Wuthering Heights

DEAR STUDENTS! Pay special attention to 2 paragraphs in bold which you are to translate in a good substantial way as well as the words! Good luck!

Emily Brontë was born on 30 July 1818 in Thornton, near Bradford in Yorkshire, to Maria Branwell and Patrick Brontë. She was the younger sister of Charlotte Brontë and the fifth of six children. In 1824, the family moved to Haworth, where Emily's father was perpetual curate, and it was in these surroundings that their literary gifts flourished.

Early life and education

After the death of their mother in 1821, when Emily was three years old,[3] the older sisters Maria, Elizabeth and Charlotte were sent to the Clergy Daughters' School at Cowan Bridge, where they encountered abuse and privations later described by Charlotte in Jane Eyre. Emily joined the school for a brief period. When a typhus epidemic swept the school, Maria and Elizabeth caught it. Maria, who may actually have had tuberculosis, was sent home, where she died. Emily was subsequently removed from the school along with Charlotte and Elizabeth. Elizabeth died soon after their return home.

The three remaining sisters and their brother Patrick Branwell were thereafter educated at home by their father and aunt Elizabeth Branwell, their mother's sister. In their leisure time the children created a number of paracosms, which were featured in stories they wrote and enacted about the imaginary adventures of their toy soldiers along with the Duke of Wellington and his sons, Charles and Arthur Wellesley. Little of Emily's work from this period survives, except for poems spoken by characters.When Emily was 13, she and Anne withdrew from participation in the Angria story and began a new one about Gondal, a large island in the North Pacific. With the exception of Emily's Gondal poems and Anne's lists of Gondal's characters and place-names, their writings on Gondal were not preserved. Some "diary papers" of Emily's have survived in which she describes current events in Gondal, some of which were written, others enacted with Anne. One dates from 1841, when Emily was twenty-three: another from 1845, when she was twenty-seven

At seventeen, Emily attended the Roe Head girls' school, where Charlotte was a teacher, but managed to stay only three months before being overcome by extreme homesickness. She returned home and Anne took her place.[6] At this time, the girls' objective was to obtain sufficient education to open a small school of their own.

Adulthood

Emily became a teacher at Law Hill School in Halifax beginning in September 1838, when she was twenty. Her health broke under the stress of the 17-hour work day and she returned home in April 1839. Thereafter she became the stay-at-home daughter, doing most of the cooking and cleaning and teaching Sunday school. She taught herself German out of books and practised piano.

Constantin Heger, teacher of Charlotte and Emily during their stay in Brussels, on a daguerreotype dated from circa 1865

In 1842, Emily accompanied Charlotte to Brussels, Belgium, where they attended a girls' academy run by Constantin Heger. They planned to perfect their French and German in anticipation of opening their school. Nine of Emily's French essays survive from this period. The sisters returned home upon the death of their aunt. They did try to open a school at their home, but were unable to attract students to the remote area.

In 1844, Emily began going through all the poems she had written, recopying them neatly into two notebooks. One was labelled "Gondal Poems"; the other was unlabelled. Scholars such as Fannie Ratchford and Derek Roper have attempted to piece together a Gondal storyline and chronology from these poems.[7][8] In the fall of 1845, Charlotte discovered the notebooks and insisted that the poems be published. Emily, furious at the invasion of her privacy, at first refused, but relented when Anne brought out her own manuscripts and revealed she had been writing poems in secret as well.

In 1846, the sisters' poems were published in one volume as Poems by Currer, Ellis, and Acton Bell. The Brontë sisters had adopted pseudonyms for publication: Charlotte was Currer Bell, Emily was Ellis Bell and Anne was Acton Bell. Charlotte wrote in the "Biographical Notice of Ellis and Acton Bell" that their "ambiguous choice" was "dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because... we had a vague impression that authoresses are liable to be looked on with prejudice[.]" Charlotte contributed 20 poems, and Emily and Anne each contributed 21. Although the sisters were told several months after publication that only two copies had sold, they were not discouraged. The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized "the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect."

Wuthering Heights

In 1847, Emily published her novel, Wuthering Heights, as two volumes of a three-volume set (the last volume being Agnes Grey by her sister Anne). Its innovative structure somewhat puzzled critics.

Although it received mixed reviews when it first came out, and was often condemned for its portrayal of amoral passion, the book subsequently became an English literary classic. In 1850, Charlotte edited and published Wuthering Heights as a stand-alone novel and under Emily's real name. Although a letter from her publisher indicates that Emily was finalizing a second novel, the manuscript has never been found.

