Writing, edited by Thomas Clark, Bruce Woods, Peter Blocksom, & Angela Terez. Cincinnati:
Writer’s Digest Books, 1994, hardcover, p. 224-228. ISBN: 0-89879-807-8.
4a. As “The Horror Market Writer and the Ten Bears” in The Writer’s Digest Guide to Good
Writing, edited by Thomas Clark, Bruce Woods, Peter Blocksom, & Angela Terez. Cincinnati:
Writer’s Digest Books, August 2001, trade paperback, p. 224-228. ISBN: 0-89879-640-7.
5. As “The Horror Market Writer and the Ten Bears” in Popular Fiction: An Anthology, edited
by Gary Hoppenstand. Boston, Massachusetts: Longman, An Imprint of Addison Wesley Longman,
Inc., 1998, trade paperback, p. 93-95. ISBN: 0-321-01164-3. [Abridged].
6. As “The Horror Market Writer and the Ten Bears: A True Story” in Secret Windows, by
Stephen King. New York, New York: Book-of-the-Month Club, 2000, hardcover, p. 11-22.
“Horrors!”—
309 Appearances:
1. TV Guide (October 30-November 5, 1982): 54, 56, 58.
1a. As “Creature Features” in TV Guide [Canadian edition] (October 30-November 5, 1982): 9,
11, 12, 13, 15.
“Horrors!”—
390Entertainment Weekly No. 89 (October 25, 1991): 33.
“The Horrors of ’79”—
302 Appearances:
1. Rolling Stone No. 307/308 (December 27, 1979-January 10, 1980): 17, 18, 20.
1a. Rolling Stone No. 307/308 [Australian edition] (December 27, 1979-January 10, 1980): 90-
91.
“Houston: So Normal It Was Weird”—
337The New York Times (August 23, 1992): E15.
“How I Created Golden Years...and Spooked Dozens of TV Executives”—
389Entertainment Weekly No. 77 (August 2, 1991): 29-32.
“How I Got That Story”—
297Time (December 18, 2000): 77.
“How IT Happened”—
374 Appearances:
1. Book-of-the-Month Club News (October 1986): 3, 5.
2. As “Writing the #1 Bestseller…How IT Happened” in The Writer (April 1987): 14-15.
[Excerpt].
3. Secret Windows, by Stephen King. New York, New York: Book-of-the-Month Club, 2000,
hardcover, p. 321-324.
“‘How Much am I Hurting?’”—
79Bangor Daily News “Maine Weekend” (November 1-2, 1986): 12.
“How to Scare a Woman to Death”—
351 Appearances:
1. Murderess Ink: The Better Half of the Mystery, edited by Dilys Winn. New York: Bell
Publishing, 1979, hardcover, p. 173-175. ISBN: 0-517-36057-8. Reprinted in 1981.
1 a. Murderess Ink: The Better Half of the Mystery, edited by Dilys Winn. New York:
Workman Publishing Company, 1979, trade paperback, p. 173-175. ISBN: 0-89480-107-4.
“How to Write”—
66Life: The Observer Magazine [newspaper supplement; London, United Kingdom] (October
1, 2000): 34.
“How to Write 10 Pages a Day”—
66Writer’s Digest (April, 2001): 32-34, 46.
“I Want To Be Typhoid Stevie”—
102Reading Stephen King: Issues of Censorship, Student Choice and Popular Literature,
edited by Brenda Miller Power, Jeffrey D. Wilhelm, and Kelly Chandler. Urbana, Illinois: National
Council of Teachers of English, October 1997, trade paperback, p. 14-21. ISBN: 0-8141-3905-1.
“The Ideal, Genuine Writer: A Forenote”—
231 Appearances:
1. The Ideal, Genuine Man, by Don Robertson. Bangor, ME: Philtrum Press, October 1987,
hardcover, p. vii-xxi. No ISBN. A limited edition of 500 numbered copies, signed by King and
Robertson.
1a. The Ideal, Genuine Man, by Don Robertson. Bangor, ME: Philtrum Press, October 1987,
hardcover, p. vii-xxi. ISBN: 0-399-19993-4. Trade edition. Two printings.
1b. Book Club Edition.
