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Last Assignment

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  1. Assignment
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Light touched the wings and tail-fins of the parked aircraft, warming the cold metal as the first hint of dawn appeared between Cap d'Antibes and the Îles de Lérins. I sat in the front seat of the Range Rover, and watched the darkness retreat across the dew-moist grass, stealing away like a thief between the hangars and fire engines. Above my head the night seemed to falter, then tilted and withdrew in a rush behind the Esterel. The scent of aviation spirit crossed the airfield as mechanics fuelled a twin-engineed Cherokee for an early flight.

Parked beyond the perimeter wire, the aircraft had kept me company during the night. Unable to sleep, I listened to the traffic along the autoroute, Paris-bound tourist buses and lorries from Italy loaded with courgettes and vacuum cleaners and mobile phones. Meanwhile, my damaged Harvard sat in the storage hangar at Elstree, the caked soil embedded in its engine. Flight was an element missing from Eden-Olympia, the certainties of wind-speed, gravity and lift. Absent, too, was the need to explore any interior space, to pioneer the mail routes inside our heads.

Only Wilder Penrose had furnished us with an atlas of destinations, a black geography sketched on his prescription pads, populated by menageries of perverse creatures like Simone and Alain Delage.

The scent of Jane's dress clung to my hands, and reminded me of our embrace in the Rue Valentin. She would have arrived in Marseilles, and be sitting with Halder in a café near the Old Port, embarrassed by her whore's frock as she listened to him unfold the secret history of Eden-Olympia. By nine o'clock she would be rousing the British Consul, and soon after be on her way to the airport. While she flew back to London, high above the Rhône valley, Frances Baring would still lie on her bed at Marina Baie des Anges, the zebra dress around her waist and Greenwood 's dinner jacket across her legs. And no doubt the film of her death was being hawked by Dmitri Golyadkin around the villas of Super-Cannes…

A Mobylette passed me, engine clacking, its slim-shouldered rider in a large safety helmet. Fishing tackle was tied to the pillion seat in a green canvas bag. Searching for the sea, he circled the next roundabout and drove back towards me, then cut the engine and stopped outside the showroom of Nostalgic Aviation. After dismounting, he pushed up his visor, and I recognized Philippe Bourget, brother of the murdered hostage.

When I stepped from the Range Rover he stared in surprise at the blue uniform jacket I was wearing, as if expecting to be arrested.

'Paul Sinclair? That's a relief. For a moment, I thought…'

'I'm glad you came.' I held his hands, surprised by how cold they were. 'When I phoned last night you weren't sure.'

'Well… at the last moment there are always doubts. I've thought about it for many months.' He watched me warily, not wholly convinced that I was the man he had met at Port-la-Galère.

He pointed to the Range Rover. 'You're alone?'

'Yes. No one will know I called you.'

He took off his helmet and held it under his arm. His schoolmaster's face was paler than I remembered, and I guessed that he had not slept since my call. Reassured that I was in command of myself, he placed the helmet on the seat of the Mobylette and untied his fishing tackle. He paused to blow on his fingers, taking a little too long to warm them.

'Monsieur Bourget?'

'I need a minute. It's a large decision, I can't visualize all the consequences.' He spoke in a low voice, as if clearing his conscience. 'Last night I listened carefully to what you said.'

'It's all true – the murder of my friend, the stockpiling of weapons…'

'I decided it was time to act. We've heard many stories – violent attacks in La Bocca, rapes of immigrant women. And everyone is bought off. It's a kind of weekend fascism, where the stormtroopers clean up afterwards.'

'But the blood-stains remain. You've spoken to the chauffeurs' widows?'

'No. It would upset them. They will testify for you if it's necessary. The investigation into their husbands' deaths is now closed. The magistrate said they were hostages and they're content to believe that. But it's not right, Mr Sinclair.'

'That's why I'm going to act.'

'By yourself? Is that wise? I can come with you.'

'No. Three dead hostages is enough.'

'You're going to Eden-Olympia? How will you get in? There's good security.'

'It's Sunday morning. I have the Range Rover and a special pass.' Trying to reassure this worried schoolmaster, I said: 'I'll arrest a few key people and take them to the TV centre. There's a link to TF1 in Paris.'

'A public confession? Good. That's the best justice available today.' He unpacked the long canvas shroud containing his fishing rod. 'I don't like afternoon television, but I'll be watching. Good luck, Mr Sinclair.'

