There was no firing. But when, I thought, how long before it starts?
"Git a side of bacon, Joe," a woman called. "Git a side of bacon, Joe, git Wilson's."
"Lord, Lord, Lord," a dark voice called from the dark.
I went on, plunged in a sense of painful isolation as I reached 125th Street and started east. A squad of mounted police galloped past. Men with sub-machine guns were guarding a bank and a large jewelry store. I moved out to the center of the street, running down the trolley rails.
The moon was high now and before me the shattered glass glittered in the street like the water of a flooded river upon the surface of which I ran as in a dream, avoiding by fate alone the distorted objects washed away by the flood. Then suddenly I seemed to sink, sucked under: Ahead of me the body hung, white, naked, and horribly feminine from a lamppost. I felt myself spin around with horror and it was as though I had turned some nightmarish somersault. I whirled, still moving by reflex, back-tracking and stopped and now there was another and another, seven-all hanging before a gutted storefront. I stumbled, hearing the cracking of bones underfoot and saw a physician's skeleton shattered on the street, the skull rolling away from the backbone, as I steadied long enough to notice the unnatural stiffness of those hanging above me. They were mannequins—"Dummies!" I said aloud. Hairless, bald and sterilely feminine. And I recalled the boys in the blonde wigs, expecting the relief of laughter, but suddenly was more devastated by the humor than by the horror. But are they unreal, I thought; are they? What if one, even one is real—is... Sybil? I hugged my brief case, backing away, and ran...
THEY moved in a tight-knit order, carrying sticks and clubs, shotguns and rifles, led by Ras the Exhorter become Ras the Destroyer upon a great black horse. A new Ras of a haughty, vulgar dignity, dressed in the costume of an Abyssinian chieftain; a fur cap upon his head, his arm bearing a shield, a cape made of the skin of some wild animal around his shoulders. A figure more out of a dream than out of Harlem, than out of even this Harlem night, yet real, alive, alarming.
"Come away from that stupid looting," he called to a group before a store. "Come jine with us to burst in the armory and get guns and ammunition!"
And hearing his voice I opened my brief case and searched for my dark glasses, my Rineharts, drawing them out only to see the crushed lenses fall to the street. Rinehart, I thought, Rinehart! I turned. The police were back there behind me; if shooting started I'd be caught in the crossfire. I felt in my brief case, feeling papers, shattered iron, coins, my fingers closing over Tarp's leg chain, and I slipped it over my knuckles, trying to think. I closed the flap, locking it. A new mood was settling over me as they came on, a larger crowd than Ras had ever drawn. I went calmly forward, holding the heavy case but moving with a certain new sense of self, and with it a feeling almost of relief, almost of a sigh. I knew suddenly what I had to do, knew it even before it shaped itself completely in my mind.
Someone called, "Look!" and Ras bent down from the horse, saw me and flung, of all things, a spear, and I fell forward at the movement of his arm, catching myself upon my hands as a tumbler would, and heard the shock of it piercing one of the hanging dummies. I stood, my brief case coming with me.
"Betrayer!" Ras shouted.
"It's the brother," someone said. They moved up around the horse excited and not quite decided, and I faced him, knowing I was no worse than he, nor any better, and that all the months of illusion and the night of chaos required but a few simple words, a mild, even a meek, muted action to clear the air. To awaken them and me.
"I am no longer their brother," I shouted. "They want a race riot and I am against it. The more of us who are killed, the better they like —"
"Ignore his lying tongue," Ras shouted. "Hang him up to teach the black people a lesson, and theer be no more traitors. No more Uncle Toms. Hang him up theer with them blahsted dummies!"
"But anyone can see it," I shouted. "It's true, I was betrayed by those who I thought were our friends—but they counted on this man, too. They needed this destroyer to do their work. They deserted you so that in your despair you'd follow this man to your destruction. Can't you see it? They want you guilty of your own murder, your own sacrifice!"
"Grab him!" Ras shouted.
Three men stepped forward and I reached up without thinking, actually a desperate oratorical gesture of disagreement and defiance, as I shouted, "No!" But my hand struck the spear and I wrenched it free, gripping it mid-shaft, point forward. "They want this to happen," I said. "They planned it. They want the mobs to come uptown with machine guns and rifles. They want the streets to flow with blood; your blood, black blood and white blood, so that they can turn your death and sorrow and defeat into propaganda. It's simple, you've known it a long time. It goes, 'Use a nigger to catch a nigger.' Well, they used me to catch you and now they're using Ras to do away with me and to prepare your sacrifice. Don't you see it? Isn't it clear...?"
