Edit] Later Bloomsbury

In March 1920 Molly MacCarthy began a club to help Desmond and herself write their memoirs; and also "for their friends to regroup after the war (with the proviso that they should always tell the truth)",^[30] thus bringing the members of Old Bloomsbury back together. The comedy of a group of friends in their forties reading one another their memoirs was not lost on Bloomsbury. Many of the ensuing memoirs, such as Virginia Woolf on her Hyde Park Gate home and Maynard Keynes on his early beliefs, are ironic in ways not always recognized by later commentators. The Memoir Club testifies to the continuing cohesion of Bloomsbury. For the next thirty years they came together in irregular meetings to write about the memories they shared in growing up together, at college, and later in Bloomsbury. The members of The Memoir Club were not quite equivalent to those of Old Bloomsbury, however; the club did not include Adrian Stephen, for example, or Sydney-Turner, who certainly belonged to Old Bloomsbury. Yet all but one of the other members belonged to Old Bloomsbury, and indeed Old Bloomsbury itself became a popular subject for the Club’s memoirs.

The 1920s were in a number of ways the blooming of Bloomsbury. Virginia Woolf was writing and publishing her most widely-read modernist novels and essays, E. M. Forster completed A Passage to India which remains the most highly regarded novel on British imperialism in India. Forster wrote no more novels but he became one of England’s most influential essayists. Duncan Grant, and then Vanessa Bell, had single-artist exhibitions. Lytton Strachey wrote his biographies of two Queens, Victoria then Elizabeth (and Essex). Desmond MacCarthy and Leonard Woolf engaged in friendly rivalry as literary editors, respectively of the New Statesman and the Nation and Athenaeum, thus fuelling animosities that saw Bloomsbury dominating the cultural scene. Roger Fry wrote and lectured widely on art; meanwhile, Clive Bell applied Bloomsbury values to his book Civilization (1928), which Leonard Woolf saw as limited and elitist, describing Clive as a "wonderful organiser of intellectual greyhound racing tracks".^[31] Leonard, who had helped formulate proposals for the League of Nations during the war, offered his own views on the subject in Imperialism and Civilization (1928). In many respects throughout its history Bloomsbury’s most incisive critics came from within.

In the darkening 1930s Bloomsbury began to die: "Bloomsbury itself was hardly any longer a focus".^[32] A year after publishing a collection of brief lives, Portraits in Miniature (1931), Lytton Strachey died; shortly afterwards Carrington shot herself. Roger Fry, who had become England’s greatest art critic, died in 1934. Vanessa and Clive’s eldest son, Julian Bell, was killed in 1937 while driving an ambulance in the Spanish Civil War. Virginia Woolf wrote Fry’s biography but with the coming of war again her mental instability recurred, and she drowned herself in 1941. In the previous decade she had become one of the century’s most famous feminist writers with three more novels, and a series of essays including the moving late memoir “Sketch of the Past”, It was also in the 1930s that Desmond MacCarthy became perhaps the most widely read – and heard – literary critic with his columns in The Sunday Times and his broadcasts with the BBC. John Maynard Keynes’s The General Theory of Employment, Interest, and Money (1936) made him the century’s most influential economist. He died in 1946 after being much involved in monetary negotiations with the United States.

The diversity yet collectivity of Later Bloomsbury’s ideas and achievements can be summed up in a series of credos that were done in 1938, the year of Munich. Virginia Woolf published her radical feminist polemic Three Guineas that shocked some of her fellow members including Keynes who had enjoyed the gentler A Room of One’s Own (1929). Keynes read his famous but decidedly more conservative memoir My Early Beliefs to The Memoir Club. Clive Bell published an appeasement pamphlet (he later supported the war), and E. M. Forster wrote an early version of his famous essay “What I Believe” with its choice, still shocking for some, of personal relations over patriotism: his quiet assertion in the face of the increasingly totalitarian claims of both left and right that "personal relations... love and loyalty to an individual can run counter to the claims of the State".^[33]

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