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Henry David Thoreau

Literary movement – Colonial realism/ romantism | Young Goodman Brown | The Raven. The Gold Bug. | Song of myself | Emily Dickinson | Language · English; frequently makes use of Southern and black dialects of the time | Gift of the Magi. Squaring the circle. | Sister Carrie. | A firewell to Arms. The Old man and the sea. | Delta Autumn. The Bear |


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“walden”

http://www.sparknotes.com/lit/walden/facts.html

Henry David Thoreau (born David Henry Thoreau; July 12, 1817 – May 6, 1862) (pronounced like the word thorough, with emphasis on the first syllable)[1][2] was an American author, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, historian, and leading transcendentalist. He is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay Civil Disobedience, an argument for individual resistance to civil government in moral opposition to an unjust state.

His literary style interweaves close natural observation, personal experience, pointed rhetoric, symbolic meanings, and historical lore, while displaying a poetic sensibility, philosophical austerity, and "Yankee" love of practical detail. He was also deeply interested in the idea of survival in the face of hostile elements, historical change, and natural decay; at the same time he advocated abandoning waste and illusion in order to discover life's true essential needs.

 

Walden (first published as Walden; or, Life in the Woods) is an American book written by noted Transcendentalist Henry David Thoreau. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and manual for self reliance.[2]

Published in 1854, it details Thoreau's experiences over the course of two years in a cabin he built near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts.

By immersing himself in nature, Thoreau hoped to gain a more objective understanding of society through personal introspection. Simple living and self-sufficiency were Thoreau's other goals, and the whole project was inspired by transcendentalist philosophy, a central theme of the American Romantic Period. As Thoreau made clear in his book, his cabin was not in wilderness but at the edge of town, about two miles (3 km) from his family home.

Thoreau's intention during his time at Walden Pond was "to conduct an experiment: Could he survive, possibly even thrive, by stripping away all superfluous luxuries, living a plain, simple life in radically reduced conditions?"[6] He thought of it as an experiment in "home economics". Although Thoreau went to Walden to escape what he considered, "over-civilization", and in search of the "raw" and "savage delight" of the wilderness, he also spent considerable amounts of his time reading and writing.

Thoreau spent nearly four times as long on the Walden manuscript as he actually spent at the cabin. He went through eight different drafts over the course of almost ten years.[6] Walden was a moderate success when it was first published in 1854. It sold well and was received favourably among reviewers.

genre · Autobiography; moral philosophy; natural history; social criticism

major conflict · Thoreau resists the constraints of civilized American life.

 

Economy: In this first and longest chapter, Thoreau outlines his project: a two-year, two-month, and two-day stay at a cozy, "tightly shingled and plastered," English-style 10' × 15' cottage in the woods near Walden Pond.[4] He does this, he says, to illustrate the spiritual benefits of a simplified lifestyle. He easily supplies the four necessities of life (food, shelter, clothing, and fuel) with the help of family and friends, particularly his mother, his best friend, and Mr. and Mrs. Ralph Waldo Emerson. The latter provided Thoreau with a work exchange – he could build a small house and plant a garden if he cleared some land on the woodlot and did other chores while there.[4]Thoreau meticulously records his expenditures and earnings, demonstrating his understanding of "economy," as he builds his house and buys and grows food. For a home and freedom, he spent a mere $28.12½, in 1845. At the end of this chapter, Thoreau inserts a poem, "The Pretensions of Poverty," by seventeenth-century English poet Thomas Carew. The poem criticizes those who think that their poverty gives them unearned moral and intellectual superiority.

Solitude: Thoreau rhapsodizes about the beneficial effects of living solitary and close to nature. He claims to love being alone, saying "I never found the companion that was so companionable as solitude."

Thoreau describes a “delicious evening” in which he feels at one with nature, “a part of herself.” It is cool and windy, but nevertheless the bullfrogs and night animals give it a special charm. When he returns to his home, he finds that visitors have passed by and left small gifts and tokens. Thoreau remarks that even though his closest neighbor is only a mile away, he may as well be in Asia or Africa, so great is his feeling of solitude. Paradoxically, he is not alone in his solitude, since he is “suddenly sensible of such sweet and beneficent society in Nature... as made the fancied advantages of human neighborhood insignificant.” It is not that he is giving up society, but rather that he is exchanging the “insignificant” society of humans for the superior society of nature. He explains that loneliness can occur even amid companions if one’s heart is not open to them. Thoreau meditates on the deep pleasure he feels in escaping the gossips of the town. Instead of their poisonous company, he has the company of an old settler who lives nearby and tells him mystical stories of “old time and new eternity,” and the company of an old woman whose “memory runs back farther than mythology.” It is unclear whether these companions are real or imaginary. Thoreau again praises the benefits of nature and of his deep communion with it. He maintains that the only medicine he needs in life is a draught of morning air.

What Thoreau means by “solitude,” we discover, is not loneliness or isolation, but rather self-communion and introspection. It has little to do with the physical proximity of others, since he says that a man can be lonely when surrounded by others if he does not feel real companionship with them.

 


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