"Hang the lying traitor," Ras shouted. "What are you waiting for?"
I saw a group of men start forward.
"Wait," I said. "Then kill me for myself, for my own mistake, then leave it there. Don't kill me for those who are downtown laughing at the trick they played —"
But even as I spoke I knew it was no good. I had no words and no eloquence, and when Ras thundered, "Hang him!" I stood there facing them, and it seemed unreal. I faced them knowing that the madman in a foreign costume was real and yet unreal, knowing that he wanted my life, that he held me responsible for all the nights and days and all the suffering and for all that which I was incapable of controlling, and I no hero, but short and dark with only a certain eloquence and a bottomless capacity for being a fool to mark me from the rest; saw them, recognized them at last as those whom I had failed and of whom I was now, just now, a leader, though leading them, running ahead of them, only in the stripping away of my illusionment.
I looked at Ras on his horse and at their handful of guns and recognized the absurdity of the whole night and of the simple yet confoundingly complex arrangement of hope and desire, fear and hate, that had brought me here still running, and knowing now who I was and where I was and knowing too that I had no longer to run for or from the Jacks and the Emersons and the Bledsoes and Nortons, but only from their confusion, impatience, and refusal to recognize the beautiful absurdity of their American identity and mine. I stood there, knowing that by dying, that by being hanged by Ras on this street in this destructive night I would perhaps move them one fraction of a bloody step closer to a definition of who they were and of what I was and had been. But the definition would have been too narrow; I was invisible, and hanging would not bring me to visibility, even to their eyes, since they wanted my death not for myself alone but for the chase I'd been on all my life; because of the way I'd run, been run, chased, operated, purged—although to a great extent I could have done nothing else, given their blindness (didn't they tolerate both Rinehart and Bledsoe?) and my invisibility. And that I, a little black man with an assumed name should die because a big black man in his hatred and confusion over the nature of a reality that seemed controlled solely by white men whom I knew to be as blind as he, was just too much, too outrageously absurd. And I knew that it was better to live out one's own absurdity than to die for that of others, whether for Ras's or Jack's.
So when Ras yelled, "Hang him!" I let fly the spear and it was as though for a moment I had surrendered my life and begun to live again, watching it catch him as he turned his head to shout, ripping through both cheeks, and saw the surprised pause of the crowd as Ras wrestled with the spear that locked his jaws. Some of the men raised their guns, but they were too close to shoot and I hit the first with Tarp's leg chain and the other in the middle with my brief case, then ran through a looted store, hearing the blanging of the burglar alarm as I scrambled over scattered shoes, upturned showcases, chairs—back to where I saw the moonlight through the rear door ahead. They came behind me like a draft of flames and I led them through and around to the avenue, and if they'd fired they could have had me, but it was important to them that they hang me, lynch me even, since that was the way they ran, had been taught to run. I should die by hanging alone, as though only hanging would settle things, even the score. So I ran expecting death between the shoulder blades or through the back of my head, and as I ran I was trying to get to Mary's. It was not a decision of thought but something I realized suddenly while running over puddles of milk in the black street, stopping to swing the heavy brief case and the leg chain, slipping and sliding out of their hands.
If only I could turn around and drop my arms and say, "Look, men, give me a break, we're all black folks together... Nobody cares." Though now I knew we cared, they at last cared enough to act—so I thought. If only I could say, "Look, they've played a trick on us, the same old trick with new variations—let's stop running and respect and love one another..." If only—I thought, running into another crowd now and thinking I'd gotten away, only to catch a punch on my jaw as one closed in shouting, and feeling the leg chain bounce as I caught his head and spurted forward, turning out of the avenue only to be struck by a spray of water that seemed to descend from above. It was a main that had burst, throwing a fierce curtain of spray into the night. I was going for Mary's but I was moving downtown through the dripping street rather than up, and, as I started through, a mounted policeman charged through the spray, the horse black and dripping, charging through and looming huge and unreal, neighing and clopping across the pavement upon me now as I slipped to my knees and saw the huge pulsing bulk floating down upon and over me, the sound of hooves and screams and a rush of water coming through distantly as though I sat remote in a padded room, then over, almost past, the hair of the tail a fiery lash across my eyes. I stumbled about in circles, blindly swinging the brief case, the image of a fiery comet's tail burning my smarting lids; turning and swinging blindly with brief case and leg chain and hearing the gallop begin as I floundered helplessly; and now moving straight into the full, naked force of the water, feeling its power like a blow, wet and thudding and cold, then through it and able partly to see just as another horse dashed up and through, a hunter taking a barrier, the rider slanting backward, the horse rising, then hit and swallowed by the rising spray. I stumbled down the street, the comet tail in my eyes, seeing a little better now and looking back to see the water spraying like a mad geyser in the moonlight. To Mary, I thought, to Mary.
