
MASSIVE EXPLOSION... the glass walls rattle...
Jack and Marla look -- OUT THE WINDOWS: a BUILDING EXPLODES;
collapsing upon itself. Then, ANOTHER BUILDING IMPLODES
into a massive cloud of dust. Jack and Marla are
silhouetted against the SKYLINE. Jack looks to Marla,
reaches to take her hand.
JACK
I'm sorry... you met me at a very
strange time in my life.
Marla looks at him. ANOTHER BUILDING IMPLODES and COLLAPSES
inward... and ANOTHER BUILDING... and ANOTHER...
The FILM SLOWS, then ADVANCES ONE FRAME at a TIME -- SHOWING
SPROCKET HOLES on the SIDES. EACH FRAME is an IMPLODING
BUILDING -- then, ONE FRAME IS A PENIS. Then, the IMPLODING
BUILDING again. SPEED UP the frames, LOSE the sprocket
holes, RESUME NORMAL SPEED...
FADE TO BLACK:
end
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| based on a novel by Chuck Palahnuik 8 страница | | | Раздел 1. Теория связи по проводам |