Death

Emily's health, like her sisters', had been weakened by unsanitary conditions at home [9], the source of water being contaminated by runoff from the church's graveyard[10]. She became sick during her brother's funeral in September 1848. Though her condition worsened steadily, she rejected medical help and all proffered remedies, saying that she would have "no poisoning doctor" near her.[11] She eventually died of tuberculosis, on 19 December 1848 at about two in the afternoon. She was interred in the Church of St. Michael and All Angels family vault.

I cannot live without my life!

Whatever our souls are made of, his and mine are the same.

Wuthering Heights is the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was generally considered the best of the Brontë sisters' works during most of the nineteenth century, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior.

Prologue (chapters 1 to 3): Mr. Lockwood, a rich man from the south, has rented Thrushcross Grange in the north of England for peace and r ecuperation. Soon after arrival, he visits his landlord, Mr. Heathcliff, who lives in the remote moorland farmhouse called "Wuthering Heights". He finds the inhabitants of Wuthering Heights to be a strange group: Mr. Heathcliff appears a gentleman but his mannerisms suggest otherwise; a reserved mistress of the house is in her mid teens; and a young man appears to be one of the family, although he dresses and talks like a servant.

Being snowed in, Mr. Lockwood stays the night and is shown to an unused chamber, where he finds books and graffiti from a former inhabitant of the farmhouse named Catherine. When he falls asleep, he has a nightmare in which he sees Catherine as a ghost trying to enter through the window. He wakes and is unable to return to sleep. As soon as the sun rises, he is escorted back to Thrushcross Grange by Heathcliff. There, he asks his housekeeper, Ellen Dean, to tell him the story of the family from the Heights.

The Childhood of Heathcliff (chapters 4 to 17): Thirty years prior, the Earnshaw family lives at Wuthering Heights. The children of the family consist of siblings the teenaged Hindley and his younger sister, Catherine. Mr. Earnshaw travels to Liverpool, where he finds a homeless gypsy boy of whom he decides to adopt, naming him "Heathcliff". Hindley finds himself robbed of his father's affections and becomes bitterly jealous of Heathcliff. However, Catherine grows very attached to him. Soon, the two children spend hours on the moors together and hate every moment apart.

Because of the domestic discord caused by Hindley and Heathcliff's sibling rivalry, Hindley is eventually sent to college. However, he marries a woman named Frances and returns three years later, after Mr. Earnshaw dies. He becomes master of Wuthering Heights, and forces Heathcliff to become a servant instead of a member of the family.

Several months after Hindley's return, Heathcliff and Catherine travel to Thrushcross Grange to spy on the Linton family. However, they are spotted and try to escape. Catherine, having been caught by a dog, is brought inside the Grange to have injuries tended to while Heathcliff is sent home. Catherine eventually returns to Wuthering Heights as a changed woman, looking and acting as a lady. She laughs at Heathcliff's unkempt appearance. When the Lintons visit the next day, Heathcliff dresses up to impress her. It fails when Edgar, one of the Linton children, causes an argument with him. Heathcliff is locked in the attic, where Catherine later tries to comfort him. He swears vengeance on Hindley.

In the summer of the next year, Frances gives birth to a child, Hareton, but she dies before the year is out. This leads Hindley to descend into a life of drunkenness and waste.

Two years on and Catherine has become close friends with Edgar, growing more distant from Heathcliff. One day in August, while Hindley is absent, Edgar comes to visit Catherine. She has an argument with Ellen which then spreads to Edgar who tries to leave. Catherine stops him and, before long, they declare themselves lovers.

Later, Catherine talks with Ellen, explaining that Edgar had asked her to marry him and she had accepted. She says that she does not really love Edgar but Heathcliff. Unfortunately she could never marry the latter because of his lack of status and education. She therefore plans to marry Edgar and use that position to help raise Heathcliff's standing. Unfortunately Heathcliff had overheard the first part about not being able to marry him and flees from the farmhouse. He disappears without trace and, after three years, Edgar and Catherine are married.

Six months after the marriage, Heathcliff returns as a gentleman, having grown stronger and richer during his absence. Catherine is delighted to see him although Edgar is not so keen. Isabella, now eighteen, falls madly in love with Heathcliff, seeing him as a romantic hero. He despises her but encourages the infatuation, seeing it as a chance for revenge on Edgar. When he embraces Isabella one day at the Grange, there is an argument with Edgar which causes Catherine to lock herself in her room and fall ill.

