Студопедия
Случайная страница | ТОМ-1 | ТОМ-2 | ТОМ-3
АрхитектураБиологияГеографияДругоеИностранные языки
ИнформатикаИсторияКультураЛитератураМатематика
МедицинаМеханикаОбразованиеОхрана трудаПедагогика
ПолитикаПравоПрограммированиеПсихологияРелигия
СоциологияСпортСтроительствоФизикаФилософия
ФинансыХимияЭкологияЭкономикаЭлектроника

CHAPTER 1. Sun and Shadow

CHAPTER 3. Home | CHAPTER 4. Mrs Flintwinch has a Dream | CHAPTER 5. Family Affairs | CHAPTER 6. The Father of the Marshalsea | CHAPTER 7. The Child of the Marshalsea | CHAPTER 8. The Lock | CHAPTER 9. Little Mother | CHAPTER 10. Containing the whole Science of Government | CHAPTER 11. Let Loose | CHAPTER 12. Bleeding Heart Yard |


Читайте также:
  1. A) While Reading activities (p. 47, chapters 5, 6)
  2. BLEAK HOUSE”, Chapters 2-5
  3. BLEAK HOUSE”, Chapters 6-11
  4. Chapter 1 - There Are Heroisms All Round Us
  5. Chapter 1 A Dangerous Job
  6. Chapter 1 A Long-expected Party
  7. Chapter 1 An Offer of Marriage

 

Thirty ye­ars ago, Mar­se­il­les lay bur­ning in the sun, one day.

A bla­zing sun upon a fi­er­ce August day was no gre­ater ra­rity in so­ut­hern Fran­ce then, than at any ot­her ti­me, be­fo­re or sin­ce. Ever­y­t­hing in Mar­se­il­les, and abo­ut Mar­se­il­les, had sta­red at the fer­vid sky, and be­en sta­red at in re­turn, un­til a sta­ring ha­bit had be­co­me uni­ver­sal the­re. Stran­gers we­re sta­red out of co­un­te­nan­ce by sta­ring whi­te ho­uses, sta­ring whi­te walls, sta­ring whi­te stre­ets, sta­ring tracts of arid ro­ad, sta­ring hills from which ver­du­re was burnt away. The only things to be se­en not fi­xedly sta­ring and gla­ring we­re the vi­nes dro­oping un­der the­ir lo­ad of gra­pes. The­se did oc­ca­si­onal­ly wink a lit­tle, as the hot air ba­rely mo­ved the­ir fa­int le­aves.

There was no wind to ma­ke a rip­ple on the fo­ul wa­ter wit­hin the har­bo­ur, or on the be­a­uti­ful sea wit­ho­ut. The li­ne of de­mar­ca­ti­on bet­we­en the two co­lo­urs, black and blue, sho­wed the po­int which the pu­re sea wo­uld not pass; but it lay as qu­i­et as the abo­mi­nab­le po­ol, with which it ne­ver mi­xed. Bo­ats wit­ho­ut aw­nings we­re too hot to to­uch; ships blis­te­red at the­ir mo­orings; the sto­nes of the qu­ays had not co­oled, night or day, for months. Hin­do­os, Rus­si­ans, Chi­ne­se, Spa­ni­ards, Por­tu­gu­ese, En­g­lis­h­men, Fren­c­h­men, Ge­no­ese, Ne­apo­li­tans, Ve­ne­ti­ans, Gre­eks, Turks, des­cen­dants from all the bu­il­ders of Ba­bel, co­me to tra­de at Mar­se­il­les, so­ught the sha­de ali­ke-ta­king re­fu­ge in any hi­ding-pla­ce from a sea too in­ten­sely blue to be lo­oked at, and a sky of pur­p­le, set with one gre­at fla­ming jewel of fi­re.

The uni­ver­sal sta­re ma­de the eyes ac­he. To­wards the dis­tant li­ne of Ita­li­an co­ast, in­de­ed, it was a lit­tle re­li­eved by light clo­uds of mist, slowly ri­sing from the eva­po­ra­ti­on of the sea, but it sof­te­ned now­he­re el­se. Far away the sta­ring ro­ads, de­ep in dust, sta­red from the hill-si­de, sta­red from the hol­low, sta­red from the in­ter­mi­nab­le pla­in. Far away the dusty vi­nes over­han­ging way­si­de cot­ta­ges, and the mo­no­to­no­us way­si­de ave­nu­es of par­c­hed tre­es wit­ho­ut sha­de, dro­oped be­ne­ath the sta­re of earth and sky. So did the hor­ses with drowsy bells, in long fi­les of carts, cre­eping slowly to­wards the in­te­ri­or; so did the­ir re­cum­bent dri­vers, when they we­re awa­ke, which ra­rely hap­pe­ned; so did the ex­ha­us­ted la­bo­urers in the fi­elds. Ever­y­t­hing that li­ved or grew, was op­pres­sed by the gla­re; ex­cept the li­zard, pas­sing swiftly over ro­ugh sto­ne walls, and the ci­ca­la, chir­ping his dry hot chirp, li­ke a rat­tle. The very dust was scor­c­hed brown, and so­met­hing qu­ive­red in the at­mos­p­he­re as if the air it­self we­re pan­ting.

