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b) say if the statements are true or false:
1. Raoul received a letter from the ghost.
2. Christine was a great singer from Norway that's why she didn't want to be Raoul’s wife.
3. Christine asked Raoul to meet her in the Opera House.
4. The ghost sang like a toad.
5. Christine became famous because of La Carlotta’s help.
6. Madame Giry brought some flowers and put them by the door of Box 5.
7. That was a marvelous night for the Paris Opera House.
C) Give a brief account of the events (chapters 5,6)
D) Reproduce the conversation between Christine and Raoul (chapter 5)
Would you go away and leave Raoul if you were Christine?
Would you marry a poor singer if you were Raoul?
e) Answer the following questions:
1. What did La Carlotta think about the letter? What was her decision? Do you think she believed in ghost?
2. Were the directors afraid of the ghost? Prove it.
3. What was the matter with Carlotta's voice?
4. What was the ghost's behaviour?
f) Describe the accident. What would you do if you were a director? When answering use the following parenthesis to express your opinion:
I think (believe, suppose)
As for me..
To me
Moreover (what is more...)
However
In fact; actually
You see
In my opinion
By the way
As far as/ understand
g) Express your attitude towards the ghost using the following:
To feel sympathy (antipathy) for
To sympathize with
To have/take pity on
To envy
To be on smb's side
To justify smb
The Phantom of the Opera
(chapters VII. VIII)
I. Language Focus:
Active Vocabulary
To arrive in/at
To put one's arms around smb.
To cry//to scream//to shout//to growl//to whisper
Hand in hand (with smb)
To watch smb with interest
To miss//to be missing
To be good (kind) to smb
A) While reading find the active words and vocabulary in the text. Translate the sentences into Russian. Make up a dialogue using the active vocabulary.
b) Give your variant of translation:
1. Then one day there was no Christine.
2. There were hundreds of ropes going down to the stage below - it was a long, long way down.
3. Her face was white and tired.
4. Was his beautiful Christine mad?
5. No, Raoul, listen, there is more.
6. He has the face of a dead man, but he is not dead!
7. She is only a little opera singer.
8. Are you still going to love her in ten, or twenty years' time?
9. There were two more unhappy faces in the Opera House, too.
10. They didn't want any more accidents.
11. O.G. can bring his own flowers!
12. There are no love secrets in Paris.
13. Suddenly every light in the Opera House went out.
14. Everybody ran here and there.
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I. Read chapters II, IV (pp. 8-15) | | | I. Before reading (p. 47, ch-s IX-X) |