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Cemetery Dance Publications 43 страница



“A Watt Post-Mortem”—

326Bangor Daily News (October 14, 1983): 14.

“What Ails the U.S. Male: Fire and Ice Cream”—

369Mademoiselle (November, 1985): 137.

“What I Watch”—

313TV Guide (November 27-December 3, 1993).

“What is Stephen King Trying to Prove?”—

296The New York Times Magazine (September 10, 2000): 10.

“What Stephen King Does For Love”—

387 Appearances:

1. Seventeen (April, 1990): 240-241.

2. Secret Windows, by Stephen King. New York, New York: Book-of-the-Month Club, 2000,

hardcover, p. 353-359.

“What Went Down When Magyk Went Up”—

267The New York Times Book Review (February 10, 1985): 7.

“What’s Scaring Stephen King”—

333Omni (February, 1987): 16.

“When Is TV Too Scary For Children?: Now You Take ‘Bambi’ Or ‘Snow White’—That’s

Scary”—

305 Appearances:

1. TV Guide (June 13-19, 1981): 7-8, 10.

2. As “If You Really Want To Be Scared, Start With ‘Hansel And Gretel’” in TV Guide

[Canadian edition] (September 5-11, 1981): 2-3, 6, 8.

3. As “Now You Take ‘Bambi’ Or ‘Snow White’— That’s Scary!” in Popular Writing in

America: The Interaction of Style and Audience, Third Edition, edited by Donald McQuade and

Robert Atwan. New York: Oxford University Press, 1985, trade paperback. ISBN: 0-19-503589-5.

3a. As “Now You Take ‘Bambi’ Or ‘Snow White’— That’s Scary!” in Popular Writing in

America: The Interaction of Style and Audience, Fourth Edition, edited by Donald McQuade and

Robert Atwan. New York: Oxford University Press, 1988, trade paperback, p. 338-342. ISBN: 0-19-

505323-0.

3b. As “Now You Take ‘Bambi’ Or ‘Snow White’— That’s Scary!” in Popular Writing in

America: The Interaction of Style and Audience, Fifth Edition, edited by Donald McQuade and

Robert Atwan. New York: Oxford University Press, 1993, trade paperback, p. 285-288. ISBN: 0-19-

507308-8.

4. As “Now You Take ‘Bambi’ Or ‘Snow White’— That’s Scary!” in Writing Fiction: A Guide

To Narrative Craft, Fifth Edition, edited by Janet Burroway. Boston: Addison-Wesley/Longman

Inc., 2000, trade paperback, p. 285-289. ISBN: 0-321-02689-6.

5. As “Now You Take ‘Bambi’ Or ‘Show White’— That’s Scary!” in Elements of Literature

with Readings in World Literature, Fourth Course. Forth Worth, Texas: Holt, Rinehart, and

Winston, A division of Harcourt Brace & Company, [June] 2000, hardcover, p. 480, 482-484. ISBN:

0-03-052063-0. [Abridgement]

“Whining About the Movies in Bangor: Take That, ‘Top Gun’”—

288Bangor Daily News (April 9, 1987): 11.

“Why I Am For Gary Hart”—

327The New Republic (June 4, 1984): 14-16.

“Why I Chose Batman”—

229Batman Comics #400 Anniversary Issue (October, 1986): [no pagination].

“Why I Was Bachman”—

126 Appearances:

1. The Bachman Books, by Stephen King. New York: New American Library, October 1985,

cloth, p. v-x. Only in printings of The Bachman Books through 1995. In 1996, this essay was replaced

by King’s “The Importance of Being Bachman” piece.

2. The Stephen King Desk Calendar 2006. New York: Doubleday Book Club, [October] 2005,

spiral-bound hardcover, [p. February 6-8, 2006 & February 9-12, 2006]. ISBN: 1-58288-188-X.

[Excerpt]

“Why I Wrote The Eyes of the Dragon”—

375Castle Rock: The Stephen King Newsletter (February, 1987): 1, 6.

