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Percy Bysshe Shelly

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  1. Перси Биш Шелли (Percy Bisshe Shelley) 1792 - 1822

Ode to the West Wind

I

O wild West Wind, thou breath of Autumn's being,

Thou, from whose unseen presence the leaves dead

Are driven, like ghosts from an enchanter fleeing,

 

Yellow, and black, and pale, and hectic red,

Pestilence-stricken multitudes: O thou,

Who chariotest to their dark wintry bed

 

The winged seeds, where they lie cold and low,

Each like a corpse within its grave, until

Thine azure sister of the Spring shall blow

 

Her clarion o'er the dreaming earth, and fill

(Driving sweet buds like flocks to feed in air)

With living hues and odours plain and hill:

 

Wild Spirit, which art moving everywhere;

Destroyer and preserver; hear, O hear!

 

II

Thou on whose stream, mid the steep sky's commotion,

Loose clouds like earth's decaying leaves are shed,

Shook from the tangled boughs of Heaven and Ocean,

 

Angels of rain and lightning: there are spread

On the blue surface of thine airy surge,

Like the bright hair uplifted from the head

 

Of some fierce Maenad, even from the dim verge

Of the horizon to the zenith's height

The locks of the approaching storm. Thou dirge

 

Of the dying year, to which this closing night

Will be the dome of a vast sepulchre,

Vaulted with all thy congregated might

 

Of vapours, from whose solid atmosphere

Black rain, and fire, and hail will burst: O hear!

 

III

Thou who didst waken from his summer dreams

The blue Mediterranean, where he lay,

Lulled by the coil of his crystalline streams,

 

Beside a pumice isle in Baiae's bay.

And saw in sleep old palaces and towers

Quivering within the wave's intenser day,

All overgrown with azure moss and flowers

So sweet, the sense faints picturing them!

Thou For whose path the Atlantic's level powers

 

Cleave themselves into chasms, while far below

The sea-blooms and the oozy woods which wear

The sapless foliage of the ocean, know

 

Thy voice, and suddenly grow grey with fear,

And tremble and despoil themselves: O hear!

IV

If I were a dead leaf thou mightest bear;

If I were a swift cloud to fly with thee;

A wave to pant beneath thy power, and share

 

The impulse of thy strength, only less free

Than thou, O uncontrollable! If even

I were as in my boyhood, and could be

 

The comrade of thy wanderings over heaven,

As then, when to outstrip the skyey speed

Scarce seemed a vision; I would ne'er have striven

 

As thus with thee in prayer in my sore need.

Oh! lift me as a wave, a leaf, a cloud!

I fall upon the thorns of life! I bleed!

 

A heavy weight of hours has chained and bowed

One too like thee: tameless, and swift, and proud.

V

Make me thy lyre, even as the forest is:

What if my leaves are falling like its own!

The tumult of thy mighty harmonies

 

Will take from both a deep, autumnal tone,

Sweet though in sadness. Be thou, Spirit fierce,

My spirit! Be thou me, impetuous one!

 

Drive my dead thoughts over the universe

Like withered leaves to quicken a new birth;

And, by the incantation of this verse,

 

Scatter, as from an unextinguished hearth

Ashes and sparks, my words among mankind!

Be through my lips to unawakened earth

 

The trumpet of a prophecy! O, Wind,

If Winter comes, can Spring be far behind?

 

 

STUDY QUESTIONS

1. This poem is an interesting and vital combination of Dante's terza rima and the sonnet form. Note how many lines there are to each stanza and work out the rhyme scheme. Are there any examples of imperfect rhyme? Is this sonnet different from the English Shakespearean sonnet in any way?

2. This is a highly musical poem. Find examples of how Shelley uses sound to reinforce meaning. Take into consideration the following: assonance, consonance and allitteration.

3. Much use is made of metaphor, simile and personification. Find at least two examples of each in the poem.

4. Shelley summons up the power and spirit of the wind through verbs of motion: make a list of the verbs he uses to create this sense of movement.

5. Each of the following headings corresponds to one of the five stanzas. Pair the headings with the stanzas:

• The effect of the wind on the sea

• The poet in relation to mankind

• The effect of the wind on the earth

• The relationship between the wind and the poet himself

• The effect of the wind on the sky

6. How would you describe the poet's state of mind in the fourth stanza? Why does he feel like this?

7. Does his state of mind change in the last stanza? If so, how?

8. What do you think the wind actually represents?

9. Bearing in mind Shelley's political and social ideas, what do you think the 'prophecy', referred to in line 69, might consist of?

10. The wind is described as both 'Destroyer' and 'Preserver'. Explain this apparent contradiction. Does the world we live in today require something similar to this creative/destructive force?

11. Do you draw the same kind of inspiration from nature that Shelley once did? Can you think of any moment in your life when nature actually inspired a radical change in your life or outlook?

SEMINAR #9

CHARLES DICKENS "GREAT EXPECTATIONS"

 

 


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Читайте в этой же книге: BONNY BARBARA ALLAN | ROBIN HOOD AND LITTLE JOHN | Sonnet 116 | Late Victorian and Edwardian Literature (1880 - 1910) | Modernism and its Alternatives | Study Questions | WILLIAM BLAKE | Songs of Experience | JOHN KEATS | From THE RIME OF THE ANCIENT MARINER |
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