Blinds, shut­ters, cur­ta­ins, aw­nings, we­re all clo­sed and drawn to ke­ep out the sta­re. Grant it but a chink or key­ho­le, and it shot in li­ke a whi­te-hot ar­row. The chur­c­hes we­re the fre­est from it. To co­me out of the twi­light of pil­lars and ar­c­hes-dre­amily dot­ted with win­king lamps, dre­amily pe­op­led with ugly old sha­dows pi­o­usly do­zing, spit­ting, and beg­ging-was to plun­ge in­to a fi­ery ri­ver, and swim for li­fe to the ne­arest strip of sha­de. So, with pe­op­le lo­un­ging and lying whe­re­ver sha­de was, with but lit­tle hum of ton­gu­es or bar­king of dogs, with oc­ca­si­onal jan­g­ling of dis­cor­dant church bells and rat­tling of vi­ci­o­us drums, Mar­se­il­les, a fact to be strongly smelt and tas­ted, lay bro­iling in the sun one day. In Mar­se­il­les that day the­re was a vil­la­ino­us pri­son. In one of its cham­bers, so re­pul­si­ve a pla­ce that even the ob­t­ru­si­ve sta­re blin­ked at it, and left it to such re­fu­se of ref­lec­ted light as it co­uld find for it­self, we­re two men. Be­si­des the two men, a not­c­hed and dis­fi­gu­red bench, im­mo­vab­le from the wall, with a dra­ug­ht-bo­ard ru­dely hac­ked upon it with a kni­fe, a set of dra­ughts, ma­de of old but­tons and so­up bo­nes, a set of do­mi­no­es, two mats, and two or three wi­ne bot­tles. That was all the cham­ber held, ex­c­lu­si­ve of rats and ot­her un­se­en ver­min, in ad­di­ti­on to the se­en ver­min, the two men.

It re­ce­ived such light as it got thro­ugh a gra­ting of iron bars fas­hi­oned li­ke a pretty lar­ge win­dow, by me­ans of which it co­uld be al­ways in­s­pec­ted from the glo­omy sta­ir­ca­se on which the gra­ting ga­ve. The­re was a bro­ad strong led­ge of sto­ne to this gra­ting whe­re the bot­tom of it was let in­to the ma­sonry, three or fo­ur fe­et abo­ve the gro­und. Upon it, one of the two men lol­led, half sit­ting and half lying, with his kne­es drawn up, and his fe­et and sho­ul­ders plan­ted aga­inst the op­po­si­te si­des of the aper­tu­re. The bars we­re wi­de eno­ugh apart to ad­mit of his thrus­ting his arm thro­ugh to the el­bow; and so he held on neg­li­gently, for his gre­ater ease.

A pri­son ta­int was on ever­y­t­hing the­re. The im­p­ri­so­ned air, the im­p­ri­so­ned light, the im­p­ri­so­ned damps, the im­p­ri­so­ned men, we­re all de­te­ri­ora­ted by con­fi­ne­ment. As the cap­ti­ve men we­re fa­ded and hag­gard, so the iron was rusty, the sto­ne was slimy, the wo­od was rot­ten, the air was fa­int, the light was dim. Li­ke a well, li­ke a va­ult, li­ke a tomb, the pri­son had no know­led­ge of the brig­h­t­ness out­si­de, and wo­uld ha­ve kept its pol­lu­ted at­mos­p­he­re in­tact in one of the spi­ce is­lands of the In­di­an oce­an.

The man who lay on the led­ge of the gra­ting was even chil­led. He jer­ked his gre­at clo­ak mo­re he­avily upon him by an im­pa­ti­ent mo­ve­ment of one sho­ul­der, and grow­led, 'To the de­vil with this Bri­gand of a Sun that ne­ver shi­nes in he­re!'

He was wa­iting to be fed, lo­oking si­de­ways thro­ugh the bars that he might see the fur­t­her down the sta­irs, with much of the ex­p­res­si­on of a wild be­ast in si­mi­lar ex­pec­ta­ti­on. But his eyes, too clo­se to­get­her, we­re not so nobly set in his he­ad as tho­se of the king of be­asts are in his, and they we­re sharp rat­her than brig­ht-po­in­ted we­apons with lit­tle sur­fa­ce to bet­ray them. They had no depth or chan­ge; they glit­te­red, and they ope­ned and shut. So far, and wa­iving the­ir use to him­self, a cloc­k­ma­ker co­uld ha­ve ma­de a bet­ter pa­ir. He had a ho­ok no­se, han­d­so­me af­ter its kind, but too high bet­we­en the eyes by pro­bably just as much as his eyes we­re too ne­ar to one anot­her. For the rest, he was lar­ge and tall in fra­me, had thin lips, whe­re his thick mo­us­tac­he sho­wed them at all, and a qu­an­tity of dry ha­ir, of no de­fi­nab­le co­lo­ur, in its shaggy sta­te, but shot with red. The hand with which he held the gra­ting (se­amed all over the back with ugly scrat­c­hes newly he­aled), was unu­su­al­ly small and plump; wo­uld ha­ve be­en unu­su­al­ly whi­te but for the pri­son gri­me. The ot­her man was lying on the sto­ne flo­or, co­ve­red with a co­ar­se brown co­at.

'Get up, pig!' grow­led the first. 'Don't sle­ep when I am hungry.'

'It's all one, mas­ter,' sa­id the pig, in a sub­mis­si­ve man­ner, and not wit­ho­ut che­er­ful­ness; 'I can wa­ke when I will, I can sle­ep when I will. It's all the sa­me.'

As he sa­id it, he ro­se, sho­ok him­self, scrat­c­hed him­self, ti­ed his brown co­at lo­osely ro­und his neck by the sle­eves (he had pre­vi­o­usly used it as a co­ver­let), and sat down upon the pa­ve­ment yaw­ning, with his back aga­inst the wall op­po­si­te to the gra­ting.

'Say what the ho­ur is,' grum­b­led the first man.

'The mid- day bells will ring-in forty mi­nu­tes.' When he ma­de the lit­tle pa­use, he had lo­oked ro­und the pri­son-ro­om, as if for cer­ta­in in­for­ma­ti­on.

'You are a clock. How is it that you al­ways know?'