1 c. The Ideal, Genuine Man, by Don Robertson. New York, NY: A Signet Book, New
American Library, February 1989, mass-market paperback, p. vii-xxi. ISBN: 0-451-15801-6.
1d. The Ideal, Genuine Man, by Don Robertson. London, UK: An Abacus Original/Sphere
Books, 1989, trade paperback, p. vii-xxi. ISBN: 0-349-10097-7.
“Imagery and the Third Eye”—
58 Appearances:
1. The Writer (October 1980): 11-14, 44.
2. Maine Alumnus (December 1981): 8-10. Note: Published as “by Steve King ’70.”
3. The Writer’s Handbook, edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1982,
hardcover, p. 74-79. ISBN: 0-87116-126-5.
3a. The Writer’s Handbook, edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1984,
hardcover, p. 72-77. ISBN: 0-87116-138-9.
3b. The Writer’s Handbook, edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1984,
trade paperback, p. 72-77. ISBN: 0-87116-165-6.
3c. The Writer’s Handbook, edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1986,
hardcover, p. 74-79. ISBN: 0-87116-145-1.
3d. The Writer’s Handbook, edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1986,
trade paperback, p. 74-79. ISBN: 0-87116-145-1.
4. This piece was incorporated into Danse Macabre, by Stephen King. New York, NY: Everest
House, 1981, hardcover.
“The Importance of Being Archie”—
236Archie Americana Series: The Best of the Forties, edited by Scott D. Fulop. New York:
Archie Comic Publications, Inc., March 1, 1991, trade paperback, p. 6-7. ISBN: 1-879794-00-4.
“The Importance of Being Bachman”—
149 Appearances:
1. The Bachman Books, by Stephen King. New York: A Plume Book, Penguin Books USA,
October 1996, trade paperback, p. v-x.
1a. The Bachman Books, by Stephen King. New York: A Signet Book, Penguin Books USA,
October 1996, mass-market paperback, p. v-xiii.
2. The Long Walk, by Stephen King. New York: A Signet Book, April 1999, mass-market
paperback, p. v-xiii. [Revised]
3. Roadwork, by Stephen King. New York: A Signet Book, June 1999, mass-market paperback,
p. v-xi.
4. The Running Man, by Stephen King. New York: A Signet Book, August 1999, mass-market
paperback, p. v-xiv.
“An Interview with Stephen King”—
424 http://www.stephenking.com/. June 6, 2002.
“Introduction”—
58 Appearances:
1. Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde, by Mary Shelley, Bram Stoker, and Robert
Louis Stevenson. New York: A Signet Classic Book, New American Library, December 1978, mass-
market paperback, p. v-viii. ISBN: 0-451-52363-6. ISBN: 0-451-51781-4.
1 a. Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde, by Mary Shelley, Bram Stoker, and
Robert Louis Stevenson. London: Penguin Books UK, November 1988, mass-market paperback, p.
iii+. ISBN: 0-14-011666-4.
1b. Three Classics of Horror: Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde, by Mary
Shelley, Bram Stoker, and Robert Louis Stevenson. London: Penguin Books UK, December 1994,
paperback, p. v-viii. ISBN: 0-14-023994-4.
2. Portions were incorporated into Danse Macabre, by Stephen King. New York: Everest
House, 1981, hardcover.
“Introduction”—
219 Appearances:
1. The Arbor House Treasury of Horror and the Supernatural, compiled by Bill Pronzini,
Barry N. Malzberg, and Martin H. Greenberg. New York: Arbor House, [May] 1981, hardcover, p.
11-19. ISBN: 0-87795-309-0.
1a. The Arbor House Treasury of Horror and the Supernatural, compiled by Bill Pronzini,
Barry N. Malzberg, and Martin H. Greenberg. New York: Priam Books/Arbor House, [May] 1981,
trade paperback, p. 11-19. ISBN: 0-87795-319-8.
1b. Great Tales of Horror and the Supernatural, edited by Bill Pronzini, Barry Malzberg, and
Martin H. Greenberg. New York: A & W/Galahad Books, 1985, hardcover, p. 11-19. ISBN: 0-
88365-699-X.
1c. Great Tales of Horror and the Supernatural, edited by Bill Pronzini, Barry Malzberg, and
Martin H. Greenberg. New York: Crown Books/Galahad Books, 1988, hardcover, p. 11-19. ISBN:
0-88365-699-X.
