“How tall?” Brown asks the bartendress. “My height?”
“No,” she says. “Shorter.”
“About his height?” he says, pointing to a customer.
“Maybe a little shorter than that.”
“What about the car?”car. Nothing is more frustrating for Brown and Worden than to listen to these people try to describe the automobile that ran over Carol Ann Wright. The woman on Stricker Street says it was a blue or green compact. The manager of the bar says it was black and sporty, with a T-top and a round insignia on the front of the hood, like a 280Z. No, says the bartendress, it had those doors that open upward, like wings.
“Winged doors?” says Brown, incredulous. “Like a Lotus?”
“I don’t know what you call it.”
“Are you sure?”
“I think so.”’s hard to dismiss the employee because she actually went outside at closing time and listened to this guy talk about how he’s a mechanic, a transmission expert, and does his own work on the car.
“He was real proud of it,” she tells Brown.it’s harder to believe her when she says that some greasy motor-head named Rick is running around South Baltimore in a custom $60,000 Lotus, giving billy girls a ride down to the Southern District. Yeah, right, thinks Brown, and Donald Worden is my personal love slave.’s especially aggravating to the detectives is that if these witnesses can’t get the car right-the car being a definite object with its make and model number displayed in chrome on its exterior-then they sure as hell can’t be trusted to come anywhere close on the guy’s description. Everyone mentions the shoulder-length blond hair, but some are saying stringy and others, curly. Only half of them have the thin mustache, and they’re all over the map on the guy’s height and weight. Eye color? Forget it. Distinctive features? Oh yeah, he was driving a Lotus., a bad description is par for the course. Any good detective or prosecutor knows that stranger-to-stranger identification is the weakest kind of evidence; in a crowded world, people just don’t have the facility to commit a new face to memory. Many veteran detectives don’t bother to include preliminary descriptions in their reports for that reason: A description of a six-foot-two, 220-pound suspect will hurt you in court when the guy turns out to be five-seven and 150. True to the stereotype, law enforcement studies have also shown that interracial identifications-blacks of whites, whites of blacks-tend to be the weakest because at first glance, both races have trouble distinguishing between members of the other. In Baltimore, at least, the reputation for the most ineffectual identifications goes to the Koreans, who run every other corner store in the inner city. “All rook arike” is the only credo they ever offer to a robbery detective.this case should have been different. For one thing, the identification is white-on-white. For another, the guy was in the bar for over an hour, hovering around Carol, making conversation with the other patrons and employees. Collectively, these people remember that the guy claimed to be a mechanic, a transmission expert actually, that he drank Budweiser, that he mentioned that a particular bar up in Parkville was for sale and that his uncle owned some bar in Highlandtown with a German-sounding name that no one can recall. They even remember that the guy got mad when Carol got up to dance to the jukebox with another girl. All of that has been committed to memory by the regulars at Helen’s, and yet Brown is left with nothing better than a partial description., Brown works the bartendress through her story a second time, then communes with Worden at the back of the tavern, near the pool table.
“These are our best witnesses?” says Brown. “We don’t have dick.”against the pay phone on the back wall, Worden gives Brown a what-you-mean-we-Kemosabe look.
“The problem is that it was closing time and they were all shitfaced,” Brown continues. “They’re not going to remember this guy well enough for a composite.”says nothing.
“You don’t think there’s any point in calling an artist, right?”looks at him skeptically. Even with good eyewitnesses, the composite sketches never manage to look like the suspect. Somehow, all the black guys resemble Eddie Brown and, depending on hair color, all the white guys are dead ringers for either Dunnigan or Landsman.persists. “There’s not enough here for a composite, right?”holds out his hand. “Gimme a quarter.”fishes up a twenty-five-cent piece, presuming that Worden wants to use the phone or maybe punch a song on the juke.
“Brown, you’re a piece of shit,” says Worden, pocketing the coin. “Finish your beer and let’s go.”are left with the worst kind of investigation, a needle-in-a-haystack search for blond-haired Rick and his black or maybe blue-green sports car. Reluctantly, Worden puts a description out on a teletype to the districts. He had hoped to keep that information from floating around too freely, because if word somehow gets back to the suspect that they have a partial description of the car, he’ll paint it or ditch it or hide it in a garage somewhere for about four months. The car, both detectives understand, is essential evidence., the teletypes are read at every roll call citywide and maybe elsewhere in the state if a detective uses the MILES computer system. Hell, if an investigator thinks his man has gone on the wing interstate, he can go whole hog and put the thing on NCIC. But both the local and national teletype networks-like most everything else in the criminal justice system-are flooded to the point of absurdity. Usually, the only items a cop remembers from roll call will be red-ball items-cop killings, child murders-and the occasional punch line. At the beginning of a recent 8-to-4 shift, Jay Landsman made a point of reading a burglary teletype from Baltimore County in which the stolen property consisted of 522 gallons of ice cream.