'How can I say? I al­ways know what the ho­ur is, and whe­re I am. I was bro­ught in he­re at night, and out of a bo­at, but I know whe­re I am. See he­re! Mar­se­il­les har­bo­ur;' on his kne­es on the pa­ve­ment, map­ping it all out with a swarthy fo­re­fin­ger; 'To­ulon (whe­re the gal­leys are), Spa­in over the­re, Al­gi­ers over the­re. Cre­eping away to the left he­re, Ni­ce. Ro­und by the Cor­ni­ce to Ge­noa. Ge­noa Mo­le and Har­bo­ur. Qu­aran­ti­ne Gro­und. City the­re; ter­ra­ce gar­dens blus­hing with the bel­la don­na. He­re, Por­to Fi­no. Stand out for Leg­horn. Out aga­in for Ci­vi­ta Vec­chia, so away to-hey! the­re's no ro­om for Nap­les;' he had got to the wall by this ti­me; 'but it's all one; it's in the­re!'

He re­ma­ined on his kne­es, lo­oking up at his fel­low-pri­so­ner with a li­vely lo­ok for a pri­son. A sun­burnt, qu­ick, lit­he, lit­tle man, tho­ugh rat­her thic­k­set. Ear­rings in his brown ears, whi­te te­eth lig­h­ting up his gro­tes­que brown fa­ce, in­ten­sely black ha­ir clus­te­ring abo­ut his brown thro­at, a rag­ged red shirt open at his brown bre­ast. Lo­ose, se­aman-li­ke tro­users, de­cent sho­es, a long red cap, a red sash ro­und his wa­ist, and a kni­fe in it.

'Judge if I co­me back from Nap­les as I went! See he­re, my mas­ter! Ci­vi­ta Vec­chia, Leg­horn, Por­to Fi­no, Ge­noa, Cor­ni­ce, Off Ni­ce (which is in the­re), Mar­se­il­les, you and me. The apar­t­ment of the ja­iler and his keys is whe­re I put this thumb; and he­re at my wrist they ke­ep the na­ti­onal ra­zor in its ca­se-the gu­il­lo­ti­ne loc­ked up.'

The ot­her man spat sud­denly on the pa­ve­ment, and gur­g­led in his thro­at.

Some lock be­low gur­g­led in its thro­at im­me­di­ately af­ter­wards, and then a do­or cras­hed. Slow steps be­gan as­cen­ding the sta­irs; the prat­tle of a swe­et lit­tle vo­ice min­g­led with the no­ise they ma­de; and the pri­son-ke­eper ap­pe­ared car­rying his da­ug­h­ter, three or fo­ur ye­ars old, and a bas­ket.

'How go­es the world this fo­re­no­on, gen­t­le­men? My lit­tle one, you see, go­ing ro­und with me to ha­ve a pe­ep at her fat­her's birds. Fie, then! Lo­ok at the birds, my pretty, lo­ok at the birds.'

He lo­oked sharply at the birds him­self, as he held the child up at the gra­te, es­pe­ci­al­ly at the lit­tle bird, who­se ac­ti­vity he se­emed to mis­t­rust. 'I ha­ve bro­ught yo­ur bre­ad, Sig­nor John Bap­tist,' sa­id he (they all spo­ke in French, but the lit­tle man was an Ita­li­an); 'and if I might re­com­mend you not to ga­me-'

'You don't re­com­mend the mas­ter!' sa­id John Bap­tist, sho­wing his te­eth as he smi­led.

'Oh! but the mas­ter wins,' re­tur­ned the ja­iler, with a pas­sing lo­ok of no par­ti­cu­lar li­king at the ot­her man, 'and you lo­se. It's qu­ite anot­her thing. You get husky bre­ad and so­ur drink by it; and he gets sa­usa­ge of Lyons, ve­al in sa­vo­ury jel­ly, whi­te bre­ad, strac­hi­no che­ese, and go­od wi­ne by it. Lo­ok at the birds, my pretty!'

'Poor birds!' sa­id the child.

The fa­ir lit­tle fa­ce, to­uc­hed with di­vi­ne com­pas­si­on, as it pe­eped shrin­kingly thro­ugh the gra­te, was li­ke an an­gel's in the pri­son. John Bap­tist ro­se and mo­ved to­wards it, as if it had a go­od at­trac­ti­on for him. The ot­her bird re­ma­ined as be­fo­re, ex­cept for an im­pa­ti­ent glan­ce at the bas­ket.

'Stay!' sa­id the ja­iler, put­ting his lit­tle da­ug­h­ter on the outer led­ge of the gra­te, 'she shall fe­ed the birds. This big lo­af is for Sig­nor John Bap­tist. We must bre­ak it to get it thro­ugh in­to the ca­ge. So, the­re's a ta­me bird to kiss the lit­tle hand! This sa­usa­ge in a vi­ne le­af is for Mon­si­e­ur Ri­ga­ud. Aga­in-this ve­al in sa­vo­ury jel­ly is for Mon­si­e­ur Ri­ga­ud. Aga­in-the­se three whi­te lit­tle lo­aves are for Mon­si­e­ur Ri­ga­ud. Aga­in, this che­ese-aga­in, this wi­ne-aga­in, this to­bac­co-all for Mon­si­e­ur Ri­ga­ud. Lucky bird!'

The child put all the­se things bet­we­en the bars in­to the soft, Smo­oth, well-sha­ped hand, with evi­dent dre­ad-mo­re than on­ce dra­wing back her own and lo­oking at the man with her fa­ir brow ro­ug­he­ned in­to an ex­p­res­si­on half of fright and half of an­ger. Whe­re­as she had put the lump of co­ar­se bre­ad in­to the swart, sca­led, knot­ted hands of John Bap­tist (who had scar­cely as much na­il on his eight fin­gers and two thumbs as wo­uld ha­ve ma­de out one for Mon­si­e­ur Ri­ga­ud), with re­ady con­fi­den­ce; and, when he kis­sed her hand, had her­self pas­sed it ca­res­singly over his fa­ce. Mon­si­e­ur Ri­ga­ud, in­dif­fe­rent to this dis­tin­c­ti­on, pro­pi­ti­ated the fat­her by la­ug­hing and nod­ding at the da­ug­h­ter as of­ten as she ga­ve him an­y­t­hing; and, so so­on as he had all his vi­ands abo­ut him in con­ve­ni­ent no­oks of the led­ge on which he res­ted, be­gan to eat with an ap­pe­ti­te.

