Chapter Seven 4 страница

"What do you want me to do then?"

"Jackie, I never wanted you to study law. It was your idea."

"Oh, was it?" I asked.

"Yes," she said, and patted my hand again. "Do what you want to, Jackie. I want you to do what you want. And I don't care if you don't make money. I told you long back I'd live on red beans with you."

I got up from the couch. For one reason so she couldn't pat my hand in that way which suddenly reminded me of the way a nurse pats the hand of a patient, a sort of impersonal pat intended to be soothing. I stood well back from her, and spoke firmly. "All right, you'll eat red beans with me. Let's get married. Tomorrow. Tonight. We've fooled around long enough. You say you love me. All right, I love you."

She didn't say anything, but sat there on the couch with her hands lying loose in her lap, and lifted her face, which suddenly was tired and drawn, and looked up at me from eyes which gradually brightened with unshed tears.

"You love me?" I demanded.

She nodded slowly.

"And you know I love you?" I demanded.

She nodded again.

"All right, then?"

"Jack," she said, then stopped for a moment. "Jack, I do love you. I guess I feel sometimes that I might just kiss you and hold you tight and close my eyes and jump off a cliff with you. Or like that time when you dived down to me and we kissed in the water and it seemed like we'd never come up. Do you remember, Jack?"

"Yes," I said.

"I loved you like that then, Jack."

"Now?" I demanded, "what about now?"

"Now, too, Jack, I guess I could do it now, too. But it's different, too."

"Different?"

"Oh, Jack," she exclaimed, and for the first time, at least the first time I ever remembered, made the gesture of lifting her hands to her temples, that gesture to control distraction which was never to become characteristic but which I was to see again. "Oh, Jack," she said again, "things have happened, so much has happened. Since then."

"What has happened?"

"Oh, it's just that getting married isn't like jumping off a cliff. Love isn't either, isn't like jumping off a cliff. Or getting drowned. It's–it's–oh, I don't know how to say it–it's trying to live, it's having a way to live."

"Money," I said, "if it's money you–"

"It's not money," she interrupted, "I don't mean money–oh, Jack, if you only could see what I mean!"

"Well, I'm not going to get a job with Patton or anybody round here. Or have them get me a job. Not even Irwin. I'll get a job, I don't care what kind, but not with them."

"Darling," she said tiredly, "I'm not trying to make you come here. Or get a job with Patton. Or anybody. I want you to do what you want. Just so it is something. Even if you don't make money. I told you I'd live in a shack."

So I went back to the Law School and by dint of consistent effort succeeded in busting out before the end of the year. It took a lot of attention to get busted out, for a man just can't achieve that by the ordinary means at State. He has to work at it. I could have simply resigned, of course, but if you simply drop out or resign, you might be able to come back. So I busted out. Then while I was celebrating my busting out and was pretty sure Anne would be sore and throw me over, I got involved with a pal of mine and two girls and there was a small scandal, which got into the papers. I was an ex‑student then, and so the University couldn't do anything about it. Anne didn't do anything either, for I guess I was an ex‑Jackie‑Bird by that time.

So Anne went her way and I went mine. My way was to work for a newspaper and hang around the lower part of the city and read books on American history. Finally I was taking courses at the University again, just spare time at first, then seriously. I was entering the enchantments of the past. For a while it looked as though Anne and I had made it up, but somehow a gear slipped and it was like before. I didn't finish the Ph. D. So I went back to the _Chronicle__, where I was reported and a damned good one. I even got married. To Lois, who was damned good looking, a lot better looking, I suppose, that Anne, and juicy while Anne was inclined to bone and muscle under flesh. Lois looked edible, and you knew it was tender all the way through, a kind of mystic combination of filet mignon and a Georgia peach aching for the tongue and ready to bleed gold. Lois married me for reasons best known to herself. But one was, I am sure, tat my name was Burden. I am forced to this conclusion by the process of elimination. It could not have been my beauty, grace, charm, wit, intellect, and learning, for, in the first place, my beauty, grace, and charm, were not great, and in the second place, Lois didn't have the slightest interest in wit, intellect, and learning. Even if I had had them. It could not have been my mother's money, for Lois's own widowed mother had plenty of money, which Lois's father had made from a lucky was contract for gravel, a little too late to give those things called advantages to his daughter at her most impressionable age. So it must have been the name of Burden.

