Gregory Corso

In 1950 Gregory Corso met Ginsberg, who was impressed by the poetry that Corso had written while incarcerated for burglary. Gregory Corso was the young d'Artagnan (to use Ted Morgan's phrase^[8]) added to the original three of the core beat writers, and for decades the four were often spoken of together, though later critical attention for Corso (the least prolific of the four) waned. He gained some notoriety for his tragicomic poetry, such as "Bomb" and "Marriage."

Some time later there was much cross-pollination with San Francisco-area writers (Ginsberg, Corso, Cassady, and Kerouac each moved there for a time). Lawrence Ferlinghetti (one of the partners who ran the City Lights Bookstore and press) became a focus of the scene as well as the older poet Kenneth Rexroth, whose apartment became a Friday night literary salon. Ginsberg was introduced to Rexroth by an introductory letter from his mentor William Carlos Williams, an old friend of Rexroth's. When Ginsberg was asked by Wally Hedrick to organize the famous Six Gallery reading in October 1955, Ginsberg had Rexroth serve as master of ceremonies. In a sense, Rexroth was bridging two generations. This reading included the first public performance of Ginsberg's poem Howl and thus it is considered one of the most important events in the history of the Beat Generation. It brought East Coast and West Coast poets together in public performance for the first time, and the reading quickly sparked a legend and led to many more readings around California by the now locally famous Six Gallery poets. Soon after the Six Gallery reading, Ferlinghetti wrote Ginsberg a letter, saying, "I greet you at the beginning of a brilliant career. When do I get the manuscript?" This was an adaptation of Emerson's comment about Whitman's poetry, a prophecy of sorts that Howl would bring as much energy to this new movement as Whitman brought to 19th-century poetry. This is also a marker of the beginning of the Beat movement, since the publication of Howl and the subsequent obscenity-trial brought nationwide attention to many of the other members of this group.

An account of the Six Gallery reading forms the second chapter of Jack Kerouac's 1958 novel The Dharma Bums, a novel whose chief protagonist is a character based on one of the poets who had read at the event, Gary Snyder (called "Japhy Ryder" in Kerouac's roman à clef). Most of the people in the Beat movement had urban backgrounds and they found Snyder to be an almost exotic individual, with his rural and back-country experience, and his education in cultural anthropology and Oriental languages. Lawrence Ferlinghetti has referred to him as "the Thoreau of the Beat Generation". One of the primary subjects of The Dharma Bums is Buddhism, and the different attitudes that Kerouac and Snyder have towards it. The Dharma Bums undoubtedly helped to popularize Buddhism in the West.

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