Heathcliff has been staying at the Heights, gambling with Hindley and teaching Hareton bad habits. Hindley is gradually losing his wealth, mortgaging the farmhouse to Heathcliff to repay his debts.

While Catherine is ill, Heathcliff elopes with Isabella, causing Edgar to disown his sister. The fugitives marry and return two months later to Wuthering Heights. Heathcliff hears that Catherine is ill and arranges with Ellen to visit her in secret. In the early hours of the day after their meeting, Catherine gives birth to her daughter, Cathy, and then dies.

The day after Catherine's funeral, Isabella flees Heathcliff and escapes to the south of England where she eventually gives birth to Linton, Heathcliff's son. Hindley dies six months after his sister and Heathcliff finds himself the master of Wuthering Heights and the guardian of Hareton.

The Maturity of Heathcliff (chapters 18 to 31) Twelve years on, Cathy has grown into a beautiful, high-spirited girl who has rarely passed outside the borders of the Grange. Edgar hears that Isabella is dying and leaves to pick up her son with the intention of adopting him. While he is gone, Cathy meets Hareton on the moors and learns of her cousin and Wuthering Heights' existence.

Edgar returns with Linton who is a weak and sickly boy. Although Cathy is attracted to him, Heathcliff wants his son with him and insists on having him taken to the Heights.

Three years later, Ellen and Cathy are on the moors when they meet Heathcliff who takes them to Wuthering Heights to see Linton and Hareton. His plans are for Linton and Cathy to marry so that he would inherit Thrushcross Grange. Cathy and Linton begin a secret and interrupted friendship.

In August of the next year, while Edgar is very ill, Ellen and Cathy visit Wuthering Heights and are held captive b y Heathcliff who wants to marry his son to Cathy and, at the same time, prevent her from returning to her father before he dies. After five days, Ellen is released and Cathy escapes with Linton's help just in time to see her father before he dies.

With Heathcliff now the master of both Wuthering Heights and Thrushcross Grange, Cathy has no choice but to leave Ellen and to go and live with Heathcliff and Hareton. Linton dies soon afterwards and, although Hareton tries to be kind to her, she retreats into herself. This is the point of the story at which Lockwood arrives.

After being ill with a cold for some time, Lockwood decides that he has had enough of the moors and travels to Wuthering Heights to inform Heathcliff that he is returning to the south.

Epilogue (chapters 32 to 34) In September, eight months after leaving, Lockwood finds himself back in the area and decides to stay at Thrushcross Grange (since his tenancy is still valid until October). He finds that Ellen is now living at Wuthering Heights. He makes his way there and she fills in the rest of the story.

Ellen had moved to the Heights soon after Lockwood had left to replace the housekeeper who had departed. In March, Hareton had had an accident and been confined to the farmhouse. During this time, a friendship had developed between Cathy and Hareton. This continues into April when Heathcliff begins to act very strangely, seeing visions of Catherine. After not eating for four days, he is found dead in his room. He is buried next to Catherine. Lockwood visits their graves.

Lockwood departs but, before he leaves, he hears that Hareton and Cathy plan to marry on New Year's Day.

Characters

Heathcliff: Found, and presumably orphaned, on the streets of Liverpool, he is taken to Wuthering Heights by Mr. Earnshaw and reluctantly cared for by the rest of the family. He and Catherine later grow close, and their love becomes the central theme of the first volume; his revenge and its consequences are the main theme of the second volume. Heathcliff is typically considered a Byronic hero, but critics have found his character, with a capacity for self-invention, to be profoundly difficult to assess. His position in society, without status (Heathcliff serves as both his given name and surname), is often the subject of Marxist criticism.[4]

Catherine Earnshaw: First introduced in Lockwood's discovery of her diary and etchings, Catherine's life is almost entirely detailed in the first volume. She seemingly suffers from a crisis of identity, unable to choose between nature and culture (and, by extension, Heathcliff and Edgar). Her decision to marry Edgar Linton over Heathcliff has been seen as a surrender to culture, and has implications for all the characters of Wuthering Heights. The character of Catherine has been analysed by many forms of literary criticism, including: psychoanalytic and feminist.[5]

Edgar Linton: Introduced as a child of the Linton family, who resides at Thrushcross Grange, Edgar's life and mannerisms are immediately contrasted with those of Heathcliff and Catherine, and indeed the former dislikes him. Yet, owing much to his status, Catherine marries him and not Heathcliff. This decision, and the differences between Edgar and Heathcliff, have been read into by feminist criticisms.