Unless it was that Lois was in love with me. I put this possibility in the list merely for logical and schematic completeness, for I am quite sure that the only things Lois knew about love was how to spell the word ad how to make the physiological adjustments traditionally associated with the idea. She did not spell very well, but she made those adjustments with great skill and relish. The relish was nature, but the skill was art, and _ars longa est__. I knew this despite the very expert and sustained histrionics of which Lois was capable. I knew it, but I succeeded in burying it out in the back yard of my mind, like a rat that has been caught in the pantry gnawing the cheese. I didn't really care, I suppose, as long as nothing happened to make me have to face the fact. And once in my arms, Mrs. Burden was very faithful or very discreet, for nothing ever happened. And the arrangement was perfect.

"Jack and I are perfectly adjusted sexually," Lois used to say primly, for she was very advanced in what with her passed for thought and was very sophisticated in her language. She would look around at the faces of the guests in the very slick modernistic apartment (her taste ran that way and not to balconies overlooking charming old patios, and her money paid for rent), and would tell them how perfectly adjusted she and I were, and in telling them would add about two extra chocolate‑cream‑puff syllables to the word _sexually__. For a while I didn't mind her telling the guests how well adjusted we were. It even flattered my ego, for nobody would mind having his name coupled with that of Lois or having his picture taken with her in a public place. So I would beam modestly around the little groups, while Lois told them about that perfect adjustment. But later it began to annoy me.

As long as I regarded Lois as a beautiful, juicy, soft, vibrant, sweet‑smelling, sweet‑breathed machine for provoking and satisfying the appetite (and that was the Lois I had married), all was well. But as soon as I began to regard her as a person, trouble began. All would have been well, perhaps, had Lois been struck dumb at puberty. Then no man could have withstood her. But she could talk, and when something talks you sooner or later begin to listen to the sound it makes and begin, even in the face of all other evidence, to regard it as a person. You begin to apply human standards to it, and human element infects your innocent Eden pleasure in the juicy, sweet‑breathed machine. I had loved Lois the machine, the way you love the filet mignon or the Georgia peach, but I definitely was not in love with Lois the person. In fact, as the realization grew that the machine‑Lois belonged to, and was the instrument of, the person‑Lois (or at least to the thing which could talk), the machine‑Lois which I had innocently loved began to resemble a beautiful luscious bivalve open and pulsing in the glimmering deep and I some small speck of marine life being drawn remorselessly. Or it resembled the butt of wine in which the duke was drowned, and I was sure‑God the Duke of Clarence. Or it resembled a greedy, avid, delicious quagmire, the solemn temples, the gorgeous palaces, towers, battlements, libraries, museums, huts, hospitals, houses, cities, and all the works of man might be swallowed up, with the last luxurious sigh. Or so, I recall, it seemed. But the paradox is that as long as Lois was merely the machine‑Lois, as long as she was simply a well‑dressed animal, as long as she was really a part of innocent nonhuman nature, as long as I hadn't begun to notice the sounds she made were words, there was no harm in her and no harm in the really extraordinary pleasure she could provide. It was only when I observed that this Lois was mixed up with the other Lois, with certain human traits, that I began to feel that all the works of man might be swallowed up in the quagmire. It is s delicate paradox.