1 d. Classic Tales of Horror and the Supernatural, compiled by Bill Pronzini, Barry N.
Malzberg, and Martin H. Greenberg. New York: Quill/William Morrow/Avon Books, October 1991,
trade paperback, p. 11-19. ISBN: 0-688-10963-2.
1e. The Giant Book of Horror Stories, compiled by Bill Pronzini, Barry N. Malzberg, and
Martin H. Greenberg. London: Magpie, November 1991, trade paperback, p. 11-19. ISBN: 1-85487-
117-X.
1f. Great Tales of Horror and the Supernatural, edited by Bill Pronzini, Barry Malzberg, and
Martin H. Greenberg. New York: Galahad Books, 1994, hardcover, p. 11-19. ISBN: 0-88365- 699-
X.
“Introduction”—
221When Michael Calls, by John Farris. New York: Pocket Books, 1981, mass-market
paperback, p. [i-iv]. ISBN: 0-671-43118-8.
“Introduction”—
225 Appearances:
1. Tales by Moonlight, edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia, 1983,
hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited edition of 100 numbered copies, signed by the
editor and cover artist, Paul Sonju.
1a. Tales by Moonlight, edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia,
1983, hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited edition of 52 lettered copies, signed by
the editor and cover artist, Paul Sonju.
1b. Tales by Moonlight, edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia,
1983, hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited trade edition.
1c. Tales by Moonlight, edited by Jessica Amanda Salmonson. New York: Tor, A Tom Doherty
Associates Book, January 1985, mass-market paperback, p. xii-xvii. ISBN: 0-812-52552-3.
“Introduction”—
227The Blackboard Jungle, by Evan Hunter. New York: Arbor House Publishing Company,
Library of Contemporary Americana, 1984, trade paperback, p. v-x. ISBN: 0-87795-600-6.
“Introduction”—
124Skeleton Crew, by Stephen King. New York: G. P. Putnam’s Sons, June 1985, hardcover, p.
13-18.
“Introduction”—
237 Appearances:
1. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-
53-X. A limited edition of 400 numbered copies. An album of photographs and signatures from
contemporary American authors. Signed by King and many others.
1a. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-
53-X. A deluxe limited edition of 150 numbered copies. Signed by King and many others.
1b. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-
53-X. A limited edition of 26 lettered copies. Signed by King and many others.
“Introduction”—
242The Fugitive Recaptured: The 30th Anniversary Companion to the Television Classic, by
Ed Robertson. Los Angeles: Pomegranate Press, September 1993, trade paperback, p. xi. ISBN: 0-
938817-34-5.
“Introduction”—
151The Green Mile: The Complete Serial Novel, by Stephen King. New York: A Plume Book,
Penguin Books USA, May 1997, trade paperback, p. v-viii.
“Introduction”—
248The Fuel of Tender Years, by Joey Froehlich. Baton Rouge, LA: Gothic Press, 1997,
paperback, p. 5-6. ISBN: 0-913045-06-3.
“Introduction”—
249Crosscut [Husson College annual literary journal; Bangor, Maine] Volume 1, Number 6
“Centennial Edition” (1998): iv-vii. Note: The print run of this magazine was only 1,000 copies.
“Introduction”—
155 Appearances:
1. Storm of the Century, by Stephen King. New York: Pocket Books, February 1999, trade
paperback, p. vii-xix.
2. As “Scare Tactics” in TV Guide (February 13-19, 1999): 24-27. [Excerpt]
“Introduction”—
157Carrie, by Stephen King. New York: Pocket Books, October 1999, mass-market paperback,
p. ix-xv.
“Introduction”—
159 Appearances:
1. ’Salem’s Lot, by Stephen King. New York: Pocket Books, November 1999, mass-market
paperback, p. xv-xxii.
2. As “Afterword” in ’Salem’s Lot, by Stephen King. Wheat Ridge, Colorado: Centipede Press,
October 2004, hardcover, p. 551-555.
“Introduction”—
250 Appearances:
1. The Green Mile: The Screenplay, by Frank Darabont. New York: Scribner Paperback
Fiction, A Division of Simon & Schuster, January 2000, trade paperback, p. ix-xi. ISBN: 0-684-
87006-1.