Ellen (Nelly) Dean: The second and primary narrator of the novel, Nelly has been a servant of each generation of both the Earnshaw and Linton families. She is presented as a character who straddles the idea of a 'culture versus nature' divide in the novel: she is a local of the area and a servant, and has experienced life at Wuthering Heights. However, she is also an educated woman and has lived at Thrushcross Grange. This idea is represented in her having two names, Ellen—her given name and used to show respect, and Nelly—used by her familiars. Whether Nelly is an unbiased narrator and how far her actions, as an apparent bystander, affect the other characters are two points of her character discussed by critics.[6]

Isabella Linton: Introduced as part of the Linton family, Isabella is only ever shown in relation to other characters. She views Heathcliff as a romantic hero, despite Catherine's warning her against such a view, and becomes an unwitting participant in his plot for revenge. After being married to Heathcliff and abused at Wuthering Heights, she escapes to London and gives birth to Linton. Such abusive treatment has led many, especially feminist critics, to consider Isabella the true/conventional 'tragic romantic' figure of Wuthering Heights.

Hindley Earnshaw: Catherine's brother who marries Frances, an unknown woman to the family, and only reveals this when Mr. Earnshaw dies. He spirals into destructive behaviour after her death and ruins the Earnshaw family with his drinking and gambling.

Hareton Earnshaw: The son of Hindley and Frances, initially raised by Nelly but passed over to in effect Joseph and Heathcliff. The former works to instill a sense of pride in Earnshaw heritage, even though Hareton has no right to the property associated with it. The latter strives to teach him all sorts of vulgarities as a way of avenging himself on Hareton's father, Hindley. Hareton speaks with a similar accent to Joseph and works as a servant in Wuthering Heights, unaware of his true rights. His appearance regularly reminds Heathcliff of Catherine.

Catherine Linton: The daughter of Catherine Earnshaw and Edgar Linton, she is a spirited girl, though unaware of her parents' history. Edgar is very protective of her and as a result she is constantly looking beyond the confines of the Grange.

Linton Heathcliff: The son of Heathcliff and Isabella, he is a very weak child and his character resembles Heathcliff's, though without its only redeeming feature: love. He marries Catherine, but only under the direction of his father, whom he discovers only as he enters his teens.

Joseph: A servant at Wuthering Heights who is a devout Christian. He speaks with a very thick Yorkshire accent. Brontë has often been commended on her very accurate transcription of it.

Lockwood: The narrator of the book, he comes to rent Thrushcross Grange from Heathcliff to escape society but finally decides he prefers company rather than ending up as Heathcliff.

Frances: A generally amiable character, her marriage to Hindley is unrevealed until Mr Earnshaw dies.

Kenneth: A doctor in the nearby village of Gimmerton.

Zillah: A servant to Heathcliff at Wuthering Heights in the time after Catherine's death.

Heathcliff, adopted by the novel's first Mr. Earnshaw off of the streets of Liverpool as a child, is known only by a single name. He is characterized as passionate, dark, brooding and vindictive. He is largely defined by his all-consuming but thwarted love for Catherine Earnshaw, his equally passionate foster sister. Much of the novel's narrative concerns both their doomed romance and Heathcliff's vengeful reaction to Catherine's betrayal when she marries his rival, Edgar Linton, best evinced in the following passage:

You teach me now how cruel you've been — cruel and false!! Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you — they'll damn you. You loved me — then what right had you to leave me? What right — answer me — for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart — you have broken it; and in breaking it, you have broken mine. So much the worse for me, that I am strong. Do I want to live? What kind of living will it be when you oh, God! would you like to live with your soul in the grave?

A dark-skinned foundling discovered on the streets of Liverpool and raised by the Earnshaw family of Wuthering Heights in Yorkshire, Heathcliff's past and early childhood before his adoption are not explored by Brontë. In keeping with the supernatural themes present in the novel, it is speculated that Heathcliff might be a demon or a hellish soul. His appearance would be faithfully interpreted as resembling a Roma, or gypsy. He becomes a gentleman "in dress and aspect." Mrs. Linton of Thrushcross Grange states that he could be a "little Lascar or American castaway."

