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Poetic structure
This poem has a simple rhyme scheme: AA BB CC DD AA AA EF GG FE AA
The layout is set up by two stanzas with the refrain: "Little Lamb who made thee?/Dost thou know who made thee?"
In the first stanza, the speaker wonders who the lamb's creator is; the answer lies at the end of the poem. Here we find a physical description of the lamb, seen as a pure and gentle creature. In the second stanza, the lamb is compared with the infant Jesus, as well as between the lamb and the speaker's soul. In the last two lines the speaker identifies the creator: God.
The Tiger
By William Blake
1757-1827
TIGER, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Much of the poem follows the metrical pattern of its first line and can be scanned as trochaic tetrameter catalectic. A number of lines, however—such as line four in the first stanza—fall into iambic tetrameter.
Most modern anthologies have kept Blake's choice of the archaic spelling "tyger". It was a common spelling of the word at the time but was already "slightly archaic"[3] when he wrote the poem; he spelled it as "tiger" elsewhere,[1] and many of his poetic effects "depended on subtle differences of punctuation and of spelling."[4] Thus, his choice of "tyger" has usually been interpreted as being for effect, perhaps to render an "exotic or alien quality of the beast",[5] or because it's not really about a tiger at all, but a metaphor.[1]
"The Tyger" is the sister poem to "The Lamb" (from "Songs of Innocence"), a reflection of similar ideas from a different perspective, but "The Lamb" focuses more on goodness than evil. "The Tyger" also presents a duality between aesthetic beauty and primal ferocity. The speaker wonders whether the hand that created "The Lamb" also created "The Tyger”.
Style
The poem follows the structure of a day— 'the sun does arise' in the beginning of the first verse, and 'the sun does descend' in the middle of the third verse. The poem is the contrast of innocence and experience, but also the contrast between perception of joys and sorrows. What is happening on the Green will happen again, shown by the 'old folk' who watch the children and reminisce about their own childhood on the Green. The whole poem is written in 6 sentences with much repetition. The poem could also be attributed to the life of a person— birth, life, death.
edit]The Poem
The Ecchoing Green
The Sun does arise,
And make happy the skies.
The merry bells ring,
To welcome the Spring,
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells chearful sound,
While our sports shall be seen
On the Ecchoing Green.
Old John with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk.
They laugh at our play,
And soon they all say,
Such, such were the joys,
When we all, girls & boys,
In our youth time were seen,
On the Ecchoing Green.
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest:
And sport no more seen,
On the darkening Green.
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