“Why We Crave Horror Movies”—

58 Appearances:

1. Playboy (January, 1981): 150-154, 237-238, 240, 242, 244, 246.

2. The St. Martin’s Guide to Writing, Second Edition, edited by Rise B. Axelrod and Charles

R. Cooper. New York: St. Martin’s Press, 1988, hardcover, p. 294-296. ISBN: 0-312-00283-1.

2a. The St. Martin’s Guide to Writing, Second Edition, edited by Rise B. Axelrod and Charles

R. Cooper. New York: St. Martin’s Press, 1988, trade paperback, p. 294-296. ISBN: 0-312-00284-

X.

2b. The St. Martin’s Guide to Writing, Third Edition, edited by Rise B. Axelrod and Charles

R. Cooper. New York: St. Martin’s Press, 1991, hardcover, p. 295-297. ISBN: 0-312-03495-4.

2c. The St. Martin’s Guide to Writing, Third Edition, edited by Rise B. Axelrod and Charles R.



Cooper. New York: St. Martin’s Press, January 1991, trade paperback, p. 295-298. ISBN: 0-312-

03494-6.

2d. The St. Martin’s Guide to Writing, Fourth Edition, edited by Rise B. Axelrod and Charles

R. Cooper. New York: St. Martin’s Press, 1994, hardcover, p. 343-345. ISBN: 0-312-07541-3.

2e. The St. Martin’s Guide to Writing, Fourth Edition, edited by Rise B. Axelrod and Charles

R. Cooper. New York: St. Martin’s Press, 1994, trade paperback, p. 343-345. ISBN: 0-312-10372-7.

2f. The St. Martin’s Guide to Writing, Fifth Edition, edited by Rise B. Axelrod and Charles R.

Cooper. New York: St. Martin’s Press, 1997, hardcover, p. 339-341. ISBN: 0-312-11634-9.

2g. The St. Martin’s Guide to Writing, Fifth Edition, edited by Rise B. Axelrod and Charles R.

Cooper. New York: St. Martin’s Press, 1997, trade paperback, p. 339-341. ISBN: 0-312-13326-X.

2h. The St. Martin’s Guide to Writing, Sixth Edition, edited by Rise B. Axelrod and Charles R.

Cooper. Boston: Bedford/St. Martin’s Press, 2001, hardcover, p. 411-414. ISBN: 0-312-20106-0.

2i. The St. Martin’s Guide to Writing, Short Sixth Edition, edited by Rise B. Axelrod and

Charles R. Cooper. Boston: Bedford/St. Martin’s Press, 2001, trade paperback. ISBN: 0-312-24059-

7.

2j. The St. Martin’s Guide to Writing, Seventh Edition, edited by Rise B. Axelrod and Charles

R. Cooper. Boston: Bedford/St. Martin’s Press, 2004, hardcover. ISBN: 0-312-40052-7.

2k. The St. Martin’s Guide to Writing, Short Seventh Edition, edited by Rise B. Axelrod and

Charles R. Cooper. Boston: Bedford/St. Martin’s Press, 2004, trade paperback, p. 453-456. ISBN: 0-

312-40053-5.

3. Literature: The Human Experience, Shorter Fifth Edition with Essays, edited by Richard

Abcarian and Marvin Klotz. New York: St. Martin’s Press, 1992, trade paperback, p. 579-580.

ISBN: 0-312-04832-7.

4. Common Culture: Reading and Writing About American Popular Culture, edited by

Michael Petracca and Madeleine Sorapure. Englewood Cliffs, NJ: Blair Press/Prentice-Hall, 1995,

trade paperback, p. 533-535. ISBN: 0-13-299801-7.

4a. Common Culture: Reading and Writing About American Popular Culture, 2nd Edition,

edited by Michael Petracca and Madeleine Sorapure. Englewood Cliffs, NJ: Blair Press/Prentice-

Hall, 1998, trade paperback, p. 498-500. ISBN: 0-13-754888-5.