When Mon­si­e­ur Ri­ga­ud la­ug­hed, a chan­ge to­ok pla­ce in his fa­ce, that was mo­re re­mar­kab­le than pre­pos­ses­sing. His mo­us­tac­he went up un­der his no­se, and his no­se ca­me down over his mo­us­tac­he, in a very si­nis­ter and cru­el man­ner.

'There!' sa­id the ja­iler, tur­ning his bas­ket up­si­de down to be­at the crumbs out, 'I ha­ve ex­pen­ded all the mo­ney I re­ce­ived; he­re is the no­te of it, and that's a thing ac­com­p­lis­hed. Mon­si­e­ur Ri­ga­ud, as I ex­pec­ted yes­ter­day, the Pre­si­dent will lo­ok for the ple­asu­re of yo­ur so­ci­ety at an ho­ur af­ter mid-day, to-day.'

'To try me, eh?' sa­id Ri­ga­ud, pa­using, kni­fe in hand and mor­sel in mo­uth.

'You ha­ve sa­id it. To try you.'

'There is no news for me?' as­ked John Bap­tist, who had be­gun, con­ten­tedly, to munch his bre­ad.

The ja­iler shrug­ged his sho­ul­ders.

'Lady of mi­ne! Am I to lie he­re all my li­fe, my fat­her?'

'What do I know!' cri­ed the ja­iler, tur­ning upon him with so­ut­hern qu­ic­k­ness, and ges­ti­cu­la­ting with both his hands and all his fin­gers, as if he we­re thre­ate­ning to te­ar him to pi­eces. 'My fri­end, how is it pos­sib­le for me to tell how long you are to lie he­re? What do I know, John Bap­tist Ca­val­let­to? De­ath of my li­fe! The­re are pri­so­ners he­re so­me­ti­mes, who are not in such a de­vil of a hurry to be tri­ed.' He se­emed to glan­ce ob­li­qu­ely at Mon­si­e­ur Ri­ga­ud in this re­mark; but Mon­si­e­ur Ri­ga­ud had al­re­ady re­su­med his me­al, tho­ugh not with qu­ite so qu­ick an ap­pe­ti­te as be­fo­re.

'Adieu, my birds!' sa­id the ke­eper of the pri­son, ta­king his pretty child in his arms, and dic­ta­ting the words with a kiss.

'Adieu, my birds!' the pretty child re­pe­ated.

Her in­no­cent fa­ce lo­oked back so brightly over his sho­ul­der, as he wal­ked away with her, sin­ging her the song of the child's ga­me:

'Who pas­ses by this ro­ad so la­te?

Compagnon de la Ma­j­ola­ine!

Who pas­ses by this ro­ad so la­te?

Always gay!' that John Bap­tist felt it a po­int of ho­no­ur to reply at the gra­te, and in go­od ti­me and tu­ne, tho­ugh a lit­tle ho­ar­sely:

'Of all the king's knights 'tis the flo­wer,

Compagnon de la Ma­j­ola­ine!

Of all the king's knights 'tis the flo­wer,

Always gay!' which ac­com­pa­ni­ed them so far down the few ste­ep sta­irs, that the pri­son-ke­eper had to stop at last for his lit­tle da­ug­h­ter to he­ar the song out, and re­pe­at the Ref­ra­in whi­le they we­re yet in sight. Then the child's he­ad di­sap­pe­ared, and the pri­son-ke­eper's he­ad di­sap­pe­ared, but the lit­tle vo­ice pro­lon­ged the stra­in un­til the do­or clas­hed.

Monsieur Ri­ga­ud, fin­ding the lis­te­ning John Bap­tist in his way be­fo­re the ec­ho­es had ce­ased (even the ec­ho­es we­re the we­aker for im­p­ri­son­ment, and se­emed to lag), re­min­ded him with a push of his fo­ot that he had bet­ter re­su­me his own dar­ker pla­ce. The lit­tle man sat down aga­in upon the pa­ve­ment with the neg­li­gent ease of one who was tho­ro­ughly ac­cus­to­med to pa­ve­ments; and pla­cing three hunks of co­ar­se bre­ad be­fo­re him­self, and fal­ling to upon a fo­urth, be­gan con­ten­tedly to work his way thro­ugh them as if to cle­ar them off we­re a sort of ga­me.

Perhaps he glan­ced at the Lyons sa­usa­ge, and per­haps he glan­ced at the ve­al in sa­vo­ury jel­ly, but they we­re not the­re long, to ma­ke his mo­uth wa­ter; Mon­si­e­ur Ri­ga­ud so­on dis­pat­c­hed them, in spi­te of the pre­si­dent and tri­bu­nal, and pro­ce­eded to suck his fin­gers as cle­an as he co­uld, and to wi­pe them on his vi­ne le­aves. Then, as he pa­used in his drink to con­tem­p­la­te his fel­low-pri­so­ner, his mo­us­tac­he went up, and his no­se ca­me down.

'How do you find the bre­ad?'

'A lit­tle dry, but I ha­ve my old sa­uce he­re,' re­tur­ned John Bap­tist, hol­ding up his kni­fe. 'How sa­uce?'

'I can cut my bre­ad so-li­ke a me­lon. Or so-li­ke an ome­let­te. Or so-li­ke a fri­ed fish. Or so-li­ke Lyons sa­usa­ge,' sa­id John Bap­tist, de­mon­s­t­ra­ting the va­ri­o­us cuts on the bre­ad he held, and so­berly che­wing what he had in his mo­uth.

'Here!' cri­ed Mon­si­e­ur Ri­ga­ud. 'You may drink. You may fi­nish this.'