“The suspects are believed to be a lot fatter than they were…”the Baltimore precincts, at least, a homicide lookout stands a good chance of being read at roll call, but whether anyone’s actually listening or not is open to debate. In Brown and Worden’s favor, however, is the fact that the girl was run over in the Southern District. In a detective’s mind, the street police in certain districts are known for certain things: The Eastern cops protect a crime scene better than anyone, the Western operations unit has decent informants, and in the Southern and the Southeast, there are still some guys out on the street who will actually work a lookout.the next several days, uniforms in those districts make traffic stops on anything close to the description. The paperwork comes downtown to Brown’s desk, where names and license numbers are matched with motor vehicle registrations and BPI photos. There’s a lot of data and Brown looks at each report carefully. Nothing seems to match: This guy’s got a black 280Z with a T-top, but he’s got thinning brown hair. This one’s got a Mustang with some front end damage, but his long hair is jet black. This one’s got long blond hair, but his Trans Am is a light copper color.addition to the district car stops, Brown and Worden spend the days and nights after the murder wedged into a Cavalier, following up on everything that the victim’s family tells them. And with each passing day, the family comes up with a new suspect. First, there is the guy out in Middle River whose name is most definitely Rick and who had called for Carol about a week before she was killed. The family still has the guy’s phone number.Brown and McLarney ride out to the Middle River address, a man with short, thinning blond hair answers the door. Hell, thinks Brown, hopeful, he could have cut it. But downtown in the large interrogation room, the detectives learn that he works at the Domino Sugar plant in Locust Point, not as an auto mechanic. Worse than that, his only car is an old yellow Toyota; Brown checks it that day on the company lot. The man readily acknowledges having given Carol Wright a ride down Fort Avenue on his motorcycle, but he’s genuinely surprised to hear about the woman’s death.kid stopped by the district has blond hair and the right kind of car listed to his mother’s address out on Washington Boulevard, but his alibi seems to hold. A third billy is a mechanic who goes by the name Rick and lives down in Anne Arundel: He even knew some of Carol’s friends, according to the family. Brown sits on the house for two days, looking for that black sports car, only to pick the guy up and learn that the family had already called him first.
“They told me you might be coming by,” he assures Brown. “What do you want to know?”. Not only do they talk to the police, they babble to one another-so much so that there’s no conceivable way for an investigator to work effectively. As soon as one family member learns about a potential suspect, another family member is asking a friend of a friend to ask the guy whether he has a black sports car and if so, whether he used it to run over Carol Wright. Twice, Brown goes back to South Baltimore to urge the family not to discuss the case with anyone. Twice, they assure him that they will shut up.days later, Brown is alone in a Cavalier, watching a side street off Dundalk Avenue for yet another suspect. He is there for hours, drinking 7-Eleven coffee and feeding his smoker’s cough and watching the billy boys come and go from their cars. Rarely does a homicide detective have time for this sort of endless surveillance, even if he has the patience. But so far no fresh murders have landed on Brown’s desk, allowing him to sit for hours with the air conditioning running. With white powder from a Hostess doughnut in his mustache and Appalachian bluegrass on the AM radio, it soon occurs to him that he hasn’t spent this long sitting on a house since his tour in narcotics. By the end of the day, in fact, he’s damn proud of himself for being careful, patient and determined-just like any real detective., only after two successive dayshifts in a Cavalier, when it’s clear that there’s no black car anywhere near the house, Brown picks the guy up for an interview. “Yeah,” says his suspect. “They were sayin’ that they gave you my name a few days back. I don’t know why they did that, though.”drove back to the homicide office, ready to chuck the case file into the nearest empty drawer. “Get me a murder in West Baltimore,” he tells Worden. “I can’t deal with these fucking white people anymore.”his part, Worden has stayed with the case, but he has preserved a certain distance. Alongside the younger detective, he has cruised Highlandtown looking for a bar with anything resembling a German name. And he has also spent hours sitting with Brown on many of those same houses and parking lots, looking for that black mystery car. And yet there is a message to Worden’s presence on this case, something that Brown understands instinctively.
“You want to go?” Brown asks him after three long hours of watching a garden apartment down in Marley Neck.
“It’s your case,” says Worden, masking the Socratic method with indifference. “What do you want to do?”