4b. Common Culture: Reading and Writing About American Popular Culture, 3rd Edition,

edited by Michael Petracca and Madeleine Sorapure. Englewood Cliffs, NJ: Blair Press/Prentice-

Hall, 2001, trade paperback, p. 516-518. ISBN: 0-13-085098-5.

4c. Common Culture: Reading and Writing About American Popular Culture, 4th Edition,

edited by Michael Petracca and Madeleine Sorapure. Englewood Cliffs, NJ: Blair Press/Prentice-

Hall, 2003, trade paperback, p. 563-566. ISBN: 0-13-182545-3.

5. The Bedford Guide for College Writers, Fifth Edition, edited by X. J. Kennedy, Dorothy M.

Kennedy, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 1999, hardcover. ISBN: 0-312-

17156-0.

5a. The Bedford Guide for College Writers, Fifth Edition, edited by X. J. Kennedy, Dorothy M.

Kennedy, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 1999, trade paperback. ISBN: 0-

312-20184-2.

5b. The Bedford Guide for College Writers, Fifth Edition, Instructor’s Annotated Edition,

edited by X. J. Kennedy, Dorothy M. Kennedy, and Sylvia A. Holladay. Boston: Bedford/St.

Martin’s, 1999, hardcover. ISBN: 0-312-19608-3.

5c. The Bedford Guide for College Writers, Sixth Edition, edited by X. J. Kennedy, Dorothy M.

Kennedy, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 2002, hardcover. ISBN: 0-312-

26014-8.

5d. The Bedford Guide for College Writers, Sixth Edition, edited by X. J. Kennedy, Dorothy M.

Kennedy, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 2002, trade paperback. ISBN: 0-

312-39292-3.

5e. The Bedford Guide for College Writers, Sixth Edition, Instructor’s Annotated Edition,

edited by X. J. Kennedy, Dorothy M. Kennedy, and Sylvia A. Holladay. Boston: Bedford/St.

Martin’s, 2002, hardcover. ISBN 0-312-39632-5.

5f. The Bedford Guide for College Writers, Seventh Edition, edited by X. J. Kennedy, Dorothy

M. Kennedy, Marcia F. Muth, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 2005,

hardcover. ISBN: 0-312-41251-7.

5g. The Bedford Guide for College Writers, Seventh Edition, edited by X. J. Kennedy, Dorothy

M. Kennedy, Marcia F. Muth, and Sylvia A. Holladay. Boston: Bedford/St. Martin’s, 2005, trade

paperback. ISBN: 0-312-41252-5.

5h. The Bedford Guide for College Writers, Seventh Edition, Instructor’s Annotated Edition,

edited by X. J. Kennedy, Dorothy M. Kennedy, Marcia F. Muth, and Sylvia A. Holladay. Boston:

Bedford/St. Martin’s, 2005, hardcover. ISBN: 0-312-41808-6.

6. The Longwood Reader, Fourth Edition, edited by Edward A. Dornan and Charles W. Dawe.

Paramus, New Jersey: Prentice-Hall, 1999, trade paperback, p. 355-360 [?]. ISBN: 0205308015.

6a. The Longwood Reader, Fifth Edition, edited by Edward A. Dornan and Michael Finnegan.

Longman Publishing Group, 2002, trade paperback. ISBN: 0-321-10755-1.

6b. The Longwood Reader, Sixth Edition, edited by Edward A. Dornan and Michael Finnegan.

Longman Publishing Group, 2005, trade paperback.

7. The Prose Reader: Essays for Thinking, Reading, and Writing, Fifth Edition, edited by Kim

Flachmann and Michael Flachmann. Upper Saddle River, New Jersey: Prentice-Hall, 1999, trade

paperback. ISBN: 0-13-095905-7.

7a. The Prose Reader: Essays for Thinking, Reading, and Writing, Sixth Edition, edited by

Kim Flachmann and Michael Flachmann. Upper Saddle River, New Jersey: Prentice-Hall, 2002,

trade paperback. ISBN: 0-13-041634-7.