1 a. The Green Mile: The Screenplay, by Frank Darabont. New York: Scribner Paperback
Fiction, A Division of Simon & Schuster, [n. d.], hardcover, p. ix-xi. ISBN: 0-7394-0768-6. [Book
Club edition]
“Introduction”—
251 Appearances:
1. A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,
hardcover, p. i-iv. A limited edition of 350 numbered copies, signed by Garris. ISBN: 1-887368-36-
1.
1a. A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,
hardcover, p. i-iv. A deluxe limited edition of 450 numbered copies, signed by King, Garris, cover
artist Clive Barker, and afterword author Tobe Hooper. ISBN: 1-887368-37-X.
1b. A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,
hardcover, p. i-iv. A limited edition of 52 lettered copies, and signed by King, Garris, cover artist
Clive Barker, afterword author Tobe Hooper. ISBN: 1-887368-37-X.
“Introduction”—
162Pet Sematary, by Stephen King. New York: Pocket Books, February 2001, mass-market
paperback, p. ix-xiii.
“Introduction”—
162The Shining, by Stephen King. New York: Pocket Books, September 2001, mass-market
paperback, p. xv-xviii.
“Introduction”—
252The Monk, by Matthew G. Lewis. New York: Oxford University Press, [September] 2002,
hardcover, p. v-xv. ISBN: 0-19-515136-4.
“Introduction”—
253Here for Generations: The Story of a Maine Bank and Its City, by Dean Lawrence Lunt.
Frenchboro, ME: Islandport Press, 2002, hardcover, p. xi-xiii. ISBN: 0-9671662-6-8.
“Introduction”—
59Rosemary’s Baby, by Ira Levin. New York: The Stephen King Horror Library, [March]
2003, hardcover, p. v-xix. ISBN: 0-965-72317-8. [Book Club Edition]
“Introduction”—
59The Haunting of Hill House, by Shirley Jackson. New York: The Stephen King Horror
Library, [March] 2003, hardcover, p. v-xxvii. ISBN: 0-965-72304-6. [Book Club Edition]
“Introduction”—
59Ghost Story, by Peter Straub. New York: The Stephen King Horror Library, [March] 2003,
hardcover, p. v-xii. ISBN: 0-965-72313-5. [Book Club Edition]
“Introduction”—
256 Appearances:
1. The Narrows, by Michael Connelly. London: Orion Books, [Late] 2003, paperback, p. 10-12.
No ISBN. Note: Issued to promote the U.K. hardcover edition of The Narrows by Michael Connelly.
It contains King’s intro to The Poet, excerpts from The Poet and The Narrows and short pieces.
2. The Poet, by Michael Connelly. Los Angeles, CA: Steven C. Vascik Publications, March
2004, hardcover, p. [i-iii]. No ISBN. A limited edition of 200 numbered copies, signed by the author.
75 were Author Presentation Copies reserved for private distribution.
2a. The Poet, by Michael Connelly. Los Angeles, CA: Steven C. Vascik Publications, March
2004, hardcover, p. [i-iii]. No ISBN. A limited edition of 26 lettered copies, signed by the author.
2 b. The Poet, by Michael Connelly. London: Orion Books, [April] 2004, mass-market
paperback, p. vii-ix. ISBN: 0-75286-391-6.
2c. The Poet, by Michael Connelly. New York: Warner Books, May 2004, trade paperback.
ISBN: 0-446-69045-7.
2 d. The Poet, by Michael Connelly. New York: Warner Books, May 2004, mass-market
paperback, p. xi-xiii. ISBN: 0-446-60261-2.
“Introduction”—
59The House Next Door, by Anne Rivers Siddons. New York: The Stephen King Horror
Library, 2004, hardcover, p. vii-xxi. ISBN: 1582881553. [Book Club Edition]
“An Introduction”—
244 Appearances:
1. The Sandman, Volume 8: Worlds’ End, by Neil Gaiman, edited by Bob Kahan, illustrated by
D. Giordano, V. Locke, and Dave McKean. New York: DC Comics/Vertigo, 1994, hardcover, p. 7-
12. ISBN: 0-56389-170-0. Note: Reprinted in July, 1999.
1a. The Sandman, Volume 8: Worlds’ End, by Neil Gaiman, edited by Bob Kahan, illustrated by
D. Giordano, V. Locke and Dave McKean. New York: DC Comics, July 1995, trade paperback, p. 7-
12. ISBN: 1-56389-171-9.
“Introduction: Myth, Faith, and Ripley’s Believe It or Not! ”—
142Nightmares & Dreamscapes, by Stephen King. New York: Viking, [October] 1993,
hardcover, p. 1-9.