“We’ll wait,” says Brown., after a week they are no closer to a killer, and the Carol Ann Wright case remains an undetermined death, not even a murder. And both men know that without a fresh lead, their task is Herculean. Three days ago, a DMV printout arrived at the homicide unit with the names and addresses of the owners of 280Zs in central Maryland. Even if their best witnesses are right about that particular make of car, and even if their man happens to be the registered owner of record, the computer list is more than a hundred pages long.August 30, Worden inherits a true red ball, a fourteen-year-old kid shotgunned to death in the Northwest, killed without any apparent motive as he walked home from his job at a fast-food restaurant. Five days after that, Dave Brown and McLarney are working on the disappearance of a twenty-six-year-old west side woman who has not been seen for a week, though two dopers have been locked up for driving her car.bodies. Fresh leads. From Brown’s desk, you can listen close and hear a slow, grinding noise as the Carol Wright case slips out of gear.scene is a rowhouse basement, a dank, unfurnished place on East Preston Street, where an elderly white man is stretched across the floor in full rigor, covered by a few sheets of plastic tarp and a trio of die-cast, two-foot-tall Magi. Yessiree: the three wise men, those good souls who carry around myrrh and frankincense and visit blessed mangers on church lawns every Christmas. A nice, bizarre touch, thinks Rich Garvey. Someone blew a very big hole in this old man’s head, stole his money, dragged the body downstairs and then threw a plastic wrap and three wise men over the corpse. A nativity scene, East Baltimore style.dead man is Henry Plumer, and it’s immediately obvious to Garvey and Bob McAllister that the old man has encountered something very big-a.44 or.45 probably, and fired at point-blank range, too, judging from the powder burns. Plumer was in his late sixties and had for at least half his life been collecting for Littlepage’s Furniture in the city, wandering around the ghetto all day long, calling in the monthly payments on furniture and appliances. It was mostly no-money-down credit stuff, which lures poor folk into paying $10 a week until their living room set ends up costing more than a college education, but old Mr. Plumer had been at it for so long that the people on his route all knew and liked him. He’d become something of a neighborhood institution in East Baltimore, riding around all day with that little collection book of his. Donald Kincaid actually knew the man, since his mother still lived in the 900 block of Collington, refusing to quit her east side home even as the neighborhood around her fell into ruin.already knows all about Mr. Plumer, or at least he knows everything that was in a missing person’s teletype sent out by county police yesterday, when the old man and his car disappeared into the wilds of Baltimore and his family began to panic. Garvey’s already fairly certain that he knows who killed Mr. Plumer-knowledge that comes easily when the owner of the basement in question is a drug user with a long sheet.what he has gleaned thus far, an addict by the name of Jerry Jackson owns this two-story brick pile, was one of the last people to see a living Henry Plumer, and apparently left for his housecleaning job at Rosewood Hospital with Plumer’s body still bleeding on his basement floor. As clues, these facts are decidedly unsubtle and suggest a certain lack of intellect on the part of the homeowner in question-a suggestion that is all but confirmed when the phone on the first floor suddenly begins ringing twenty minutes after the detectives’ arrival. Garvey bounds up the stairs and picks up on the third ring.
“Hello?”
“Who’s this?” asks the male caller.
“This is Detective Garvey from the homicide unit,” he says. “Who’s this?”
“This is Jerry,” says the voice.considerate, thinks Garvey. A suspect who calls his own crime scene.
“Jerry,” says Garvey, “how fast can you get over here?”
“About twenty minutes or so.”
“I’ll be waiting.”his first statement on the matter at hand, Jerry Jackson doesn’t even bother to ask what a homicide detective is doing at his house, doesn’t think about denying anything or demonstrating shock and dismay. He hangs up the phone without ever expressing amazement or distress that a dead body is being examined in his basement. Nor does he express any immediate curiosity about why that body is there. Garvey hangs on until the phone line goes dead, delighted to be dealing with such an earnest, cooperative brain-dead.
“Hey Mac,” says Garvey, hanging up the receiver and walking back to the top of the basement stairs. “That was Jerry calling.”
“Oh really,” says McAllister from the basement.
“Yeah. He’s on his way over.”
“That’s nice,” says McAllister, deadpan.detectives continue to work the crime scene. Two hours later, they stop waiting for Jerry Jackson, who, for all his seeming cooperation, has still not made an appearance. Late that night, with a county detective in tow, they drive out to Fullerton and break the news to the Plumer family, whereupon the elderly widow goes white and faints. By morning, she is dead of a heart attack, as much a homicide victim as her husband.’s in the early morning hours that Jerry Jackson finally returns to the house on Preston Street, where he is greeted with some consternation by his own wife, a woman not at all pleased to be finding bodies in her basement. It was the wife who had located Henry Plumer and called police after hearing from friends in the neighborhood that the old bill collector was missing and had last been seen making his regular stop at the Jackson home. Rumors of the murder had been around the block a couple of times by then and a friend had urged Mrs. Jackson to check her basement carefully. The two got halfway down the stairs when they saw the shoes sticking out from under the tarp. The wife went no farther, but the friend managed to step forward and lift the plastic enough to convince herself that it was Mr. Plumer and that he’d definitely looked better. At that point, Jerry Jackson’s wife saw where things were going; without waiting for her husband to return from work, she went to the phone and dialed 911.so, by the time Jerry Jackson returns home and confers with his wife, it’s abundantly clear-even to him-that whatever the plan for this murder was, it definitely isn’t working. He does not, however, disappear into the bowels of East Baltimore. Nor does he try to scrape together some cash for a bus ticket to Carolina. No, sir. For his last act as a free man, Jerry Jackson elects to call the homicide unit and ask for Rich Garvey. He’d like to talk about the body in his basement. Perhaps, he offers, he could be of some help to the investigation.when Jackson arrives in the large interrogation room, his pupils are the size of purely theoretical particles. Cocaine, thinks Garvey, but he decides his suspect may just be able to manage a few intelligible sentences. After negotiating the Miranda, the detectives’ first question is the obvious one, of course.