A silent and at first solitary child, Heathcliff is initially resented by both Catherine Earnshaw and her elder brother, Hindley; whilst Catherine later befriends and loves Heathcliff, Hindley continues to resent him, seeing him as an interloper who has stolen his father's affection. Upon Mr. Earnshaw's death and his inheritance of the estate, the spiteful Hindley proceeds to treat Heathcliff as little more than a servant boy and makes him work the fields, which creates Heathcliff's lifelong anger and resentment. Catherine, however, remains close to her foster brother.

As she matures into her young teens, however, Catherine grows close to Edgar Linton, a timid and well-bred young man of the neighbouring estate, Thrushcross Grange, and accepts his proposal of marriage; but she insists that her true and only love is Heathcliff. She claims that she cannot marry him because it "would degrade her" and that the two would be beggars were such a union to take place. Nevertheless, she also declares her passion for him in such ways as "whatever our souls are made of, his and mine are the same," and the famous quote "I am Heathcliff." Aware only of Catherine's decision to marry Edgar, rather than her proclamation of true love for him, a bitter Heathcliff leaves Wuthering Heights upon overhearing her saying that it would degrade her and while away, by means unknown, makes his fortune.

Nelly Dean describes him as "athletic" when he returns, and that his "upright carriage suggested his being in the army." No other hints are given about where Heathcliff was and how he made his fortune over the course of his three-year absence. On returning, he is ruthlessly determined to destroy those who degraded him and prevented him from being with Catherine, cementing his status as an anti-, rather than a romantic, hero. Not only does he swindle Hindley, who has fallen into alcoholism and gambling after the death of his wife Frances, out of his ownership of Wuthering Heights; he heartlessly takes advantage of Edgar Linton's sister Isabella and marries her, before treating her in a cruel and contemptuous fashion. Although he tells Catherine that he despises Isabella and would "cut (his own) throat" if he imagined Catherine wanted him to marry Edgar's younger sister, his and Isabella's marriage promises to result in his inheriting Thrushcross Grange on Linton's death. This can only be achieved, however, by Heathcliff's forcing his and Isabella's son Linton into marriage with Catherine's daughter, who is also named Cathy.

After Catherine Earnshaw's death, Heathcliff's vindictive cruelty intensifies, aimed at destroying not only his enemies but also their heirs — Hareton, son of Hindley and Frances Earnshaw, and Catherine, daughter of Edgar Linton and Catherine the elder. He forces his sickly son, Linton, who entirely resembles his mother Isabella, into marriage with Catherine Linton, daughter of Cathy and Edgar, in a bid to gain control of Thrushcross Grange. Shortly after the two are married in their nearly loveless match, the insipid Linton dies, hardly a surprise to either his father or his widow. Heathcliff treats Catherine with relative mercy, turning her into a cold, distant creature, far removed from the bright, lively girl she used to be. Hareton and Catherine eventually fall in love, however, and their relationship in some ways mirrors and in others opposes that between Heathcliff and the elder Catherine. Their union breaks the cycle of hatred at Wuthering Heights, and Heathcliff no longer cares to continue his vendetta. Hareton, resembling his aunt Catherine Earnshaw much in looks, creates a sense of uneasiness for Heathcliff: Brontë often implies that he has a secret regard for Hareton, and that Hareton sees Heathcliff as his true father. The novel ends with the death of Heathcliff, who has become a broken, tormented man, haunted by the ghost of the elder Catherine, next to whom he demands to be buried. His corpse is initially found by Nelly Dean, who, peeping into his room, spots him. Heathcliff grows restless towards the very end of the novel and stops eating. Nelly Dean does not believe that he had the intention to commit suicide, but that his starvation may have been the cause of his death. He wanted to be with Cathy in eternal life.

laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark!

The implication is that Catherine, having earlier haunted Mr Lockwood at his window, has made a similar visitation on Heathcliff, bearing him away with her so that they may be together beyond the grave, which has long been Heathcliff's aspiration. Nelly relates his revealing admission:

"I got the sexton, who was digging Linton's grave, to remove the earth off her coffin lid, and I opened it. I thought, once, I would have stayed there, when I saw her face again — it is hers yet — he had hard work to stir me; but he said it would change, if the air blew on it, and so I struck one side of the coffin loose, and covered it up — not Linton's side, damn him! I wish he'd been soldered in lead — and I bribed the sexton to pull it away, when I'm laid there, and slide mine out too. I'll have it made so, and then, by the time Linton gets to us, he'll not know which is which!"

