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· Мистер Дэлавер — боксёр
Сюжет[править | править вики-текст]
В фильме показана кенгуру, дерущаяся с мужчиной.
Художественные особенности[править | править вики-текст]
От фильма сохранилось 18 футов плёнки (5 метров).
Boxing Kangaroo (German: Das Boxende Känguruh) is an 1895 German short black-and-white silent documentary film, directed and produced by Max Skladanowsky, which features a Kangaroo boxing against a man against a white background at the Circus Busch. The film, which premiered at the first public projection of motion pictures in Germany on November 1, 1895, was filmed on 35 mm film and is 18 feet in length.[1][2]
The "groundbreaking production," was, according to WildFilmHistory, "a huge success," which, "despite being intended for entertainment rather than as a scientific behaviour study," "revealed animal actions in a way that had never been seen before," and, "exposed the potential for future films concerning wildlife and natural history."
«Итальянский крестьянский танец» — немой короткометражный документальный фильм Макса Складановского. Длина фильма 1,5 м (всего 48 кадров). Фильм снят на сконструированном Складановским независимо от братьев Люмьер аппарате для съёмки и проекции фильмов «Биоскоп».
Фильм был частью сборника Wintergarten Performances. Премьера состоялась в Германии 2 ноября 1895 года. В 1895‒96 годах фильм был показан в Германии, Голландии, Дании и Швеции.
· Плоэтс — мальчик
· Ларелла — девочка
Сюжет[править | править вики-текст]
Два ребёнка танцуют итальянский народный танец.
Bauerntanz zweier Kinder (also known as Italienischer Bauerntanz or Italian Folk dance) is an 1895 German short black-and-white silentdocumentary film directed by Max Skladanowsky. The film captures two children from Ploetz-Lorello, performing a dance.[2]
It was one of a series of films produced to be projected by a magic lantern and formed part of the Wintergarten Performances, the first projections of film in Europe to a paying audience. The film titles for the initial program were: Bauerntanz zweier Kinder, Komisches Reck,Serpentinen Tanz, Der Jongleur Paul Petras, Das Boxende Känguruh, Akrobatisches Potpourri, Kamarinskaja, Ringkampf and Apotheose. Each film lasted approximately 6 seconds and would be repeated several times.[3]
«Апофеоз» — короткометражный фильм Макса Складановского 1895 года.
Сюжет
Два изобретателя «биоскопа» (устройства вроде «волшебного фонаря», которое проектировало сменяющиеся изображения, создавая иллюзию движения), кланяются с экрана. Эту сцену показывали в конце сеанса — авторы таким образом словно прощались со зрителями.
Премьера[править | править вики-текст]
Германия — 1 ноября 1895 года
Интересные факты[править | править вики-текст]
· 1 ноября 1895 года Макс Складановский снял 7 фильмов, одним из которых был «Апофеоз».
· В 1897 году Макс Складановский снимет фильм Апофеоз 2
«Бушующее море у Дувра» (англ. Rough Sea at Dover) — немой короткометражный фильм Бирта Акреса. Фильм демонстрирует события, произошедшие в порту города Дувр. Премьера состоялась 23 апреля 1895 года на корабле, идущем в Атлантику, но официально считается, что премьера состоялась 14 января 1896 года в Royal Photographic Society в Лондоне.
Сюжет[править | править вики-текст]
В фильме показан порт Дувра в момент наводнения.
Награды[править | править вики-текст]
Фильм был выпущен на DVD. В данный момент в продаже есть 2 диска, на которых записан фильм. Это диски «Ранний кинотеатр» и «Фильмы Р. У. Пола: 1895—1908».
«Дерби» (англ. The Derby) — немой короткометражный документальный фильм Бёрта Акреса. В отличие от фильмов того времени, фотограф Бирт Акрес снял фильм с выдержкой. Акрес тогда не имел студии, что вообще не ожидалось от времени. Премьера состоялась в Великобритании 29 мая 1895 года.
Сюжет[править | править вики-текст]
Фильм показывает лошадей, которые участвуют в дерби.
Текущее состояние[править | править вики-текст]
В последнее время фильм стал самым старым фильмом, который скачивают очень часто. Фильм входит в сборник The Movies Begin — A Treasury of Early Cinema, 1894—1913.
| A Sea Cave Near Lisbon | |
Screenshot from the film
| |
| Directed by | Henry Short |
| Produced by | Robert W. Paul |
| Cinematography | Henry Short |
| Production company | Paul's Animatograph Works |
| Release dates | · October 22, 1896 |
| Running time | 13 secs |
| Country | United Kingdom |
| Language | Silent |
A Sea Cave Near Lisbon is an 1896 British short silent actuality film, directed by Henry Short, featuring a view looking out to sea through the Boca do Inferno (Hell's Mouth) cave near Lisbon, with waves breaking in. The film was popular with audiences and received positive reviews.
Synopsis[edit]
A Sea Cave Near Lisbon consists of a single shot, looking out through the entrance of the Boca do Inferno (Hell's Mouth) cave near Lisbon. Waves enter the cave, breaking on the rocks at the cave's mouth. The film lasts 13 seconds.