7b. The Prose Reader: Essays for Thinking, Reading, and Writing, Seventh Edition, edited by

Kim Flachmann and Michael Flachmann. Upper Saddle River, New Jersey: Prentice-Hall, 2004,

trade paperback, p. 455-461 [?] ISBN: 0-13-185016-4.

8. The Simon and Schuster Short Prose Reader, Second Edition, edited by Robert Funk, Susan

X. Day, and Elizabeth McMahan. Upper Saddle River, New Jersey: Prentice-Hall, 1999, trade

paperback, p. 253-256 [?] ISBN: 0-13-095995-2.

8a. The Simon and Schuster Short Prose Reader, Third Edition, edited by Robert Funk, Susan

X. Day, and Elizabeth McMahan. Upper Saddle River, New Jersey: Prentice-Hall, 2003, trade

paperback. ISBN: 0-13-097410-2.

8b. The Simon and Schuster Short Prose Reader, Fourth Edition, edited by Robert Funk, Susan

X. Day, and Elizabeth McMahan. Upper Saddle River, New Jersey: Prentice-Hall, 2006, trade

paperback. ISBN: 0-13-192589-X. Note: This book was published in 2005.

9. The Short Prose Reader, Ninth Edition, edited by Gilbert H. Muller and Harvey S. Wiener.

New York, NY: McGraw-Hill Higher Education, A Division of The McGraw-Hill Companies, 2000,

trade paperback. ISBN: 0-07-229263-6. Note: This book actually appeared in 1999.

9a. The Short Prose Reader, Tenth Edition, edited by Gilbert H. Muller and Harvey S. Weiner.

New York, NY: McGraw-Hill Higher Education, A Division of The McGraw-Hill Companies, 2003,

trade paperback. ISBN: 0-07-249554-5. Note: This book actually appeared in 2002.

10. Mirror on America: Short Essays and Images from Popular Culture, Second Edition,

edited by Joan T. Mims and Elizabeth M. Nollen. Boston; New York: A Bedford Book/St. Martin’s

Press, 2003, trade paperback, p. 262-263. ISBN: 0-312-39933-2.

10a. Mirror on America: Short Essays and Images from Popular Culture Second Edition:

Instructor’s Edition, edited by Joan T. Mims and Elizabeth M. Nollen. Boston; New York: A

Bedford Book/St. Martin’s Press, 2003, trade paperback. ISBN: 0-312-40485-9.

10b. Mirror on America: Short Essays and Images from Popular Culture, Third Edition,

edited by Joan T. Mims and Elizabeth M. Nollen. Boston; New York: A Bedford Book/St. Martin’s

Press, [January] 2006, trade paperback. ISBN: 0-312-43658-0.

10c. Mirror on America: Short Essays and Images from Popular Culture, Third Edition:

Instructor’s Edition, edited by Joan T. Mims and Elizabeth M. Nollen. Boston; New York: A

Bedford Book/St. Martin’s Press, [January] 2006, trade paperback. ISBN: 0-312-43414-6.

11. The Sundance Reader, Fourth Edition, edited by Mark Connelly. Boston, Massachusetts:

Heinle & Heinle Publishers, [April] 2005, trade paperback. ISBN: 1-4130-1160-8.

12. The Sundance Reader, Fourth Edition: Instructor’s Edition, edited by Mark Connelly.

Boston, Massachusetts: Thomson Wadsworth, 2006, p. 477-479. ISBN: 1-4130-1163-2.

“Wild About Harry”—

273The New York Times Book Review (July 23, 2000): 13-14.

“Will We Close the Book on Books?”—

411Time (June 19, 2000): 92.

“A Word from Stephen King”—

416 2000.

“Wordslinger’s Note”—

176The Dark Tower VI: Song of Susannah, by Stephen King. New York, NY: Scribner, [June]

2004, hardcover, p. 413.