I did not make a decision not to be swallowed up. The instinct for self‑preservation is more deep‑seated than decision. A man doesn't make a decision to swim when he falls into the creek. He starts kicking. I simply began to wriggle and squirm and kick. First, I recall, there was the matter of Lois's friends (no friends of mine ever set foot in the slick apartment, if as a matter of fact, the people I knew in the city room and the speak‑easy and the press club could be called friends). I began to take a distaste to the friends Lois had. There was nothing particularly wrong with them. They were just the ordinary garden variety of human garbage. There were some who had what Lois, who was not too well informed on the subject, regarded as "position" but who didn't have much money and liked Lois's free likker. There were some who didn't have any "position" but who had more money than Lois and knew which fork to use. And there were some who didn't have very much of either position or money, but who had some credit at the better clothing stores and who could be bullied by Lois. They all read _Vanity Fair__ or _Harper's Bazaar__ (according to sex, and some read both) and _Smart Set__, and they quote Dorothy Parker, and those who had been merely to Chicago licked the spittle of those who had been to New York, and those who had been merely to New York licked the spittle of those who had been to Paris. As I say, there was nothing particularly wrong with these people, many of whom were quite agreeable and attractive. The only thing I found wrong with them, I admit as I look back, was that they were Lois's friends. First, I developed a certain reserve in my dealings with them, then I developed an attitude with Lois defined as snotty. After one of my exhibitions Lois would try to discipline me by withholding the sweets of her gender.

That was the matter of Lois's friends. But there was, second, the matter of Lois's apartment. I took a distaste for the apartment. I told Lois I didn't want to live there. That we would get a place on which I could afford to pay the rent out of my salary. We had some rows on that point, rows which I didn't expect to win. Then the sweets would be withheld.

That was the matter of the apartment. But there was, third, the matter of my clothes and what Lois loved to call my "grooming." I was accustomed to thirty‑dollar suits, shirts that had been worn two days, a bimonthly haircut, unpolished shoes, a hat with a brim that looped and sagged, and fingernails always broken and sometimes dirty. And I regarded the habit of pressing pants as something which had not come to stay. In the early days when I looked on Lois as merely the luscious machine, I had allowed certain scarcely perceptible changes to be made in my appearance. But as I began to realize that the noises that she made with her mouth resembled human speech and were more rudimentary demands for, or expressions of gratification at, food or copulation, a certain resistance began to grow in me. And as the pressure to improve my grooming increased, so the resistance increased, too. More and more often, accustomed objects of my wardrobe disappeared, to be replaced by proclaimed or surreptitious gifts. Originally I had interpreted these gifts as springing from a misguided and love‑inspired attempt to give me pleasure. In the end I understood that my pleasure was the last consideration involved. The crisis came when I polished a shoe with a new tie. A row ensued, the first of many occasioned by the divergence of our tastes in haberdashery. And the sweets would be withheld on that account.

They were withheld on many accounts. But never for very long at a stretch. Sometimes I would capitulate and apologize. My early apologies were sometimes sad and, for the moment, even sincere, though sometimes sincere with a kind of self‑pity. Then later, they became masterpieces of irony, _double‑entendre__, and histrionics, and I would lie in bed, uttering them, aware that my face in the dark was twisted into a mask of self‑congratulatory cunning, bitterness, and loathing. But I wasn't always the one to crack first, for sometimes the juice machine‑Lois got the upper hand over the dry and brittle person‑Lois. She might utter an invitation in a low voice tense with hatred, and then in the subsequent process avert her face from me, or if she did look at me, she would glare like a cornered animal. Or if she did not invite me, she might collapse in the heat of a scuffle which she had undertaken against me in all seriousness but which had proved too much for the dry and brittle person‑Lois and had given the other Lois the upper hand. In any case, whether she cracked or I, we demonstrated, in the midst of tangled bedclothes, unspoken loathing, and the wreckage of somebody's self‑respect, that we were, as Lois had affirmed to her guests, perfectly adjusted sexually. And we were.