“Introduction: On Being Nineteen (and a Few Other Things)”—
170 Appearances:
1. The Dark Tower: The Gunslinger, by Stephen King. New York, NY: Viking, June 2003,
hardcover, p. xi-xviii. Revised edition.
2. The Dark Tower II: The Drawing of the Three, by Stephen King. New York, NY: Viking,
June 2003, hardcover, p. xi-xvii.
3. The Dark Tower III: The Waste Lands, by Stephen King. New York, NY: Viking, June 2003,
hardcover, p. xi-xvi.
4. The Dark Tower IV: Wizard & Glass, by Stephen King. New York, NY: Viking, June 2003,
hardcover, p. xi-xvi.
5. The Dark Tower: Introduction & Extract from Wolves of the Calla. London, England:
Hodder & Stoughton, [Fall] 2003, paperback, p. iii-x. No ISBN. Note: Promotional booklet given
away with press kits in the United Kingdom.
“Introduction: Practicing the (Almost) Lost Art”—
165Everything’s Eventual, by Stephen King. New York: Scribner, [March] 2002, hardcover, p.
11-18.
“Introduction: Rita Hayworth and the Darabont Redemption”—
245The Shawshank Redemption: The Shooting Script, by Frank Darabont. New York:
Newmarket Press, March 1996, trade paperback, p. ix-xxi. ISBN: 1-55704-246-2.
“Introduction: Shiver…Shake…Scream…and Wonder”—
240Graven Images: The Best of Horror Fantasy and Science Fiction Film Art from the
Collection of Ronald V. Borst and Margaret A. Borst, edited by Ronald V. Borst, Keith Burns, and
Leith Adams. New York: Grove/Atlantic, [October] 1992, hardcover, p. 1-5. ISBN: 0-8021-1484-9.
“Introduction: The Importance of Being Forry”—
222Mr. Monster’s Movie Gold, by Forrest J. Ackerman. Virginia Beach, Norfolk, VA: The
Donning Company, 1981, trade paperback, p. 8-12. ISBN: 0-89865-100-X.
“Introduction: WARNING! WARNING! Hitch-hikers May Be Escaped LUNATICS!”—
234 Appearances:
1. The Killer Inside Me, by Jim Thompson. Los Angeles, CA: Blood & Guts Press, October
1988, hardcover, p. [i-ix]. ISBN: 0-940941-07-4. A limited edition of 350 numbered copies, signed
by King.
1a. The Killer Inside Me, by Jim Thompson. Los Angeles, CA: Blood & Guts Press, October
1988, hardcover, p. [i-ix]. ISBN: 0-940941-07-4. A limited edition of 26 lettered copies, signed by
King.
1b. The Killer Inside Me, by Jim Thompson. Los Angeles, CA: Blood & Guts Press, October
1988, hardcover, p. [i-ix]. ISBN: 0-940941-07-4. An indeterminate number of copies designated
“Publisher’s Copy”, signed by King.
2. The Fine Art of Murder: The Mystery Reader’s Indispensable Companion, edited by Ed
Gorman, Martin H. Greenberg, and Larry Segriff with Jon L. Breen. New York: Galahad Books,
1993, hardcover, p. 225-228. ISBN: 0-88365-910-7. Reprinted in 1995.
2a. The Fine Art of Murder: The Mystery Reader’s Indispensable Companion, edited by Ed
Gorman, Martin H. Greenberg, and Larry Segriff with John L. Breen. New York: Carroll & Graf,
November 1993, trade paperback, p. 225-228. ISBN: 0-88184-972-3.
3. As “A Word (Or Two) From Stephen King: WARNING! WARNING! Hitch-hikers May Be
Escaped LUNATICS!” in Midnight Graffiti (Winter/Spring 1997): 12-15.