“Ah, Jerry,” asks Garvey, scratching the top of his head in feigned confusion, “why was Mr. Plumer’s body in your house?”, almost casually, Jackson tells the detectives that he made his monthly payment to Mr. Plumer yesterday afternoon; then the old man took the money and drove away.
“And I don’t know nothing about no murder,” he continues, his voice breaking, “until I called my mother’s house from work and was told THAT THERE’S A MOTHERFUCKING BODY IN MY BASEMENT!”first half of the sentence is tense but quiet, but the last part is a wild rant, a shout that pierces the interrogation room doors and can be heard clear down at the other end of the sixth-floor hall.on either side of the suspect, the detectives look at each other for a moment, then down at the table. Garvey is biting his lip.
“Could, ah, you excuse us for just a moment,” says McAllister, addressing the suspect as if he were Emily Post and the man had just used the wrong salad fork. “We just need to discuss something and we’ll be right back with you in just a second, okay?”nods, twitching.two detectives walk silently out of the room and close the metal door behind them. They manage to make it to the annex office before they both double over, convulsed by the force of suppressed laughter.
“THERE’S A BODY IN MY BASEMENT!” shouts Garvey, shaking his partner’s shoulders.
“Not just a body,” says McAllister, laughing. “A motherfucking body.”
“THERE’S A MOTHERFUCKING BODY IN MY BASEMENT!” shouts Garvey again. “THERE’S A MADMAN ON THE LOOSE!”shakes his head, still laughing. “Don’t you just hate that? You leave the house, you go to work, call your mom, and she tells you there’s a body in your basement…”grips a desk in the annex office with both hands, trying to regain his composure.
“It was all I could do not to laugh in his face,” he tells McAllister. “God.”
“You don’t think he’s high or anything like that,” says McAllister dryly.
“Him? No way. He’s a little high-strung. That’s all it is.”
“Seriously, should we even bother with a statement?”question is a legal one. Any statement taken now could be mitigated by the fact that Jerry Jackson is somewhat compromised, chemically speaking.
“What the hell?” says Garvey. “Let’s go back in. We’ve got to charge him. We either talk to him now or not at all…”nods, then leads the way toward the interrogation room. From outside the wire mesh window, the two detectives can see Jerry Jackson dancing a mad samba in his chair. Garvey begins laughing again.
“Wait a sec,” he tells McAllister.finds his poker face, then loses it, then finds it again. “This motherfucker is killing me.”grips the door handle, fighting hard for his own composure. “Ready?” he asks.
“Okay.”two detectives return to the room and their seats. Jackson waits for another question but is instead treated to a long monologue by McAllister in which it is explained that he has no reason to be upset or angry at the existing circumstances. None at all. After all, they’re just asking questions and he’s just answering questions, right?
“We’re not hurting you, are we?”, agrees the suspect.
“And we’re not treating you badly, are we?”, agrees the suspect.
“You’re being treated fairly, right?”, agrees the suspect.
“Okay then, Jerry. Why don’t you tell us-calmly-why don’t you calmly tell us why there was this body in your basement?”that it matters what he says, because by daylight Garvey, McAllister and Roger Nolan have also obtained a complete statement from Jackson’s wife. They’ve also interviewed the nephew who helped Jerry Jackson plan the robbery and then ditch Plumer’s car. They’ve even interviewed the neighborhood dealer from whom Jackson bought $200 worth of cocaine, using the money he took off the old man’s body. All in all, the Preston Street call is definitely not what comes to mind when a detective is asked to think of the perfect murder. Presumably, Jackson planned to show up for work so as not to arouse suspicion, then remove the body from his basement and dump it somewhere else in the early morning hours. That’s assuming the man had any plan at all beyond robbing and killing a man in his living room for enough money to stay high all day.before the morning shift change, Garvey is at his desk in the main office, battling the paperwork to a draw and listening to Nolan philosophize on just what it was that cracked this case. When we went back out and picked up the dealer who sold to Jackson, says Nolan, that’s when we really cracked it wide open.which point Garvey and McAllister both drop their pens and look at their sergeant as if he’s just stepped off the last Greyhound from Mars.
“Uh, Rog,” says McAllister, “what cracked this case was the fact that the killer left the dead guy in his house.”