The fact that the adjustment was so perfect merely meant that in the end, with the deep‑seated instinct for self preservation, I was consorting with common whores. I was at that time on the evening edition, and finished my stint about two in the afternoon. After a couple of drinks and a late lunch in a speak‑easy, then a couple more drinks and a game of billiards at the press club, I might call on one of my friends. Then at dinner, if I managed to get home to dinner, and in the evening I would study Lois with a clinical detachment and a sense of mystic regeneration. It even got so that almost at will I could produce an optical illusion. I could look at Lois in a certain way and find that she seemed to be withdrawing steadily, the whole room elongating with her, until it would be as though I were staring at her through the wrong end of a pair of binoculars. By this practice I gained great spiritual refreshment. I finally grew so adept at it that I could hear her voice, if it was one of her vituperative and not sullen evenings, as though it were coming from a great distance and were not, as a matter of fact, even addressed to me.

Then came the final phase, the phase of the Great Sleep. Immediately after dinner every evening, I went to bed and slept soundly, with the sweet feeling of ever falling toward the center of delicious blackness, until the last possible moment the next morning. Sometimes I did not even wait for dinner and the pleasure of observing Lois. I would just go to bed. I remember that this became almost a habit in the late spring. I would come in from my afternoon's occupation and draw the shade in the bedroom and go to bed, with the mild light oozing in from around the shade and birds twittering and caroling in the trees of the little park next the apartment building and children calling musically from the playground in the park. Going to bed in the late spring afternoon or just at the beginning of twilight, with those sounds in your ears, gives you a wonderful sense of peace, a peace which must resemble the peace of old age after a well‑spent life.

But of course there was Lois. Sometimes she would come into my bedroom–by this time I had moved into the guest room for my serious sleeping–and sit on the edge of the bed and give me long descriptions of myself, rather monotonous descriptions, as a matter of fact, for Lois had little gift of phrase and had to fall back on the three or four classic terms. Sometimes she would beat me with her clenched fists. She had a feeble, female way of using her little white fists. I could sleep through the descriptions, and almost through the beating of the clenched fists on my side or back. Sometimes she would cry and give vent to a great deal of self‑pity. Once or twice she even snuggled into bed with me. Sometimes she would open the door to my room and turn up the phonograph in the living room until the joint shook. But no soap. I could sleep through anything, or just about.

Then the morning came when I open my eyes and felt the finger of Fate upon me; I knew the time had come. I got up and packed my suitcase and walked out the door and didn't come back. To the slick apartment and to Lois who was beautiful and to whom I was so perfectly adjusted.

I never saw her again, but I know what she looks like now when cocktails, bonbons, late hours, and nearly forty years have done their work on the peach bloom of cheeks, the pearly, ripe but vigorous bosom, the supple midriff, the brooding, black, velvety‑liquid eyes, the bee‑stung lips, the luxurious thighs. She sit on a divan somewhere, held more or less in shape by the vigor of a masseuse and the bands of lastex which secretly sheathe her like a mummy, but bloated with the entire universe she has ingurgitated with a long delicious sigh. An now with a hand on which the pointed nails are as red as though she had just used them to rip greedily the guts from a yet living sacrificial fowl, she reaches out to a silver dish to pick up a chocolate. And while the chocolate is yet in mid‑air, the lower lip drops open and beyond the purplish tint of the microscopically scaling veneer of lipstick, one sees the damp, paler red, expectant membranes of the mouth, and the faint glitter of a gold filling in the dark, hot orifice.

Good‑bye, Lois, and I forgive you everything I did to you.

As for the way Anne Stanton went meanwhile, the story is short. After two years at the refined female college in Virginia, she came home. Adam by this time was in medical school up East. Anne spent a year going to parties in the city, and got engaged. But nothing came of it. He was a decent, intelligent, prosperous fellow, too. After a while there was another engagement, but something happened again. By this time Governor Stanton was nearly an invalid, and Adam was studying abroad. Anne quit going to parties, except an occasional party at the Landing in the summer. She stayed at home with her father, giving him his medicine, patting his pillow, assisting the nurse, reading to him hour by hour, holding his hand in the summer twilights or in the winter evening when the house shook to the blasts off the sea. It took him seven years to die. After the Governor had died in the big tester bed with a lot of expensive medical talent leaning over him, Anne Stanton lived in the house fronting the sea, with only the company of Aunt Sophonisba, a feeble, grumbling, garrulous, and incompetent old colored woman, who combined benevolence and a vengeful tyranny in the ambiguous way known only to old colored women who have spent their lives in affectionate service, in prying, wheedling, and chicanery, in short‑lived rebelliousness and long irony, and in secondhand clothes. Then Aunt Sophonisba died, too, and Adam came back from abroad, loaded with academic distinctions and fanatically devoted to his work. Shortly after his return, Anne moved to the city to be near him. By this time she was pushing thirty.