"You were very wicked, Mr Heathcliff!" I exclaimed; "were you not ashamed to disturb the dead?"

At the very close of the novel, a servant boy tells Nelly that he has seen the ghosts of Heathcliff and Catherine walking the moors together, although Nelly and Lockwood both insist that they must be treated as if their souls were at peace. The novel closes with Lockwood wandering past their graves and wondering "how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth."

As Charlotte Brontë, Emily's older sister, wrote, "Heathcliff, in deed, stands unredeemed ", which adds to the uncertainty over whether he not only repented for his sins but was actually a real human being after all; since Lockwood's vision of Catherine at the window was preceded by a dream of a fire-and-brimstone sermon in a church, it is possible that both Heathcliff and Catherine are damned; Catherine herself expresses doubt as to whether she could ever be admitted into Heaven. The uncertain fate of Heathcliff's soul, combined with the mystery that Heathcliff's character leaves behind, ends the novel in a mesmerizing, eerie way, justifying Heathcliff's enduring status as an iconic anti-hero of literature.

I had Cathy by the hand, and was urging her on, when all at once she fell down. "Run, Heathcliff, run!" she whispered. "They have let the bull-dog loose, and he holds me!" The devil had seized her ankle, Nelly: I heard his abominable snorting. She did not yell out - no! she would have scorned to do it, if she had been spitted on the horns of a mad cow.

– Heathcliff, in Emily Brontë's Wuthering Heights, on his and Catherine's first visit to Thrushcross Grange

Catherine Earnshaw is the younger sibling of Hindley, and is born and raised at Wuthering Heights. She becomes the foster sister of the orphan Heathcliff at the age of six, and the two become close companions. They are separated when Hindley becomes jealous of his father's affection towards Heathcliff and reduces him to servant-boy status after the death of Mr Earnshaw, who took Heathcliff in as a Liverpool foundling. Catherine and Heathcliff's strong characters do not part them; rather, they get into a great deal of mischief together, most notably while spying at Thrushcross Grange, the fancy home of the wealthy Linton family. When a dog from the Grange attacks Cathy at her intrusion, the Lintons aid her by keeping her at the Grange for five weeks. This visit allows Catherine to turn into a lady quite unlike the rude, wild, childish girl she has been with Heathcliff, and allows her to form intimate relationships with Edgar and Isabella Linton, the two children residing at the Grange, although her (and Heathcliff's) initial impression of them was contemptuous. Catherine's change is visible on her return to the Heights at Christmas time. Heathcliff, although hurt by this, remains devoted to her, forming one part of a love triangle that includes Edgar Linton, who quickly becomes a despised rival.

Cathy's most famous scene in the novel sees a memorable declaration of her feelings for Heathcliff and Linton to Nelly Dean, the housekeeper of Wuthering Heights and the novel's main narrator:

Heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy.

That will do to explain my secret, as well as the other. I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there, had not brought Heathcliff so low I shouldn't have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how I love him; and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire.

Heathcliff, eavesdropping outside, hears only that she feels that a marriage to him would "degrade" her. Immediately he embarks on a mysterious three-year absence

This decision can be regarded as the beginning of Heathcliff's revenge on the Lintons. He later returns, a wealthy and distinguished gentleman, to find Catherine married to Edgar and living at Thrushcross Grange. The moment of his return is a telling one. After Catherine runs outside to greet him,

Mr. Linton walked to a window on the other side of the room that overlooked the court. He unfastened it, and leant out. I [Nelly] suppose they were below, for he exclaimed quickly: "Don't stand there, love! Bring the person in, if it be anyone particular." Ere long, I heard the click of the latch, and Catherine flew up-stairs, breathless and wild; too excited to show gladness: indeed, by her face, you would rather have surmised an awful calamity.

In an awkward set of visits to the Grange, Heathcliff begins to exact his revenge, seducing Isabella Linton in order to gain control of Thrushcross Grange at Edgar's death, and trapping her in an abusive and terrifying marriage. Catherine falls into a state of psychological insanity, although it is partly feigned in her desire to provoke her husband and "break his heart" because of the pain that she feels. Soon she refuses to eat, never leaves her chamber and falls prey to countless delusions and declarations of madness.

It's a rough journey, and a sad heart to travel it; and we must pass by Gimmerton Kirk to go that journey! We've braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But, Heathcliff, if I dare you now, will you venture? If you do, I'll keep you. I'll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won't rest till you are with me. I never will!