It was no gre­at gift, for the­re was mighty lit­tle wi­ne left; but Sig­nor Ca­val­let­to, jum­ping to his fe­et, re­ce­ived the bot­tle gra­te­ful­ly, tur­ned it up­si­de down at his mo­uth, and smac­ked his lips.

'Put the bot­tle by with the rest,' sa­id Ri­ga­ud.

The lit­tle man obe­yed his or­ders, and sto­od re­ady to gi­ve him a lig­h­ted match; for he was now rol­ling his to­bac­co in­to ci­ga­ret­tes by the aid of lit­tle squ­ares of pa­per which had be­en bro­ught in with it.

'Here! You may ha­ve one.'

'A tho­usand thanks, my mas­ter!' John Bap­tist sa­id in his own lan­gu­age, and with the qu­ick con­ci­li­atory man­ner of his own co­un­t­r­y­men.

Monsieur Ri­ga­ud aro­se, lig­h­ted a ci­ga­ret­te, put the rest of his stock in­to a bre­ast-poc­ket, and stret­c­hed him­self out at full length upon the bench. Ca­val­let­to sat down on the pa­ve­ment, hol­ding one of his an­k­les in each hand, and smo­king pe­ace­ful­ly. The­re se­emed to be so­me un­com­for­tab­le at­trac­ti­on of Mon­si­e­ur Ri­ga­ud's eyes to the im­me­di­ate ne­ig­h­bo­ur­ho­od of that part of the pa­ve­ment whe­re the thumb had be­en in the plan. They we­re so drawn in that di­rec­ti­on, that the Ita­li­an mo­re than on­ce fol­lo­wed them to and back from the pa­ve­ment in so­me sur­p­ri­se.

'What an in­fer­nal ho­le this is!' sa­id Mon­si­e­ur Ri­ga­ud, bre­aking a long pa­use. 'Lo­ok at the light of day. Day? the light of yes­ter­day we­ek, the light of six months ago, the light of six ye­ars ago. So slack and de­ad!'

It ca­me lan­gu­is­hing down a squ­are fun­nel that blin­ded a win­dow in the sta­ir­ca­se wall, thro­ugh which the sky was ne­ver se­en-nor an­y­t­hing el­se.

'Cavalletto,' sa­id Mon­si­e­ur Ri­ga­ud, sud­denly wit­h­d­ra­wing his ga­ze from this fun­nel to which they had both in­vo­lun­ta­rily tur­ned the­ir eyes, 'you know me for a gen­t­le­man?'

'Surely, su­rely!'

'How long ha­ve we be­en he­re?' 'I, ele­ven we­eks, to-mor­row night at mid­night. You, ni­ne we­eks and three days, at fi­ve this af­ter­no­on.'

'Have I ever do­ne an­y­t­hing he­re? Ever to­uc­hed the bro­om, or spre­ad the mats, or rol­led them up, or fo­und the dra­ughts, or col­lec­ted the do­mi­no­es, or put my hand to any kind of work?'

'Never!'

'Have you ever tho­ught of lo­oking to me to do any kind of work?'

John Bap­tist an­s­we­red with that pe­cu­li­ar back-han­ded sha­ke of the right fo­re­fin­ger which is the most ex­p­res­si­ve ne­ga­ti­ve in the Ita­li­an lan­gu­age.

'No! You knew from the first mo­ment when you saw me he­re, that I was a gen­t­le­man?'

'ALTRO!' re­tur­ned John Bap­tist, clo­sing his eyes and gi­ving his he­ad a most ve­he­ment toss. The word be­ing, ac­cor­ding to its Ge­no­ese em­p­ha­sis, a con­fir­ma­ti­on, a con­t­ra­dic­ti­on, an as­ser­ti­on, a de­ni­al, a ta­unt, a com­p­li­ment, a joke, and fifty ot­her things, be­ca­me in the pre­sent in­s­tan­ce, with a sig­ni­fi­can­ce be­yond all po­wer of writ­ten ex­p­res­si­on, our fa­mi­li­ar En­g­lish 'I be­li­eve you!'

'Haha! You are right! A gen­t­le­man I am! And a gen­t­le­man I'll li­ve, and a gen­t­le­man I'll die! It's my in­tent to be a gen­t­le­man. It's my ga­me. De­ath of my so­ul, I play it out whe­re­ver I go!'

He chan­ged his pos­tu­re to a sit­ting one, crying with a tri­um­p­hant air:

'Here I am! See me! Sha­ken out of des­tiny's di­ce-box in­to the com­pany of a me­re smug­gler;-shut up with a po­or lit­tle con­t­ra­band tra­der, who­se pa­pers are wrong, and whom the po­li­ce lay hold of be­si­des, for pla­cing his bo­at (as a me­ans of get­ting be­yond the fron­ti­er) at the dis­po­si­ti­on of ot­her lit­tle pe­op­le who­se pa­pers are wrong; and he in­s­tin­c­ti­vely re­cog­ni­ses my po­si­ti­on, even by this light and in this pla­ce. It's well do­ne! By He­aven! I win, ho­we­ver the ga­me go­es.'

Again his mo­us­tac­he went up, and his no­se ca­me down.

'What's the ho­ur now?' he as­ked, with a dry hot pal­lor upon him, rat­her dif­fi­cult of as­so­ci­ati­on with mer­ri­ment.

'A lit­tle half-ho­ur af­ter mid-day.'

'Good! The Pre­si­dent will ha­ve a gen­t­le­man be­fo­re him so­on. Co­me!

Shall I tell you on what ac­cu­sa­ti­on? It must be now, or ne­ver, for I shall not re­turn he­re. Eit­her I shall go free, or I shall go to be ma­de re­ady for sha­ving. You know whe­re they ke­ep the ra­zor.'

Signor Ca­val­let­to to­ok his ci­ga­ret­te from bet­we­en his par­ted lips, and sho­wed mo­re mo­men­tary dis­com­fi­tu­re than might ha­ve be­en ex­pec­ted.