“Write In: Words from Stephen King”—

102Writing!: The Continuing Guide to Written Communication Volume 9, Number 2

(October, 1986): 23.

“Writing a First Novel”—

94 Appearances:

1. The Writer (June, 1975): 25-27.

2. As “In the Beginning…” in The Writer (April, 1987): 15. [Excerpt]

“The Writing Life: An Interview with Myself”—

96Writer’s Digest (January, 1979): 16-17.

“You Are Here Because You Want the Real Thing”—

228 Appearances:

1. Albacon III Programme Book [Glasgow, Scotland] (March 28-31, 1986).

2. A Special Preview Tale from The Inhuman Condition, by Clive Barker. New York, NY:

Poseidon Press, 1986, paperback. No ISBN. Note: This booklet is an advance reader’s copy

containing Barker’s short story “Revelations” and distributed at the 1986 ABA (American

Booksellers Association) convention in New Orleans to promote the August 1986 release of Barker’s

collection, The Inhuman Condition.

3. As “Introduction: You Are Here Because You Want the Real Thing” in Clive Barker’s

Shadows in Eden, edited by Stephen Jones. San Francisco, CA, Lancaster, PA: Underwood-Miller,

1991, hardcover, p. xiii-xv. ISBN: 0-88733-074-6. A limited edition of 500 numbered copies, signed

by Clive Barker.

3a. As “Introduction: You Are Here Because You Want the Real Thing” in Clive Barker’s

Shadows in Eden, edited by Stephen Jones. San Francisco, CA, Lancaster, PA: Underwood-Miller,

1991, hardcover, p. xiii-xv. ISBN: 0-88733-074-6. A deluxe limited edition of 52 lettered copies,

signed by Clive Barker.

3b. As “Introduction: You Are Here Because You Want the Real Thing” in Clive Barker’s

Shadows in Eden, edited by Stephen Jones. San Francisco, CA, Lancaster, PA: Underwood-Miller,

1991, hardcover, p. xiii-xv. ISBN: 0-88733-073-8. Trade edition.

3c. As “Introduction: You Are Here Because You Want the Real Thing” in Clive Barker’s

Shadows in Eden, edited by Stephen Jones. San Francisco, CA, Lancaster, PA: Underwood-Miller,

September 1993, trade paperback, p. xiii-xv. ISBN: 0-88733-171-8.

Section III: Unpublished

441 [Title unknown]—

1984.

434 “Culch”—

January 28, 1975. 4 pages.

The typescript manuscript for this essay is deposited in Box 1010 of The Stephen Edwin King

Collection (Special Collections, Raymond H. Fogler Library, University of Maine, Orono).

440 “The Dark Tower: A Cautionary Tale”—

1983.

441 “Foreword”—

1987.

The handwritten manuscript (two pages) for this piece is currently owned by a King collector.

442 “Lists That Matter”—

“Lists That Matter” was a series of (around 20) five-minute radio spots written and recorded for

WZON in Bangor, Maine in March and April, 1985.

443 “The Pop of King: [Title unknown]”—

Circa May 2004 [?]

438 “That Stuff”—

1979. 6 pages.

The typescript manuscript for this essay is deposited in Box 2702 of The Stephen Edwin King

Collection (Special Collections, Raymond H. Fogler Library, University of Maine, Orono).

439 “Why I Blurb Books”—

1981. 9 pages.

The typescript manuscript for this essay is deposited in Box 2702 of The Stephen Edwin King

Collection (Special Collections, Raymond H. Fogler Library, University of Maine at Orono).

433 “Why I Love The Beatles Essay”—

1962-1966.

436 “Your Kind of Place”—

1975. 4 pages.

The typescript manuscript for this essay is deposited in Box 1010 of The Stephen Edwin King

Collection (Special Collections, Raymond H. Fogler Library, University of Maine at Orono).