She lived alone in a small apartment in the city. Occasionally she had lunch with some woman who had been a friend of her girlhood but who now inhabited another world. Occasionally she went to a party, at the house of one of the women or at the country club. She became engaged for a third time, this time to a man seventeen or eighteen years older that she, a widower with several children, a substantial lawyer, a pillar of society. He was a good man. He was still vigorous and rather handsome. He even had a sense of humor. But she did not marry him. More and more, as the years passed, she devoted herself to sporadic reading–biography (Daniel Boone or Marie Antoinette), what is called "good fiction," books on social betterment–and to work without pay for a settlement house and an orphanage. She kept her looks very well and continued, in a rather severe way, to pay attention to her dress. There were moments now when her laugh sounded a little hollow and brittle, the laughter of nerves not of mirth or good spirits. Occasionally in a conversation she seemed to lose track and fall into a self‑absorption, to star up overwhelmed by embarrassment and unspoken remorse. Occasionally, too, she practiced the gesture of lifting her hands to her brow, one on each side, the fingers just touching the skin or lifting back the hair, the gesture of a delicate distraction. She was pushing thirty‑five. But she could still be good company.

That was the Anne Stanton whom Willie Stark had picked out, who had finally betrayed me, or rather, had betrayed an idea of mine which had had more importance for me than I had ever realized.

That was why I had got into my car and headed west, because when you don't like it where you are you always go west. We have always gone west.

That was why I drowned in West and relived my life like a home movie.

That was why I came to lie on a bed in a hotel in Long Beach, California, on the last coast amid the grandeurs of nature. For that is where you come, after you have crossed oceans and eaten stale biscuits while prisoned forty days and nights in a storm‑tossed rat‑trap, after you have sweated in the greenery and heard the savage whoop, after you have built cabins and cities and bridged rivers, after you have lain with women and scattered children like millet seed in a high wind, after you have composed resonant documents, made noble speeches, and bathed your arms in blood to the elbows, after you have shaken with malaria in the marshes and in the icy wind across the high plains. That is where you come, to lie alone on a bed in a hotel room in Long Beach, California. Where I lay, while outside my window a neon sign flickered on and off to the time of my heart, systole and diastole, flushing and flushing again the gray sea mist with a tint like blood.

I lay there, having drowned in West, my body having drifted down to lie there in the comforting, subliminal ooze of the sea floor of History. Lying there, I had what I thought then was a fine perspective on my own history, and saw that the girl I had known that summer a long time back hadn't been beautiful and charming but had merely been smooth‑faced and healthy, and though she had sung songs to Jackie‑Bird while she cradled his head on her breast, she hadn't loved him, but had merely had a mysterious itch in the blood and he was handy and the word _love__ was a word for the mysterious itch. And that she had been tormented by the mysterious itch and torn between its impulse and fear, and that all her withholdments and hesitations had not been prompted by some dream of making "love mean something" and making me understand that dream but that they had been prompted by all the fears which the leaning, sibilant, sour‑breathed old dough‑faces of conventional society had whispered into her ear like fairy godmothers while she lay in her cradle, and that those withholdments and hesitations were no better or worse than the hottest surrender nor better or worse than those withholdments practiced by Lois for other ends. And in the end you could not tell Anne Stanton from Lois Seager, for they were alike, and though the mad poet William Blake wrote a poem to tell the Adversary who is Prince of This World that He could not ever change Kate into Nan, or if indeed the Prince couldn't change Kate into Nan it was only because Kate and Nan were exactly alike to begin with and were, in fact, the same with only the illusory difference of name, which meant nothing, for names meant nothing and all the words we speak meant nothing and there was only the pulse in the blood and the twitch of the nerve, like a dead frog's leg in the experiment when the electric current goes through. So when I lay there on the bed in Long Beach, and shut my eyes, I saw in the inward darkness as in mire the vast heave and contortion of numberless bodies, and limbs detached from bodies, sweating and perhaps bleeding from inexhaustible wounds. But finally this spectacle, which I could summon up by the mere act of closing my eyes, seemed merely funny to me. So I laughed out loud.