Production[edit]
In 1896, film pioneer R. W. Paul sent his associate Henry Short on a film-making trip to the Iberian Peninsula, with a new lightweight portable camera he had developed.[1] Paul, who had earlier in the year developed a projection system known as the "Theatrograph", was at the time in commercial competition with the Lumière brothers, who themselves had demonstrated a projection system in London on the same day, 20 February. The Alhambra Theatre in Leicester Square, London, were impressed by Paul's system and offered him a contract to supply equipment and staff. Paul was thus keen to acquire footage to make a positive impact on audiences at the Alhambra.[2]
During the five-week trip in August and September, Short created 18 actuality films, mostly in the cities of Cádiz, Lisbon, Madrid and Seville. Most of these were either urban views, indcluding the Puerto del Sol in Madrid and Triana, Seville, or cultural scenes, such as an Andalusian dance and Fado performers.[3]
Films documenting waves had become popular with audiences, as exemplified by the April 1896 film Rough Sea at Dover, and many others were produced in the years up to 1912.[4] A Sea Cave Near Lisbon was, however, the first cinematic depiction of a cave.[5][6] Short travelled to the Boca do Inferno for filming on 13 September.[3] It was filmed using a camera mounted on a boat inside the cave.[7]
Release and reception[edit]
The film was shown for the first time at the Alhambra Theatre on 22 October 1896,[4] as the thirteenth part of a fourteen-part programme of Short's films, entitled "A Tour in Spain and Portugal".[8][n 1] Paul included it in his film catalogue for wider exhibition, where it was described as "a very striking and artistic photograph of a large cave near the Atlantic coast, into which waves dash with great violence".[1]
The film was immediately popular with audiences and received very positive reviews. A reviewer in The Era described it as "one of the most beautiful realisations of the sea that we have ever witnessed...the grandeur of the scenes are remarkable".[4] The Daily Telegraph described it as "a picture of real beauty".[9] In the Morning Post, a reviewer described it as "one of the most remarkable effects produced by any of the 'graphies' yet put forward".[9] The film was the most popular of the 14 films, and one of the most successful films in early British cinema.[10][11] Its popularity continued in subsequent years, and it still appeared in Paul's sales catalogue in 1903, with the statement: "This film has never been equalled as a portrayal of fine wave effects".[4]
Legacy[edit]
Film historian Michael Brooke has described the film as "a very impressive achievement", and "one of the first instances in early cinema of a creative approach towards framing a shot".[12]
He has also pointed to the importance of A Sea Cave Near Lisbon and the other films shown in A Tour of Spain and Portugal in terms of its contribution to the history of the British documentary movement, of which he describes R. W. Paul as "was one of its most important precursors." Where previously, factual films generally consisted of stand-alone actualities intended for individual show, the programme put together by Paul from Henry Short's sequences was his first attempt to gather short actualities into a longer collective work. Paul sent Short on a similar trip to Egypt in 1897. From this time Paul continued to experiment with multi-shot actualities, leading to longer works such as Army Life (1900) and Whaling Afloat and Ashore (1908).[1]
Unlike most of the other films from Short's trip, A Sea Cave Near Lisbon has survived in its entirety, and has been made available on the British Film Institute DVD collection RW Paul: The Collected Films 1895-1908, with music by silent film accompanist Stephen Horne.
| Blackfriars Bridge | |
Screenshot from the film
| |
| Directed by | Robert W. Paul |
| Produced by | Robert W. Paul |
| Cinematography | Robert W. Paul |
| Production company | Paul's Animatograph Works |
| Release dates | · August 1896 |
| Running time | 25 secs |
| Country | United Kingdom |
| Language | Silent |
Blackfriars Bridge (AKA: Traffic on Blackfriars Bridge) is an 1896 British short black-and-white silent actuality film, directed by Robert W. Paul, featuring top-hatted pedestrians and horse-drawn carriages passing over Blackfriars Bridge, London. The film was, according to Michael Brooke of BFI Screenonline, "taken from the southern end looking northwards over the Thames by R.W. Paul in July 1896," and, "screened as part of his Alhambra Theatre programme shortly afterwards, certainly no later than 31 August"
| Comic Costume Race | |
Screenshot from the film
| |
| Directed by | Robert W. Paul |
| Produced by | Robert W. Paul |
| Cinematography | Robert W. Paul |
| Production company | Paul's Animatograph Works |
| Release dates | · 1896 |
| Running time | 43 secs |
| Country | United Kingdom |
| Language | Silent |
Comic Costume Race is an 1896 British short black-and-white silent actuality film, directed by Robert W. Paul, featuring comic costume scramble at the Music Hall Sports on 14 July 1896 at Herne Hill, London. The music hall sports day was an annual charity event consisting of other events such as egg and spoon races and three-legged races. The film is the best surviving pictorial record of the Music Hall Sports.[1] It is not known who the race participants are.[2]
The film was, according to Michael Brooke of BFI Screenonline, "presented at Windsor Castle on 23 November 1896," which, "enabled Paul to add a royal seal of approval to his advertisements." It is included on the BFI DVD R.W. Paul: The Collected Films 1895-1908. [3][4]
Another film of the costume race at the Music Hall Sports was produced in 1898.[5] In 1899, Cecil Hepworth produced a film on a similar race, entitled Comic Costume Race for Cyclists. This film depicted a group of cyclists racing to a pile of clothing, containing costumes such as those of a policeman and a clown, before remounting and racing to the finishing line.[6]
The Kiss
The Edison catalogue advertised it thus: "They get ready to kiss, begin to kiss, and kiss and kiss and kiss in a way that brings down the house every time."
The film was directed by William Heise for Thomas Edison. At the time Edison was working at the Black Maria studios in West Orange, New Jersey. In 1999 the short was deemed "culturally significant" by the United States Library of Congress and selected for preservation in theNational Film Registry.
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