“Introduction for The Shapes of Midnight”—
218The Shapes of Midnight, by Joseph Payne Brennan. New York: Berkley Books, October
1980, mass-market paperback, p. ix-xvi. ISBN: 0-425-04567-6.
“Introduction to The Girl Next Door”—
247 Appearances:
1. The Girl Next Door, by Jack Ketchum [Pseudonym of Dallas Mayr]. Woodstock, GA:
Overlook Connection Press, October 1996, hardcover, p. 1-11. ISBN: 0-9633397-0-2. Limited
edition of 500 numbered copies, signed by King and Ketchum.
1 a. The Girl Next Door, by Jack Ketchum. Woodstock, GA: Overlook Connection Press,
October 1996, hardcover, p. 1-11. No ISBN. Limited edition of 52 lettered copies, signed by King
and Ketchum.
1b. The Girl Next Door, by Jack Ketchum. Woodstock, GA: Overlook Connection Press, May
1998, hardcover, p. 1-11. ISBN: 0-9633397-4-5. Trade edition.
1c. The Girl Next Door, by Jack Ketchum. Hiram, Georgia: Overlook Connection Press, August
2002, hardcover, p. 1-11. ISBN: 0-9633397-4-5. Note: This edition deletes some of the extra
material included in the previous editions.
1d. The Girl Next Door, by Jack Ketchum. Hiram, Georgia: Overlook Connection Press, July
2003, trade paperback, p. 1-11. ISBN: 1-892950-61-8.
2. As “Introduction to Jack Ketchum’s The Girl Next Door” in Secret Windows, by Stephen
King. New York, New York: Book-of-the-Month Club, 2000, hardcover, p. 365-372.
“Introduction to the Marvel Edition of Frankenstein”—
226 Appearances:
1. Frankenstein; or, The Modern Prometheus, by Mary W. Shelley, illustrated by Bernie
Wrightson. New York: Dodd, Mead & Co., 1983, hardcover, p. 6-9. ISBN: 0-396-08278-5. Limited
edition of 500 numbered copies. Signed by King and Wrightson.
1a. Frankenstein; or, The Modern Prometheus, by Mary W. Shelley, illustrated by Bernie
Wrightson. New York: Dodd, Mead & Co., 1983, hardcover, p. 6-9. ISBN: 0-396-08278-5. Limited
edition of 26 lettered copies. Signed by King and Wrightson.
1b. Frankenstein; or, The Modern Prometheus, by Mary W. Shelley, illustrated by Bernie
Wrightson. New York: Dodd, Mead, & Co., 1983, hardcover, p. 6-9. ISBN: 0-396-08277-7. Limited
trade edition.
2. Frankenstein; or, The Modern Prometheus, by Mary W. Shelley, illustrated by Berni
Wrightson. New York: Marvel Comics Group, 1983, trade paperback, p. 6-9. ISBN: 0-939766-75-2.
“A Marvel Illustrated Novel.”
3. Bernie Wrightson’s Frankenstein, by Mary W. Shelley, illustrated by Bernie Wrightson.
Novato, CA, Lancaster, PA: A Charles F. Miller Book, Underwood-Miller Inc., 1994, hardcover, p.
6-9. ISBN:. A limited edition of 26 lettered. Signed by Wrightson.
3a. Bernie Wrightson’s Frankenstein, by Mary W. Shelley, illustrated by Bernie Wrightson.
Novato, CA, Lancaster, PA: A Charles F. Miller Book, Underwood-Miller Inc., 1994, hardcover, p.
6-9. A limited edition of 300 numbered copies. Signed by Wrightson.
3b. Bernie Wrightson’s Frankenstein, by Mary W. Shelley, illustrated by Bernie Wrightson.
Novato, CA, Lancaster, PA: A Charles F. Miller Book, Underwood-Miller Inc., December 1994,
hardcover, p. 6-9. ISBN: 0-88733-194-7.
3c. Bernie Wrightson’s Frankenstein, by Mary W. Shelley, illustrated by Bernie Wrightson.
Novato, CA, Lancaster, PA: A Charles F. Miller Book, Underwood-Miller Inc., December 1994,
trade paperback, p. 6-9. ISBN: 0-88733-193-9.