I laughed out loud, and then after watching for some time the rhythmic flushing of the sea mist by the neon sign, I went to sleep. When I woke up I made ready to go back to the place and the things I had come.

Years before, a young girl had lain there naked on the iron bed in my room with her eyes closed and her hands folded over her breast, and I had been so struck by the pathos of her submissiveness and her trust in me and of the moment which would plunge her into the full, dark stream of the world that I had hesitated before laying my hand upon her and had, without understanding myself, called out her name. At that time I had had no words for what I felt, and now, too, it is difficult to find them. But lying there, she had seemed to be again the little girl who had, on the day of the picnic, floated on the waters of the bay, with her eyes closed under the stormy and grape‑purple sky and the single white gull passing over, very high. As she lay there that image came into my head, and I had wanted to call her name, to tell her something–what, I did not know. She trusted me, but perhaps for that moment of hesitation I did not trust myself, and looked back upon the past as something precious about to be snatched away from us and was afraid of the future. I had not understood then what I think I have now come to understand: that we can keep the past only by having the future, for they are forever tied together. Therefore I lacked some essential confidence in the world and in myself. She came, as time passed, to suspect this fact about me. I do not know that she had words to describe the fact to herself. Or she only had the easy words people gave her: wanting to have a job, studying law, doing something.

We went different ways in the world, as I have said, but I had with always that image of the little girl on the waters of the way, all innocence and trustfulness, under the stormy sky. Then, there came the day when that image was taken from me. I learned that Anne Stanton had become the mistress of Willie Stark, that somehow by an obscure and necessary logic I had handed her over to him. That fact was too horrible to face, for it robbed me of something out of the past by which, unwittingly until that moment, I had been living.

So I fled west from the fact, and in the West, at the end of history, the Last Man on that Last Coast, on my hotel bed, I had discovered the dream. That dream was the dream that all life is but the dark heave of blood and the twitch of the nerve. When you flee as far as you can flee, you will always find that dream, which is the dream of our age. At first, it is always a nightmare and horrible, but in the end it may be, in a special way, rather bracing and tonic. At least, it was so for me for a certain time. It was bracing because after the dream I felt that, in a way, Anne Stanton did not exist. The words _Anne Stanton__ were simply a name for a peculiarly complicated piece of mechanism which should mean nothing whatsoever to Jack Burden, who himself was simply another rather complicated piece of mechanism. At that time, when I first discovered that view of things–really discovered, in my own way and not from any book–I felt that I had discovered the secret source of all strength and all endurance. That dream solves all problems.

At first it was, as I have said, rather bracing and tonic. For after the dream there is no reason why you should not go back and face the fact which you have fled from (even if the fact seems to be that you have, by digging up the truth about the past, handed over Anne Stanton to Willie Stark), for any place to which you may flee will now be like the place from which you have fled, and you might as well go back, after all, to the place where you belong, for nothing was your fault or nobody's fault, for things are always as they are. And you can go back in good spirits, for you will have learned two very great truths. First, that you cannot lose what you have never had. Second, that you are never guilty of a crime which you did not commit. So there is innocence and a new start in the West, after all.

If you believe the dream you dream when you go there.

Дата добавления: 2015-10-28