– Catherine Earnshaw, during a delusional fit (for which Heathcliff is not present), in Emily Brontë's Wuthering Heights

Heathcliff and Catherine share one final meeting, about half-way through the story, which is aided reluctantly by Nelly because of Edgar's banishment of Heathcliff from the Grange. The lovers pour out their passions to one another, but, when Edgar walks unexpectedly through the door to the chamber, Catherine experiences a state of shock and faints. She dies a couple of hours after giving birth to a daughter, also named Cathy, whose generation forms the basis of the second half of the story.

Catherine has a spirit that lives throughout the novel. Her ghost haunts Heathcliff up to his mysterious death, and an iconic scene sees Lockwood, the first narrator in the book, visited in eerie, Gothic fashion by her ghost as a little girl, lost on the moors. In Lockwood's vision she tries to enter the house through a window; at the end of the novel Heathcliff, having become desperate to see his lost love again, is found dead before an open window. The open window is therefore a symbol of Catherine's enduring power throughout the course of the story, and of her ultimate reunion with her love; however, it also raises ambiguities as to the nature of the reunion. Considering that Heathcliff and Catherine's relationship was, towards the end, as much about spiteful revenge as romantic love, it is possible that Catherine's ghost actually murdered Heathcliff; likewise, considering that Lockwood's vision of Catherine comes hot on the heels of a dream about a fire-and-brimstone sermon in a church, there is a chance that Catherine has returned to Heathcliff only to take him down to hell with her.

Description

Catherine is said in the book to be pretty, with, as Nelly says, "the bonniest eye" and "the sweetest smile." She has long locks of "beautiful" hair, as Heathcliff describes it, but it is her eyes that can be seen in many characters in the novel. The "Earnshaw eyes" belong not only to Catherine, but also to her brother Hindley, and her nephew Hareton. Her daughter, Cathy, inherits only two things from the mother, as we are told by Nelly: those peculiar eyes and an expression that makes her seem "haughty".

Catherine is strong-willed, wild, passionate, mischievous and, as a child, spoiled. As may be seen by the markedness of her change after her five-week stay at Thrushcross Grange, she is anything but a lady during her time on the moors with Heathcliff. Nelly claims that she "didn't love" Catherine, perhaps because of the girl's waywardness throughout the book. During her fatal illness, Nelly notes that Catherine is very frail, and has "a bloodless lip", an image which serves to augment the Gothic undertones of her final days; nevertheless, Nelly describes her in death as divine: "no angel in heaven looked as beautiful as her", and her countenance resembled "perfect peace".

Effect on modern society and popular culture

Catherine delivers many of the lines which have become synonymous with the work, such as her renowned declaration of love for Heathcliff —

My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees — my love for Heathcliff resembles the eternal rocks beneath — a source of little visible delight, but necessary. Nelly, I am Heathcliff — he's always, always in my mind — not as a pleasure, any more than I am always a pleasure to myself — but as my own being — so, don't talk of our separation again — it is impracticable.

— and the famous ghostly utterance "Let me in your window - I'm so cold!", later used by Kate Bush in her 1978 hit "Wuthering Heights". The entertainment world, indeed, has been so intrigued by the love between Catherine and Heathcliff that many film adaptations of the novel, particularly the 1939 version with Laurence Olivier and Merle Oberon, cover only half of the story, ending with Catherine's death rather than telling the story of the younger Cathy, Hareton and Linton Heathcliff. Thematically, Catherine is also central to the issues of gender conflict, class division and violence in Wuthering Heights, as well as to the antitheses of good and evil, and reality and fantasy, which pervade the novel.

STANZAS

I'll not weep that thou art going to leave me,

There's nothing lovely here;

And doubly will the dark world grieve me,

While thy heart suffers there.

I'll not weep because the summer's glory

Must allways end in gloom;

And, follow out the happiest story -

It closes with a tomb!

And I am weary of the anguish

Increasing winters bear;

Weary to watch the spirit languish

Through years of dead despair.

So, if a tear, when thou art dying,

Should haply fall from me,

It is but that my soul is sighing,

To go and rest with thee.

turbulent weather

all-encompassing and passionate, yet thwarted, love

waywardness

delusional fit

unredeemed

vindictive cruelty

tormented man

doomed romance

swindle

unwitting participant

retreats into herself

captive b y

unkempt appearance

domestic discord

Дата добавления: 2015-10-29