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and that she'll teach anybody to be a duchess just the same in
Six months for a thousand guineas. Oh, when I think of myself
Crawling under your feet and being trampled on and called
Names, when all the time I had only to lift up my finger to be
As good as you, I could just kick myself.
HIGGINS (wondering at her) You damned impudent slut, you! But it's
Better than snivelling; better than fetching slippers and
finding spectacles, isnt it? (Rising) By George, Eliza, I said
I'd make a woman of you; and I have. I like you like this.
LIZA. Yes: you turn round and make up to me now that I'm not afraid
Of you, and can do without you.
HIGGINS. Of course I do, you little fool. Five minutes ago you were
like a millstone round my neck. Now youre a tower of strength:
A consort battleship. You and I and Pickering will be three old
Bachelors together instead of only two men and a silly girl.
-
Mrs Higgins returns, dressed for the wedding. Eliza instantly
Becomes cool and elegant.
-
MRS HIGGINS. The carriage is waiting, Eliza. Are you ready?
LIZA. Quite. Is the Professor coming?
MRS HIGGINS. Certainly not. He cant behave himself in church. He
makes remarks out loud all the time on the clergyman's
Pronunciation.
LIZA. Then I shall not see you again, Professor. Goodbye. (She goes
To the door).
MRS HIGGINS (coming to Higgins) Goodbye, dear.
HIGGINS. Goodbye, mother. (He is about to kiss her, when he
Recollects something). Oh, by the way, Eliza, order a ham and a
Stilton cheese, will you? And buy me a pair of reindeer gloves,
Number eights, and a tie to match that new suit of mine, at
Eale & Binman's. You can choose the color. (His cheerful,
Careless, vigorous voice shews that he is incorrigible.).
LIZA (disdainfully) Buy them yourself. (She sweeps out).
MRS HIGGINS. I'm afraid youve spoiled that girl, Henry. But never
mind, dear: I'll buy the tie and gloves.
HIGGINS. Oh, dont bother. She'll buy em all right enough. Goodbye.
-
* * * * * *
-
The rest of the story need not be shewn in action, and indeed, would
Hardly need telling if our imaginations were not so enfeebled by their
Lazy dependence on the ready-mades and reach-me-downs of the ragshop
in which Romance keeps its stock of "happy endings" to misfit all
Stories. Now, the history of Eliza Doolittle, though called a
Romance because the transfiguration it records seems exceedingly
Improbable, is common enough. Such transfigurations have been achieved
By hundreds of resolutely ambitious young women since Nell Gwynne
Set them the example by playing queens and fascinating kings in the
Theatre in which she began by selling oranges. Nevertheless, people in
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