'I am a'- Mon­si­e­ur Ri­ga­ud sto­od up to say it-'I am a cos­mo­po­li­tan gen­t­le­man. I own no par­ti­cu­lar co­untry. My fat­her was Swiss-Can­ton de Va­ud. My mot­her was French by blo­od, En­g­lish by birth. I myself was born in Bel­gi­um. I am a ci­ti­zen of the world.'

His the­at­ri­cal air, as he sto­od with one arm on his hip wit­hin the folds of his clo­ak, to­get­her with his man­ner of dis­re­gar­ding his com­pa­ni­on and ad­dres­sing the op­po­si­te wall in­s­te­ad, se­emed to in­ti­ma­te that he was re­he­ar­sing for the Pre­si­dent, who­se exa­mi­na­ti­on he was shortly to un­der­go, rat­her than tro­ub­ling him­self me­rely to en­lig­h­ten so small a per­son as John Bap­tist Ca­val­let­to.

'Call me fi­ve-and-thirty ye­ars of age. I ha­ve se­en the world. I ha­ve li­ved he­re, and li­ved the­re, and li­ved li­ke a gen­t­le­man ever­y­w­he­re. I ha­ve be­en tre­ated and res­pec­ted as a gen­t­le­man uni­ver­sal­ly. If you try to pre­j­udi­ce me by ma­king out that I ha­ve li­ved by my wits-how do yo­ur law­yers li­ve-yo­ur po­li­ti­ci­ans-yo­ur in­t­ri­gu­ers-yo­ur men of the Ex­c­han­ge?'

He kept his small smo­oth hand in con­s­tant re­qu­isi­ti­on, as if it we­re a wit­ness to his gen­ti­lity that had of­ten do­ne him go­od ser­vi­ce be­fo­re.

'Two ye­ars ago I ca­me to Mar­se­il­les. I ad­mit that I was po­or; I had be­en ill. When yo­ur law­yers, yo­ur po­li­ti­ci­ans, yo­ur in­t­ri­gu­ers, yo­ur men of the Ex­c­han­ge fall ill, and ha­ve not scra­ped mo­ney to­get­her, they be­co­me po­or. I put up at the Cross of Gold,-kept then by Mon­si­e­ur Hen­ri Bar­ron­ne­au-six­ty-fi­ve at le­ast, and in a fa­iling sta­te of he­alth. I had li­ved in the ho­use so­me fo­ur months when Mon­si­e­ur Hen­ri Bar­ron­ne­au had the mis­for­tu­ne to die;-at any ra­te, not a ra­re mis­for­tu­ne, that. It hap­pens wit­ho­ut any aid of mi­ne, pretty of­ten.'

John Bap­tist ha­ving smo­ked his ci­ga­ret­te down to his fin­gers' ends, Mon­si­e­ur Ri­ga­ud had the mag­na­ni­mity to throw him anot­her. He lig­h­ted the se­cond at the as­hes of the first, and smo­ked on, lo­oking si­de­ways at his com­pa­ni­on, who, pre­oc­cu­pi­ed with his own ca­se, hardly lo­oked at him.

'Monsieur Bar­ron­ne­au left a wi­dow. She was two-and-twenty. She had ga­ined a re­pu­ta­ti­on for be­a­uty, and (which is of­ten anot­her thing) was be­a­uti­ful. I con­ti­nu­ed to li­ve at the Cross of Gold. I mar­ri­ed Ma­da­me Bar­ron­ne­au. It is not for me to say whet­her the­re was any gre­at dis­pa­rity in such a match. He­re I stand, with the con­ta­mi­na­ti­on of a ja­il upon me; but it is pos­sib­le that you may think me bet­ter su­ited to her than her for­mer hus­band was.'

He had a cer­ta­in air of be­ing a han­d­so­me man-which he was not; and a cer­ta­in air of be­ing a well-bred man-which he was not. It was me­re swag­ger and chal­len­ge; but in this par­ti­cu­lar, as in many ot­hers, blus­te­ring as­ser­ti­on go­es for pro­of, half over the world.

'Be it as it may, Ma­da­me Bar­ron­ne­au ap­pro­ved of me. That is not to pre­j­udi­ce me, I ho­pe?'

His eye hap­pe­ning to light upon John Bap­tist with this in­qu­iry, that lit­tle man briskly sho­ok his he­ad in the ne­ga­ti­ve, and re­pe­ated in an ar­gu­men­ta­ti­ve to­ne un­der his bre­ath, al­t­ro, al­t­ro, al­t­ro, al­t­ro-an in­fi­ni­te num­ber of ti­mes.

'Now ca­me the dif­fi­cul­ti­es of our po­si­ti­on. I am pro­ud. I say not­hing in de­fen­ce of pri­de, but I am pro­ud. It is al­so my cha­rac­ter to go­vern. I can't sub­mit; I must go­vern. Un­for­tu­na­tely, the pro­perty of Ma­da­me Ri­ga­ud was set­tled upon her­self. Such was the in­sa­ne act of her la­te hus­band. Mo­re un­for­tu­na­tely still, she had re­la­ti­ons. When a wi­fe's re­la­ti­ons in­ter­po­se aga­inst a hus­band who is a gen­t­le­man, who is pro­ud, and who must go­vern, the con­se­qu­en­ces are ini­mi­cal to pe­ace. The­re was yet anot­her so­ur­ce of dif­fe­ren­ce bet­we­en us. Ma­da­me Ri­ga­ud was un­for­tu­na­tely a lit­tle vul­gar. I so­ught to im­p­ro­ve her man­ners and ame­li­ora­te her ge­ne­ral to­ne; she (sup­por­ted in this li­ke­wi­se by her re­la­ti­ons) re­sen­ted my en­de­avo­urs. Qu­ar­rels be­gan to ari­se bet­we­en us; and, pro­pa­ga­ted and exag­ge­ra­ted by the slan­ders of the re­la­ti­ons of Ma­da­me Ri­ga­ud, to be­co­me no­to­ri­o­us to the ne­ig­h­bo­urs. It has be­en sa­id that I tre­ated Ma­da­me Ri­ga­ud with cru­elty. I may ha­ve be­en se­en to slap her fa­ce-not­hing mo­re. I ha­ve a light hand; and if I ha­ve be­en se­en ap­pa­rently to cor­rect Ma­da­me Ri­ga­ud in that man­ner, I ha­ve do­ne it al­most play­ful­ly.'

