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The Evolver, like many classic analog synths, allows you to modulate (i.e. change/control/affect) the width of your pulse waves (also known as “pulse width”) from a variety of sources. Pulse Width Modulation (PWM for short) is a classic analog synthesizer effect.
The most common method of modulation on many synthesizers is via a simple LFO.
The dictionary defines modulation as: “The variation of a property of an electromagnetic wave or signal, such as its amplitude (volume), frequency (pitch), or phase.” |
Since manually changing pulse width results in a change in timbre, one would expect an LFO-modulated pulse width to produce a regularly changing/varying timbre, right?
LFO stands for “Low Frequency Oscillator”. |
By “low frequency”, we mean oscillation of fewer than 20 cycles per second (or 20 Hertz, abbreviated Hz). |
20 Hz, or cycles per second, is the lowest frequency humans can perceive as pitch. If the LFO was faster than 20 Hz, it’d just be a regular oscillator. |
20 Hz is still pretty fast, though, and most LFOs can be set to run far below 1 Hz. |
In fact, a "classic" analog string sound comes from modulating the pulse width.
Start with our basic patch.
• Set OSC 3 and 4 Level to 0
• OSC 1 Shape to P-52
• OSC 2 Shape to P-48
• LFO 1 Shape to “tri” (triangle wave)
• LFO 1 Frequency = 42
• LFO 1 Amount = 30
• LFO 1 Destination = O1P (OSC 1 Pulse Width)
• LFO 2 Shape = “tri” (triangle wave)
Упражнение 1:
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