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2.1. Oriental Dance: based on the classical style Raks Sharqi and includes or may consist of elements of Oriental folk dances and styles. It is forbidden to use acrobatic movements or lifts, use props or accessories except of canes, finger cymbals, and “conventional veils”. Veils that have been made into “wings” by the use of rods are permitted if they are not the focus of the choreography and are used for dramatic effect at the beginning or end of the piece.
Musical accompaniment for ORIENTAL DANCE: classical instrumental work with possible accompaniment of vocals. Modern or pop versions of music may be used if the dance and image created conform to the aforementioned principles.
2.2. Oriental Show Dance: choreography with compulsory show element may incorporate any form of dance, however Oriental Dance original technique and music predominates. It is allowed to use oriental props and appropriate accessories (two veils, Isis wings, saber, vases, etc.) and any type of costume. Various dances, styles and fusions of fantasy styles like flamenco oriental and others are welcome. There has to be a development of the plot (introduction, culmination, final).
Competitors in Oriental Show should provide the Organizer with the title of their performances.
Stage props and scenery may be used if the competitors themselves put the objects in place during a single visit to the stage and remove them without the help of non-performers.
Musical accompaniment for SHOW BELLY DANCE can be any kind of music.
2.3. Oriental FOLK DANCE: Arabic folk dance reflects the national features, traditions, habits, music, costume and history of a peoples’ society living in a particular place, region or country. It is the cultural property of all people of a given territory.
Dance styles Oriental FOLK DANCE:
Saidi ·
Khaleegy ·
Nubian ·
Dabke ·
Ghawazee ·
Haggallah ·
Falaahii ·
Bedouin ·
Moroccan no more ·
Tunisian no more, because there are movements of after wedding ceremony. ·
Algerian ·
Iranian ·
And other dances of Arabian culture and territorial countries in North Africa, Middle East and Persian Gulf. ·
Folkloric dances must be performed using music of the particular nationality being represented, in a corresponding
costume and contain characteristic movements, manners, and themes of that specific folk genre. Oriental stage
props or accessories have to belong to the particular dancing style. For example: Sticks for Saidi, a pitcher for
Tunisian.
Competitors in Oriental Folk Dance should provide the organizer the dance style, they will perform.
Music
In any round it is imperative that the performer’s music be the only piece of music on the recording.
The duration of the piece should be in accordance with the rules of specific categories and age division.
It is the responsibility of the performer or a representative of the performer to provide the person, who is responsible for the sound well in advance but at an appropriate time with the recording indicating the number and name of the performer.
(Semi-final: one of either CD with one track. Final: another CD with one track). In the event that these requirements
are not met by the performer the right to participate in the competition may be revoked.
4.1. Time Limits:
ORIENTAL DANCE
SOLO
Preliminaries, 1/8, 1/16, etc.
Organizer’s music
1 minute all together – 1 minuteimprovisation in a group of 6 – 1minute all together
¼ and Semi-fi nal own music 1:00 – 1:30 minutes
Final own music 1:45 – 2:15 minutes
DUOS
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| Dance disciplines for BELLY DANCE | | | Rules for the costume |