“Introduction to ’Salem’s Lot”—
179’Salem’s Lot: Illustrated Edition, by Stephen King. New York, NY: Doubleday, A
Division of Random House, December 2005, hardcover, p. ix-xii.
“Invasion of the Bodysnatchers”—
59“They’re Here…”: Invasion of the Bodysnatchers: A Tribute, edited by Kevin McCarthy
and Ed Gorman. New York: Berkley Boulevard Books, [January] 1999, trade paperback, p. 1-21.
ISBN: 0-425-16527-2.
“The Irish King”—
361New York Daily News (March 16, 1984): 1, 3.
“It’s Weird But True. The Gloom is Gone in Mudville.”—
90 Appearances:
1. The New York Times (April 3, 2005): BB1, BB3.
2. As “It’s Weird But True: The Gloom is Gone in Mudville” in Faithful: Two Diehard Boston
Red Sox Fans Chronicle the 2004 Season, by Stephen King and Stewart O’Nan. New York: NY:
Scribner, [August] 2005, trade paperback, p. 405-408.
“Jack’s Back: Stephen King’s Thoughts on the Sequel”—
163 Appearances:
1. Included in the promotional Black House press kit in September, 2001. [United States].
2. As “Jack’s Back” on the official Black House web site in September, 2001. [United
Kingdom].
3. As “Jack’s Back: Thoughts on the Sequel” in Black House, by Stephen King and Peter Straub.
New York: Random House, [September] 2001, eBook, [p. 638-641].
“James Herbert: Introduction”—
241 Appearances:
1. James Herbert: By Horror Haunted, edited by Stephen Jones. London: New English Library,
November 1992, hardcover, p. 10-17. ISBN: 0-450-53810-9.
1a. James Herbert: By Horror Haunted, edited by Stephen Jones. London: BCA (Book Club
Associates), 1992, hardcover, p. 10-17. No ISBN. [Book Club edition]
“A King”—
288Fangoria No. 45 (1985): 8.
“King Awaits His Chicken and Haskell Should Shop for Shorts”—
75Bangor Daily News (May 23, 1986): 14.
“King Cat”—
279The Maine Campus [University of Maine, Orono student newspaper] (December 11, 1969):
10.
“King Comments”—
403 Posted on an official Penguin Putnam promotional web site. Summer 1997. Note: The actual
title of this piece may be “King’s Comments.”
“King on Firestarter: Who’s to Blame?”—
290Cinefantastique (February, 1991): 35.
“King Testifies”—
286 Appearances:
1. Fantasy Review (May, 1985): 11.
2. As [Letter] in Locus (July 1985): 58.
3. As “Random Factors-Letters” in Science Fiction Chronicle: The Monthly SF and Fantasy
Newsmagazine Volume 6, Number 10 (July, 1985): 18.
4. As “The King Speaks” in The Twilight Zone Magazine (October, 1985): 8.
“King Vs. Chalker, One Last Round”—
288Fantasy Review (May 1986): 6, 40.
“King’s Garbage Truck”—
20The Maine Campus [University of Maine at Orono student newspaper] (February 20, 1969):
9.
20The Maine Campus [University of Maine at Orono student newspaper] (February 27, 1969):
7.
21The Maine Campus [University of Maine at Orono student newspaper] (March 6, 1969): 9.
21The Maine Campus [University of Maine at Orono student newspaper] (March 13, 1969): 7.
22The Maine Campus [University of Maine at Orono student newspaper] (March 20, 1969): 7.
23The Maine Campus [University of Maine at Orono student newspaper] (March 27, 1969): 5.
23The Maine Campus [University of Maine at Orono student newspaper] (April 10, 1969): 6.
24The Maine Campus [University of Maine at Orono student newspaper] (April 17, 1969): 7,
13.
25The Maine Campus [University of Maine at Orono student newspaper] (April 24, 1969): 11.
25The Maine Campus [University of Maine at Orono student newspaper] (May 1, 1969): 7.
26The Maine Campus [University of Maine at Orono student newspaper] (May 8, 1969): 6.
26The Maine Campus [University of Maine at Orono student newspaper] (May 15, 1969): 7.
Дата добавления: 2015-11-04; просмотров: 21 | Нарушение авторских прав
| <== предыдущая лекция | | | следующая лекция ==> |