“Well, yeah,” says Nolan, laughing but a little disappointed. “That too.”Rich Garvey’s Perfect Year marches ever onward, a divine crusade seemingly impervious to the touch of reality, a campaign unfettered by the rules of homicide that somehow manage to afflict every other detective. Garvey is getting witnesses, he’s getting fingerprint hits, he’s getting the license tags off getaway cars. You do a murder in Baltimore when Rich Garvey’s working and you may as well have a lawyer meet you at the district lockup an hour later.long after Jerry Jackson returns to earth and a city jail tier, Garvey again picks up a telephone extension and writes down an East Baltimore address. This time it is the worst kind of call a murder police can get. Garvey is so certain of unanimity on this opinion that he actually puts down the phone and asks the other detectives in the office to name the call they least like to handle. McAllister and Kincaid need about a half second to say “arson.”a homicide detective, an arson murder is a special type of torture because the police department is essentially stuck with whatever the fire department’s investigator says is arson. To this day, Donald Kincaid is still carrying an open murder for a fatal fire that almost certainly began with nothing more sinister than an electrical short. At the scene, Kincaid could see the burn pattern running up the rowhouse wall where the wiring was, but some goof from FIB insisted on calling it arson. So what was he going to do then, arrest the goddamn fuse box? Not only that, but when a detective gets a genuine arson murder in front of a jury, he can never convince them that the fire wasn’t an accident, not without a six-pack of witnesses, at least. Even if there’s a pour pattern from gasoline or some other accelerant, a good lawyer can suggest that someone spilled the stuff by mistake and then accidentally dropped a cigarette. Juries like dead people who have bulletholes or steak knives attached to them; anything less is not convincing.all this, Garvey and McAllister once again steer an unmarked car to a crime scene with fear and loathing in their hearts. It’s a two-story dump on North Bond Street and, of course, there are no witnesses-just a bunch of burned furniture and one crispy critter in the middle room. Some smokehound, an old guy, maybe sixty.poor bastard is lying there like a piece of chicken that someone forgot to turn over, and the FIB investigator is showing Garvey a dark splotch on the other side of the room and calling it a textbook example of a pour pattern. Sure enough, when they clear all the soot away, the splotch really does look darker than the surrounding area. So Garvey has a dead guy and a pour pattern and some drunk woman who jumped out the rear window when the fire started and is now up at Union Memorial breathing from an oxygen tank. From the fire investigator, the detectives learn that the woman is supposedly the dead guy’s girlfriend.satisfied themselves that North Bond Street is indeed their worst nightmare come true, Garvey and McAllister drive to the hospital with the understanding that this blessed year of his has finally reached its terminus. They walk into the Union Memorial ER and greet two detectives from the arson squad who are standing out at the nurses station like a pair of bookends, telling them the injured woman’s story is all bullshit. She’s got the fire starting by accident in an ashtray or some nonsense like that.woman told the arson guys that much while she was being treated in the ER, but now she can’t be interviewed further because she inhaled a lot of smoke and talking is a problem. Garvey may have his arsonist, but there’s absolutely no way to prove the case. Given that conflict, the idea of getting an assistant medical examiner to pend the case for a little while-like maybe a decade-becomes more and more appealing in the minds of both detectives. At the following morning’s autopsy, Garvey manages to accomplish this feat, whereupon he and McAllister return to the office with the sincere hope that if they just click their heels three times, the entire case will go away.recent events, such thoughts in the mind of Rich Garvey can only suggest a certain lack of faith, a certain disregard for his own destiny. Because two weeks later, the woman at Union Memorial succumbs to smoke inhalation and related injuries; two days after that, Garvey pays a second visit to Penn Street and assures the good doctors that they can go ahead and rule the case a homicide. That done, he can immediately show the case as cleared due to the rather timely death of his solitary suspect. A good detective, after all, is never too proud to take a paper clearance.arson case makes it ten out of ten since February and the Lena Lucas murder. Drug murders, neighborhood disputes, street robberies, unprosecutable arson deaths-it matters not to Rich Garvey, the luckiest sonofabitch on D’Addario’s shift of fifteen. Apparently the Perfect Year, like any force of nature, cannot be denied.and down the stoops he goes, a homicide detective banging on North Durham Street doors in search of a little cooperation, a little civic responsibility.
“Didn’t see it,” says the young girl at 1615.
“I heard a loud bang,” says the man at 1617.answer at 1619.
“Lord,” says the woman at 1621, “I don’t know nothin’ ’bout it.”Pellegrini presses a few additional questions on these people, trying hard to get himself interested in this case, to find something that might make a detective care about the bloodstain in the center of the 1600 block.
“Were you home when it happened?” he asks another girl, at the door of 1616.
“I’m not sure.”sure. How can you not be sure? Theodore Johnson was hit by a shotgun blast fired at point-blank range, blown apart in the center of a narrow rowhouse street. The sound itself had to be audible all the way up to North Avenue.