If the play­ful­ness of Mon­si­e­ur Ri­ga­ud we­re at all ex­p­res­sed by his smi­le at this po­int, the re­la­ti­ons of Ma­da­me Ri­ga­ud might ha­ve sa­id that they wo­uld ha­ve much pre­fer­red his cor­rec­ting that un­for­tu­na­te wo­man se­ri­o­usly.

'I am sen­si­ti­ve and bra­ve. I do not ad­van­ce it as a me­rit to be sen­si­ti­ve and bra­ve, but it is my cha­rac­ter. If the ma­le re­la­ti­ons of Ma­da­me Ri­ga­ud had put them­sel­ves for­ward openly, I sho­uld ha­ve known how to de­al with them. They knew that, and the­ir mac­hi­na­ti­ons we­re con­duc­ted in sec­ret; con­se­qu­ently, Ma­da­me Ri­ga­ud and I we­re bro­ught in­to fre­qu­ent and un­for­tu­na­te col­li­si­on. Even when I wan­ted any lit­tle sum of mo­ney for my per­so­nal ex­pen­ses, I co­uld not ob­ta­in it wit­ho­ut col­li­si­on-and I, too, a man who­se cha­rac­ter it is to go­vern! One night, Ma­da­me Ri­ga­ud and myself we­re wal­king ami­cab­ly-I may say li­ke lo­vers-on a he­ight over­han­ging the sea. An evil star oc­ca­si­oned Ma­da­me Ri­ga­ud to ad­vert to her re­la­ti­ons; I re­aso­ned with her on that su­bj­ect, and re­mon­s­t­ra­ted on the want of duty and de­vo­ti­on ma­ni­fes­ted in her al­lo­wing her­self to be in­f­lu­en­ced by the­ir je­alo­us ani­mo­sity to­wards her hus­band. Ma­da­me Ri­ga­ud re­tor­ted; I re­tor­ted; Ma­da­me Ri­ga­ud grew warm; I grew warm, and pro­vo­ked her. I ad­mit it. Fran­k­ness is a part of my cha­rac­ter. At length, Ma­da­me Ri­ga­ud, in an ac­cess of fury that I must ever dep­lo­re, threw her­self upon me with scre­ams of pas­si­on (no do­ubt tho­se that we­re over­he­ard at so­me dis­tan­ce), to­re my clot­hes, to­re my ha­ir, la­ce­ra­ted my hands, tram­p­led and trod the dust, and fi­nal­ly le­aped over, das­hing her­self to de­ath upon the rocks be­low. Such is the tra­in of in­ci­dents which ma­li­ce has per­ver­ted in­to my en­de­avo­uring to for­ce from Ma­da­me Ri­ga­ud a re­lin­qu­is­h­ment of her rights; and, on her per­sis­ten­ce in a re­fu­sal to ma­ke the con­ces­si­on I re­qu­ired, strug­gling with her-as­sas­si­na­ting her!'

He step­ped asi­de to the led­ge whe­re the vi­ne le­aves yet lay strewn abo­ut, col­lec­ted two or three, and sto­od wi­ping his hands upon them, with his back to the light.

'Well,' he de­man­ded af­ter a si­len­ce, 'ha­ve you not­hing to say to all that?'

'It's ugly,' re­tur­ned the lit­tle man, who had ri­sen, and was brig­h­te­ning his kni­fe upon his shoe, as he le­aned an arm aga­inst the wall.

'What do you me­an?' John Bap­tist po­lis­hed his kni­fe in si­len­ce.

'Do you me­an that I ha­ve not rep­re­sen­ted the ca­se cor­rectly?'

'Al- tro!' re­tur­ned John Bap­tist. The word was an apo­logy now, and sto­od for 'Oh, by no me­ans!'

'What then?'

'Presidents and tri­bu­nals are so pre­j­udi­ced.'

'Well,' cri­ed the ot­her, une­asily flin­ging the end of his clo­ak over his sho­ul­der with an oath, 'let them do the­ir worst!'

'Truly I think they will,' mur­mu­red John Bap­tist to him­self, as he bent his he­ad to put his kni­fe in his sash.

Nothing mo­re was sa­id on eit­her si­de, tho­ugh they both be­gan wal­king to and fro, and ne­ces­sa­rily cros­sed at every turn. Mon­si­e­ur Ri­ga­ud so­me­ti­mes stop­ped, as if he we­re go­ing to put his ca­se in a new light, or ma­ke so­me ira­te re­mon­s­t­ran­ce; but Sig­nor Ca­val­let­to con­ti­nu­ing to go slowly to and fro at a gro­tes­que kind of jog-trot pa­ce with his eyes tur­ned dow­n­ward, not­hing ca­me of the­se in­c­li­nings.

By- and-by the no­ise of the key in the lock ar­res­ted them both. The so­und of vo­ices suc­ce­eded, and the tre­ad of fe­et. The do­or clas­hed, the vo­ices and the fe­et ca­me on, and the pri­son-ke­eper slowly as­cen­ded the sta­irs, fol­lo­wed by a gu­ard of sol­di­ers.

'Now, Mon­si­e­ur Ri­ga­ud,' sa­id he, pa­using for a mo­ment at the gra­te, with his keys in his hands, 'ha­ve the go­od­ness to co­me out.'

