Early meetings in 1940s and early 1950s.

The original "Beat Generation" writers met in New York: Jack Kerouac, Allen Ginsberg, William S. Burroughs, (in 1948) and later (in 1950) Gregory Corso (they are sometimes called the "New York Beats" though only Corso was from New York). Perhaps equally important were the less obviously creative members of the scene, who contributed to the writers' intellectual environment and provided them with subject matter: There was Herbert Huncke, a drug-addict and petty thief who met Burroughs in 1946 and introduced the core members of the New York Beats to the junky life style and junky lingo, including the word "beat:" Lucien Carr, who was key to introducing many of the central figures to one another; and Hal Chase, an anthropology student from Denver, who, in 1947, introduced into the group Neal Cassady, the focus of many beat works (notably Kerouac's On the Road). Also important were the oft-neglected women in the original circle, including Joan Vollmer and Edie Parker. Their apartment on the upper west side of Manhattan often functioned as a salon (or as Ted Morgan puts it, a "pre-sixties commune"^[5]), and Joan Vollmer, in particular, was a serious participant in the marathon discussion-sessions.

Later, the central figures (with the exception of Burroughs) ended up together in San Francisco in the mid-1950s where they met and became friends with figures associated with the San Francisco Renaissance such as Kenneth Rexroth, Gary Snyder, Lawrence Ferlinghetti, Michael McClure, Philip Whalen, Harold Norse, Lew Welch, and Kirby Doyle. There they met many other poets who had migrated to San Francisco because it had a reputation as an important new center of creativity. This included Bob Kaufman who was, according to legend, the first to actually be called a "beatnik." Also of significance were Philip Lamantia, Tuli Kupferberg, and members of the recently dissolved Black Mountain College looking for a new center of communal creativity, poets such as Robert Creeley, Edward Dorn, and Robert Duncan.

Many writers were inspired by the publication of "Howl" and On the Road and decided to join the group. The Beats met most of these writers when they returned to New York: John Wieners, LeRoi Jones, Diane DiPrima, Anne Waldman. The New York School of poets (including Frank O'Hara, Kenneth Koch, John Ashbery, and James Schuyler, though Ashbery and Schuyler weren’t quite as closely associated with the Beats), had already been established as a movement in New York; they found much in common with this ever-widening circle and consistently promoted one another's work.

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