“You don’t know if you were home?”
“I might have been.”much for the door-to-door canvass. Not that Pellegrini can blame the neighborhood for its reluctance to volunteer information. Word is out that the dead man crossed a local dealer on a drug debt and the dealer has just proven to everyone within earshot that he’s a man to be reckoned with. The people behind these doors have got to live on Durham Street; Pellegrini is no more than an occasional tourist.nothing on the horizon even remotely resembling a witness, Pellegrini has a body on the way to Penn Street and a bloodstain on dirty asphalt. He’s got a spent shotgun shell ejected by the shooter in the alley around the corner. He’s got a street so dark that the emergency vehicle unit has been called to light up his scene for the photographs. An hour or so later, Pellegrini will have the sister of his victim sitting in Jay Landsman’s office, feeding him a bit of rumor about some people that may or may not have had something to do with the shooting. He will have a headache, too.Johnson joins Stevie Braxton and Barney Erely on the white rectangle in the coffee room. Braxton, the kid with a long sheet found stabbed up off Pennsylvania Avenue. Erely, the homeless man bludgeoned to death on Clay Street. Red names riding the board with Pellegrini’s initial near them, casualties in the year-long campaign to close the Latonya Wallace murder. It’s triage, plain and simple, but Pellegrini can live with that. After all, he’s got an eleven-year-old raped and murdered, and neither Theodore Johnson nor a drug debt that has now been paid has any real weight when hung in the balance. Tonight’s dead man will get one or two shakes from the homicide unit, one or two go-rounds in the interrogation rooms with a few reluctant witnesses. But then the primary investigator will set the file aside.later, Pellegrini will feel some guilt about this, some concern about the number of cases sacrificed for the sake of one child. With much the same sort of self-recrimination that governs his thoughts on the Latonya Wallace murder, Pellegrini will wonder whether he should have pressed harder on that kid in the Western District lockup back in January, the one who claimed to know one of the shooters from Gold and Etting. He’ll wonder about whether he should have gone harder at Braxton’s girlfriend, who didn’t seem all that upset about the murder. And he’ll wonder, too, about the rumors that Theodore Johnson’s sister is now feeding him-information that will never be fully checked., he could dump this case on the secondary. Vernon Holley handled the scene with him and he would probably understand if Pellegrini ducked the call to stay focused on Latonya Wallace. Still, Holley is new to the squad, a veteran black detective transferred from the robbery unit to replace Fred Ceruti. He’d been out on one murder with Rick Requer a couple of weeks ago, but that wasn’t enough to qualify as an orientation, even for an investigator as experienced as Holley. And the squad was a man short to begin with: Dick Fahlteich had voluntarily transferred to sex offense after six years in homicide. The body count had finally got to Fahlteich, a talented detective who nonetheless was handling fewer calls each year, working at a pace that others in Landsman’s squad were quick to compare to Harry Edgerton’s. The workload and the hours-coupled with a gnawing aggravation about his being passed over several times on the sergeant’s lists-had at last pushed Fahlteich down to the other end of the sixth-floor hallway at about the same time that Ceruti traveled the same route. At least with Fahlteich it was a matter of choice., Pellegrini reasons, with the squad down to three regulars and a fresh transfer, the Theodore Johnson case is his to eat. At the very least, he owes it to Holley to stay with the thing for a few days. A graphic display of job-related burnout isn’t exactly the best lesson to be teaching a new man., Pellegrini fights his own impulses, doing a competent crime scene out on Durham Street, then canvassing the entire block for witnesses that he knows in his heart will never come forward. Holley peels off early, heading back to the homicide office to begin interviewing family members and a couple of kids at the scene who were sent downtown only because they were out there acting like squirrels when the first uniforms arrived.sudden role reversal-with Pellegrini now the tired veteran, breaking in the latest prodigy-is accepted without comment by everyone else in Landsman’s squad. Nine months of Latonya Wallace has changed Pellegrini: His metamorphosis from fresh-scrubbed recruit to battered trench rat is complete. To say that he can look at Holley and see himself a couple years ago goes too far: Holley already had the experience of CID robbery behind him; Pellegrini had come to homicide with no investigative background whatsoever. Still, Holley is working this Durham Street case as if it mattered, as if it were the only murder in the history of the world. He is fresh. He is confident. He makes Pellegrini feel one hundred years old.two detectives chase the murder on Durham Street through into late morning, gathering the information from the sister, then trying to check her story against that provided by a former police officer who has family living in the block. His family will not come forward, but the ex-cop, though fired from the force twenty years ago in a corruption case, has enough residual instinct to call in with the name of a possible participant. Pellegrini and Holley find the kid that same morning, go at him in the large box for several hours and emerge with little to show for the effort. Then, slowly, after a few more laps around the case file, Holley accepts the unspoken verdict of his tutor. He drifts away, looking for better pickings with Gary Dunnigan and Requer.finds them, too, hooking