Acknowledgements, Dedication and About the Authors

Dedication

This book is for Lois Judd Purdom Coghlan and Patrick (‘Pat’) Purdom—Nan and Gang,

gone to the clearing at the end of the path, but not forgotten.

And:

Bob Dylan, Neil Young and Jeff Tweedy, who all had a few interesting things to say.

Acknowledgements

The authors wish to thank the following for their assistance. Marsha DeFilippo and Julie

Eugley at Stephen King’s office for their time, material provided and continuing gracious

assistance. Stephen King for his permission to read the Restricted materials at the Fogler

Library and, of course, for his body of work.

Betsy Beattie and Richard Hollinger at the Special Collections Unit of the Raymond H.

Fogler Library of the University of Maine at Orono.

Stu Tinker at Betts Bookshop in Bangor, Maine for his help, advice and hospitality.

The additional assistance in gathering materials and help with corrections provided by Bev

Vincent, Tyson Blue, Stephen Spignesi, Dorothy Smith, Bill Barr, Merton Ricker, Michael Coty,

chaos-consultants, Kerry Johnson, Bob Jackson, Kevin Etheridge, Dana McMillen, Jonathan

Reitan, Karsten Runge, the Dabney S. Lancaster Community College Library, the James

Madison University Library, David Rawsthorne, Denis Gatiatullin and Jo Thomas is greatly

appreciated.

Rich Chizmar and all the staff of Cemetery Dance Publications for their support.

Kerry, Alicia and Natasha Wood for indulging their husband and father.

About The Authors

Rocky Wood lives in Melbourne, Australia and is the co-author of two previous major King

works—THE COMPLETE GUIDE TO THE WORKS OF STEPHEN KING (2003; 2004) AND STEPHEN KING:

UNPUBLISHED, UNCOLLECTED(2006). He has spoken at numerous conventions about King,

including the SKEMER Con in Estes Park, Colorado (2003); Continuum 3 (2005) and

Continuum 4 (2006) in Melbourne; Conflux 3 in Canberra (2006), and the 2 ndAnnual Stephen

King Dollar Baby Festival in Bangor, Maine (2005). He has undertaken two research trips to

Maine, rediscovering many of the previously lost or unknown pieces discussed in this volume.

He has published non-fiction worldwide for thirty years; and is recognized as one of the world’s

leading experts on King’s work.

Justin Brooks holds a B.S. Degree in Interdisciplinary Social Science. He has been collecting

and researching King for the last decade and has interests in several specific areas of study,

including Stephen King. He lives in Richmond, Virginia and is the author ofSTEPHEN KING: A

PRIMARY BIBLIOGRAPHY OF THE WORLD’S MOST POPULAR AUTHOR(2006).

Cemetery Dance Publications

Be sure to visit CemeteryDance.com for more information about all of our great horror and suspense

eBooks, along with our collectible signed Limited Edition hardcovers and our award winning

magazine.

Our authors include Stephen King, Dean Koontz, Ray Bradbury, Peter Straub, William Peter Blatty,

Justin Cronin, Frank Darabont, Mick Garris, Joe R. Lansdale, Norman Partridge, Richard Laymon,

Bill Walker, Michael Slade, Graham Masterton, Douglas Clegg, Jack Ketchum, William F. Nolan,

Nancy A. Collins, Al Sarrantonio, John Skipp, and many others.

www.CemeteryDance.com

Table of Contents

Title Page

Copyright

Table of Contents

Argument

Early Columns

Danse Macabre

Baseball

Author Notes

Pop of King

Introducing Others

Book Reviews

Guest Columns

Opinion Radio

Opinion Politics

Miscellany

Unpublished Non-Fiction

Addendum

Footnotes

Index

Document Outline

Title Page

Copyright

Table of Contents

Argument

Early Columns

Danse Macabre

Baseball

Author Notes

Pop of King

Introducing Others

Book Reviews

Guest Columns

Opinion Radio

Opinion Politics

Miscellany

Unpublished Non-Fiction

Addendum

Footnotes

Inde


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