He shook my hand and managed a smile of encouragement, and then left me before he could reveal his doubts.

I watched him putter away, his face hidden inside his helmet.

Without looking back, he waved for a last time. The Cherokee's engines were warming up, too loud to let me think, and I stepped into the rear seat of the Range Rover. I unclipped the canvas shroud and looked down at the pump-action shotgun. A pack of large-bore shells, the heavy duck-load with which Hemingway had blown out his brains, was taped to the stock. Jacques Bourget's weapon would take his revenge.

Twenty yards away was the showroom of Nostalgic Aviation, with its collection of memorabilia, ejection seats and radial engines, an Aladdin's Cave of possibilities far more potent and enduring than anything Wilder Penrose could offer. Looking at the forties flying helmets, I thought of the blonde-haired passenger sitting behind the Green pilot who had strafed the Eden II ceremony. She had worn a pair of antique goggles, bought or borrowed from Nostalgic Aviation, a tribute to her beauty and quirky tongue from one of her pilot-admirers. I only wished that I could have flown Frances Baring towards the sun…

It was 6.45. Even the most sympathetic British Consul would take his time, and it would be noon before Jane could board a scheduled flight to London. The news of what was about to happen at Eden-Olympia would not break until the evening, when whoever was left to run the business park finally decided to call in the police.

With luck, or without it, I would make my case on the international news, the bodies of the guilty laid out behind me like hunting trophies. Within a few days, if Jane flew back to the south of France, she would see me in custody and later be the first witness for the defence. A host of others would follow: Isabel Duval and the chauffeurs' widows, Señora Morales and Philippe Bourget, the wives and brothers of Arab labourers who met their deaths in the dark streets of La Bocca, Japanese film technicians flown in from Tokyo, jewellery store managers in Nice, retired prostitutes and waiters from the Villa Grimaldi. To save the embarrassment of the local police and judiciary, and to preserve the dream of Eden II, a deal would be done with my defending counsel, and if necessary a Presidential pardon would be arranged.

I loaded the shotgun, and then stowed it under the rear seat. By the time I reached Eden-Olympia my targets would still be asleep.

I would start with Alain and Simone Delage, drowsy after their late night in the Rue Valentin. Jane had told me that Simone kept a small chromium pistol in her bedside table, so she would be the first. I would kill her while she slept, using Halder's handgun, and avoid having to stare back into her accusing eyes. Then I would shoot Alain as he sat up, drenched in his wife's blood, moustache bristling while he reached for his glasses, unable to comprehend the administrative blunder that had led to his own death.

The Delages slept with their air-conditioning on, and no one would hear the shots through the sealed windows. Wilder Penrose would be next, ordered from his bed at gunpoint and brought down to the bare white room where he had set out his manifesto. He would be amiable, devious and concerned for me to the end, trying to win me with his brotherly charm while unsettling my eyes with the sight of his raw fingernails. I admired him for his hold over me, but I would shoot him down in front of the shattered mirror, one more door to the Alice world now closed for ever. Destivelle and Kalman would follow, and the last would be Dmitri Golyadkin, asleep in his bunk in the security building. I would reach the TV centre in time for a newsflash on the early-afternoon news, but whatever happened I knew that Eden-Olympia would lead the bulletins. This time there would be questions as well as answers.

I listened to the Cherokee taxi towards the runway, then stop and begin its take-off checks. Its propellers threw the morning light back into the sun, and the high drone of its engines seemed a warning call to the people of the Riviera, rousing them from their torpor.

I started the Range Rover, reversed outside the showroom of Nostalgic Aviation and set off through the airport access roads to the coastal highway. The Cherokee moved down the runway, rose confidently into the air and made a wide turn over the sea towards the heights of Super-Cannes. I watched it disappear beyond Eden-Olympia and Sophia-Antipolis, its passengers briefing themselves for their board meetings at Sandoz and Ciba, Roche and Rhône-Poulenc, the pharmaceutical companies who blessed the deepest sleep of the townsfolk and tourists lying behind their shuttered balconies. The beaches beside the coastal road were littered with forgotten film magazines and empty bottles of suntan cream, the debris of a dream washed ashore among the driftwood. I drove on, thinking of Jane and Frances Baring and Wilder Penrose, ready to finish the task that David Greenwood had begun.

 

 


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