up with Requer on a domestic from Bruce Street, a true tragedy in which a young girl has been bludgeoned to death by her cokehead of a boyfriend and her orphaned infant is left crying on a policewoman’s shoulder, wailing at the world as the officer’s hand-held radio squawks out citywide dispatch calls. Holley follows that with another domestic from Cherry Hill that he works to completion with Dunnigan. Both cases are dunkers and both bring a certain confidence. By December, Holley will be handling calls as a primary.Pellegrini, however, the milestones marked by his squad mean little. Ceruti’s fall from grace, Fahlteich’s departure, Holley’s education-they are scenes from a play in which Pellegrini has no real part. Time stands still for one detective, leaving him alone on a stage of his own, trapped there by the same few props and the same few lines from the same sad scene.weeks ago, Pellegrini and Landsman hit the Fish Man’s Whitelock Street apartment a second time, working through a search warrant that was written more for Pellegrini’s peace of mind than anything else. Months had passed and the chance of recovering any additional evidence from the apartment was minimal. Yet Pelligrini, now fixated on the store owner as his best suspect, was convinced that in their haste to hit the three-story shithouse on Newington back in February, they had blown off the earlier searches on Whitelock. In particular, Pellegrini vaguely remembered seeing a remnant of red carpeting in the Fish Man’s living room during the February raid; months later, he thought of the hairs and fibers taken from the young girl’s body at the morgue and recalled that one of those fibers was red cloth.carpet, red fiber: Pellegrini suddenly had another reason to kick himself. For Pellegrini, the contents of file H88021 had become nothing less than an ever-changing landscape in which every tree, rock and bush seems to be moving. And it was no use explaining to him that this could happen to any detective on any case-this pit-of-the-stomach feeling that everything was being missed, that evidence was disappearing faster than an investigator could perceive it. Every detective in the unit had lived through the sensation of seeing something at a crime scene or during a search warrant and then looking twice to see that it was no longer there. Hell, maybe it never was there. Or maybe it’s still there, but now you’ve lost the ability to see it.was the stuff from which the Nightmare was made, the Nightmare being that recurring dream that occasionally ruins the sleep of every good detective. In the throes of the Nightmare, you are moving through the familiar confines of a rowhouse-you’ve got a warrant, perhaps, or maybe it’s just a plain-view search-and from the corner of your eye you glimpse something. What the hell is it? Something important, you know that. Something you need. A blood spatter. A shell casing. A child’s star-shaped earring. You can’t say for sure, but with every fiber of your being you understand that it’s your case lying there. Yet you look away for a moment, and when you look back again, it’s gone. It’s an empty place in your subconscious, a lost opportunity that mocks you. The Nightmare scares the hell out of young detectives; some of them even live the dream at their first crime scenes, convinced that the entire case is evaporating into the ether. As for the veterans, the Nightmare just pisses them off. They’ve gone through it enough not to believe every voice that speaks from the back of the mind.yet on this case the Nightmare owns Pellegrini. It ordered him to write the second warrant for the Fish Man’s apartment, it demanded that he collect enough probable cause to get back inside a door that had been opened to him once before. Not surprisingly, the September raid left the Fish Man as bored and indifferent as its predecessor. Nor did it produce a red cloth carpet fiber: Pellegrini found the remnant he remembered on the bedroom floor, but it proved to be plastic, an outdoor Astro-Turf carpet. Nor did a small blue pin earring found in a corner of the living room mean anything to the investigation. Contacted by detectives a few days later, Latonya Wallace’s family members explained that they never recalled the young girl wearing a mixed set of earrings. If she had a star-shaped pin in one lobe, it was safe to assume that a star-shaped pin was missing from the other. To be sure, Pellegrini borrowed a Cavalier and drove the blue pin earring up to the little girl’s mother; she seemed a little surprised that the case was still being worked after seven months, but confirmed that the blue earring did not belong to her daughter.every corner of the maze, a fresh corridor began. A week after the second search of Whitelock Street, Pellegrini found himself tangled in a prolonged encounter with an auto thief arrested by Baltimore County police back in July. A disturbed young man with a history of mental illness, the thief had attempted suicide at the county detention center on three separate occasions, then blurted out to a county officer that he knew who had committed two murders in the city. One was a drug killing at a Northwest Baltimore bar. The other involved the death of a little girl in Reservoir Hill.Corbin went out to the county for the initial interview and came back with a story about a chance encounter in the alley behind the 800 block of Newington, where the auto thief said he had been snorting cocaine with his cousin. A little girl happened by the alley and the auto thief heard his cousin say something to the child. The girl-who carried a bookbag and wore her hair braided-said something back, and it seemed to the auto thief that they knew each other. But when his cousin jumped up and grabbed the girl, the auto thief became frightened and fled. Shown a picture of Latonya Wallace, the young man began crying., the