'I am to de­part in sta­te, I see?' 'Why, un­less you did,' re­tur­ned the ja­iler, 'you might de­part in so many pi­eces that it wo­uld be dif­fi­cult to get you to­get­her aga­in. The­re's a crowd, Mon­si­e­ur Ri­ga­ud, and it do­esn't lo­ve you.'

He pas­sed on out of sight, and un­loc­ked and un­bar­red a low do­or in the cor­ner of the cham­ber. 'Now,' sa­id he, as he ope­ned it and ap­pe­ared wit­hin, 'co­me out.'

There is no sort of whi­te­ness in all the hu­es un­der the sun at all li­ke the whi­te­ness of Mon­si­e­ur Ri­ga­ud's fa­ce as it was then. Ne­it­her is the­re any ex­p­res­si­on of the hu­man co­un­te­nan­ce at all li­ke that ex­p­res­si­on in every lit­tle li­ne of which the frig­h­te­ned he­art is se­en to be­at. Both are con­ven­ti­onal­ly com­pa­red with de­ath; but the dif­fe­ren­ce is the who­le de­ep gulf bet­we­en the strug­gle do­ne, and the fight at its most des­pe­ra­te ex­t­re­mity.

He lig­h­ted anot­her of his pa­per ci­gars at his com­pa­ni­on's; put it tightly bet­we­en his te­eth; co­ve­red his he­ad with a soft slo­uc­hed hat; threw the end of his clo­ak over his sho­ul­der aga­in; and wal­ked out in­to the si­de gal­lery on which the do­or ope­ned, wit­ho­ut ta­king any fur­t­her no­ti­ce of Sig­nor Ca­val­let­to. As to that lit­tle man him­self, his who­le at­ten­ti­on had be­co­me ab­sor­bed in get­ting ne­ar the do­or and lo­oking out at it. Pre­ci­sely as a be­ast might ap­pro­ach the ope­ned ga­te of his den and eye the fre­edom be­yond, he pas­sed tho­se few mo­ments in wat­c­hing and pe­ering, un­til the do­or was clo­sed upon him.

There was an of­fi­cer in com­mand of the sol­di­ers; a sto­ut, ser­vi­ce­ab­le, pro­fo­undly calm man, with his drawn sword in his hand, smo­king a ci­gar. He very bri­efly di­rec­ted the pla­cing of Mon­si­e­ur Ri­ga­ud in the midst of the party, put him­self with con­sum­ma­te in­dif­fe­ren­ce at the­ir he­ad, ga­ve the word 'march!' and so they all went jin­g­ling down the sta­ir­ca­se. The do­or clas­hed-the key tur­ned-and a ray of unu­su­al light, and a bre­ath of unu­su­al air, se­emed to ha­ve pas­sed thro­ugh the ja­il, va­nis­hing in a tiny wre­ath of smo­ke from the ci­gar.

Still, in his cap­ti­vity, li­ke a lo­wer ani­mal-li­ke so­me im­pa­ti­ent ape, or ro­used be­ar of the smal­ler spe­ci­es-the pri­so­ner, now left so­li­tary, had jum­ped upon the led­ge, to lo­se no glim­p­se of this de­par­tu­re. As he yet sto­od clas­ping the gra­te with both hands, an up­ro­ar bro­ke upon his he­aring; yells, shri­eks, oaths, thre­ats, exec­ra­ti­ons, all com­p­re­hen­ded in it, tho­ugh (as in a storm) not­hing but a ra­ging swell of so­und dis­tinctly he­ard.

Excited in­to a still gre­ater re­sem­b­lan­ce to a ca­ged wild ani­mal by his an­xi­ety to know mo­re, the pri­so­ner le­aped nimbly down, ran ro­und the cham­ber, le­aped nimbly up aga­in, clas­ped the gra­te and tri­ed to sha­ke it, le­aped down and ran, le­aped up and lis­te­ned, and ne­ver res­ted un­til the no­ise, be­co­ming mo­re and mo­re dis­tant, had di­ed away. How many bet­ter pri­so­ners ha­ve worn the­ir nob­le he­arts out so; no man thin­king of it; not even the be­lo­ved of the­ir so­uls re­ali­sing it; gre­at kings and go­ver­nors, who had ma­de them cap­ti­ve, ca­re­ering in the sun­light ja­un­tily, and men che­ering them on. Even the sa­id gre­at per­so­na­ges dying in bed, ma­king exem­p­lary ends and so­un­ding spe­ec­hes; and po­li­te his­tory, mo­re ser­vi­le than the­ir in­s­t­ru­ments, em­bal­ming them!

At last, John Bap­tist, now ab­le to cho­ose his own spot wit­hin the com­pass of tho­se walls for the exer­ci­se of his fa­culty of go­ing to sle­ep when he wo­uld, lay down upon the bench, with his fa­ce tur­ned over on his cros­sed arms, and slum­be­red. In his sub­mis­si­on, in his lig­h­t­ness, in his go­od hu­mo­ur, in his short-li­ved pas­si­on, in his easy con­ten­t­ment with hard bre­ad and hard sto­nes, in his re­ady sle­ep, in his fits and starts, al­to­get­her a true son of the land that ga­ve him birth.

The wi­de sta­re sta­red it­self out for one whi­le; the Sun went down in a red, gre­en, gol­den glory; the stars ca­me out in the he­avens, and the fi­re-fli­es mi­mic­ked them in the lo­wer air, as men may fe­ebly imi­ta­te the go­od­ness of a bet­ter or­der of be­ings; the long dusty ro­ads and the in­ter­mi­nab­le pla­ins we­re in re­po­se-and so de­ep a hush was on the sea, that it scar­cely whis­pe­red of the ti­me when it shall gi­ve up its de­ad.

 


Дата добавления: 2015-11-14; просмотров: 69 | Нарушение авторских прав


<== предыдущая страница | следующая страница ==>
PREFACE TO THE 1857 EDITION| CHAPTER 2 Fellow Travellers

mybiblioteka.su - 2015-2024 год. (0.058 сек.)