scenario took on real life. The auto thief did indeed have a cousin at 820 Newington and the cousin did indeed have a substantial record, though nothing on it screamed sex offender. Still, Corbin was impressed that the young man had apparently remembered that the girl had her hair up in braids and was carrying a satchel. Those details had been released to the public early in the investigation, of course, but they helped establish some credibility for the thief ’s story.and Corbin dutifully rechecked the vacant rowhouses in the 800 block of Newington and then towed a derelict Chevy Nova from the rear of an occupied house in that same block. The car had once belonged to the thief’s cousin, and the thief claimed that his relative routinely kept a buck knife and a switchblade in the trunk of the car. That car and another vehicle belonging to the cousin’s sister were both processed by lab techs at headquarters with negative results. Likewise, the auto thief was brought downtown for lengthy interviews., as facts began to get in his way, the thief’s story changed. He suddenly remembered, for instance, that his cousin had at one point opened the trunk of his sister’s car and shown him a zippered plastic bag. And then his cousin opened the zipper to reveal the face of the little girl. And then…auto thief was a mental case, no question about it. But his tale had been constructed with just enough detail to require a full investigation. The cousin would have to be confronted, and the story would have to be corroborated or knocked down. Eventually, the auto thief would have to be polygraphed.that piece of business, Pellegrini also had another manila file on his desk with the name of a Park Avenue man on the heading-a raw mix of fact and rumor regarding a potential suspect known to have behaved strangely in recent months and on one occasion to have exposed himself to a schoolgirl. There were a few rape reports from the Central, too, along with notes from another five or six interviews with friends and former friends of the Fish Man.of that waits for Pellegrini as he pauses to work the shotgun murder of Theodore Johnson on Durham Street. And when that pause is over, he continues to wonder whether he should have kept working the drug killing rather than returning to obsess over Latonya Wallace. He tells himself that if he works the Durham Street murder hard, it might just go down. On the other hand, if he keeps on the dead little girl, there could be no telling when the case might break.every other detective on the shift, this is the worst kind of optimism. Latonya Wallace is history; Theodore Johnson is fresh. And in the minds of most of his colleagues, Pellegrini has gone over the hill on this one. Repeat warrants on a suspect’s apartment, prolonged background investigations, protracted statements from suicidal shitbirds-all of it is understandable of a young detective, they concede. Hell, with a dead little girl it may even be required, in a way. But, they tell each other, let’s not kid ourselves: Tom Pellegrini has lost it., a week after the murder of Theodore Johnson, this widely held opinion undergoes a sudden revision when a fresh lab report arrives on Pellegrini’s desk and its contents become known to the shift.author of the report: Van Gelder in the trace section. The subject: black smudge marks on the dead girl’s pants. The verdict: tar and soot with burned wood chips mixed in. Fire debris, plain and simple.its own sweet time, the trace lab has finally compared the black smudges on Latonya Wallace’s pants to the samples that Pellegrini lifted from the Fish Man’s burned-out store two months earlier. The report declares the two samples to be consistent, if not identical.can we say? Pellegrini asks, pressing the lab people. Is it similar or is it exactly the same? Can we say with any certainty that she was in that Whitelock Street store?Gelder and the others in the trace section are equivocal. The samples can be sent to the Alcohol, Tobacco and Firearms lab in Rockville-one of the best in the country-and perhaps they can do more. But generally speaking, Van Gelder explains, the smudges on the pants and the samples from the store have the same class characteristics. They are very similar and yes, they could have come from the debris in that store. On the other hand, they could also have come from another fire scene in which the debris had a similar chemical composition.week after the cold depression of Durham Street, Pellegrini finds himself torn between elation and despair. Nine months into the Latonya Wallace investigation, the new lab report provides the first piece of substantive evidence in the file and the only piece of physical evidence to implicate the Fish Man. But if the lab analysts are willing to say only that the two samples are very similar, then that evidence still falls within the realm of reasonable doubt. It is a beginning, but unless the ATF lab can be more definitive, it is nothing more.few days after the lab report arrives on his desk, Pellegrini asks the captain to authorize a mainframe computer run of incident reports dating from January 1, 1978, to February 2, 1988. The information sought is the address for every fire or arson report in the area of Reservoir Hill bounded by North Avenue, Park Avenue, Druid Park Lake Drive and Madison Avenue.theory is simple enough: If the lab can’t say for certain that those smudges come from Whitelock Street, then perhaps a detective, working backward, can prove that they couldn’t have come from anywhere else.detective obsessed with the Latonya Wallace case may seem lost to everyone else in homicide, but to Pellegrini himself, the chaos of H88021 is slowly becoming order. After eight months, the file has fresh evidence, a viable suspect, a plausible theory.of all, it has some direction.
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