THERE were rows of iron fences backed by low hedges before the houses and I stumbled behind them and lay panting to rest from the crushing force of the water. But hardly had I settled down, the dry, dog-day smell of the hedge in my nose, when they stopped before the house, leaning upon the fence. They were passing a bottle around and their voices sounded spent of strong emotion.
"This is some night," one of them said. "Ain't this some night?"
"It's 'bout like the rest."
"Why you say that?"
" 'Cause it's fulla fucking and fighting and drinking and lying—gimme that bottle."
"Yeah, but tonight I seen some things I never seen before."
"You think you seen something? Hell, you ought to been over on Lenox about two hours ago. You know that stud Ras the Destroyer? Well, man, he was spitting blood."
"That crazy guy?"
"Hell, yes, man, he had him a big black hoss and a fur cap and some kind of old lion skin or something over his shoulders and he was raising hell. Goddam if he wasn't a sight, riding up and down on this ole hoss, you know, one of the kind that pulls vegetable wagons, and he got him a cowboy saddle and some big spurs."
"Aw naw, man!"
"Hell, yes! Riding up and down the block yelling, 'Destroy 'em! Drive 'em out! Burn 'em out! I, Ras, commands you.' You get that, man," he said, " 'I, Ras, commands you—to destroy them to the last piece of rotten fish!' And 'bout that time some joker with a big ole Georgia voice sticks his head out the window and yells, 'Ride 'em, cowboy. Give 'em hell and bananas.' And man, that crazy sonofabitch up there on that hoss looking like death eating a sandwich, he reaches down and comes up with a forty-five and starts blazing up at that window—And man, talk about cutting out! In a second wasn't nobody left but ole Ras up there on that hoss with that lion skin stretched straight out behind him. Crazy, man. Everybody else trying to git some loot and him and his boys out for blood!"
I lay like a man rescued from drowning, listening, still not sure I was alive.
"I was over there," another voice said. "You see him when the mounted police got after his ass?"
"Hell, naw... Here, take a li'l taste."
"Well that's when you shoulda seen him. When he seen them cops riding up he reached back of his saddle and come up with some kind of old shield."
"A shield?"
"Hell, yes! One with a spike in the middle of it. And that ain't all; when he sees the cops he calls to one of his goddam henchmens to hand him up a spear, and a little short guy run out into the street and give him one. You know, one of the kind you see them African guys carrying in the moving pictures..."
"Where the hell was you, man?"
"Me? I'm over on the side where some stud done broke in a store and is selling cold beer out the window—Done gone into business, man," the voice laughed. "I was drinking me some Budweiser and digging the doings—when here comes the cops up the street, riding like cowboys, man; and when ole Ras-the-what's-his-name sees 'em he lets out a roar like a lion and rears way back and starts shooting spurs into that boss's ass fast as nickels falling in the subway at going-home time—and gaawd-dam! that's when you ought to seen him! Say, gimme a taste there, fella.
"Thanks. Here he comes bookety-bookety with that spear stuck out in front of him and that shield on his arm, charging, man. And he's yelling something in African or West Indian or something and he's got his head down low like he knew about that shit too, man; riding like Earle Sande in the fifth at Jamaica. That ole black hoss let out a whinny and got his head down—I don't know where he got that sonofabitch—but, gentlemens, I swear! When he felt that steel in his high behind he came on like Man o' War going to get his ashes hauled! Before the cops knowed what hit 'em Ras is right in the middle of 'em and one cop grabbed for that spear, and ole Ras swung 'round and bust him across the head and the cop goes down and his hoss rears up, and ole Ras tries his and tries to spear him another cop, and the other hosses is plunging around and ole Ras tries to spear him still another cop, only he's too close and the hoss is pooling and snorting and pissing and shitting, and they swings around and the cop is swinging his pistol and every time he swings ole Ras throws up his shield with one arm and chops at him with the spear with the other, and man, you could hear that gun striking that ole shield like somebody dropping tire irons out a twelve-story window. And you know what, when ole Ras saw he was too close to spear him a cop he wheeled that hoss around and rode off a bit and did him a quick round-about face and charged 'em again—out for blood, man! Only this time the cops got tired of that bullshit and one of 'em started shooting. And that was the lick! Ole Ras didn't have time to git his gun so he let fly with that spear and you could hear him grunt and say something 'bout that cop's kin-folks and then him and that hoss shot up the street leaping like Heigho, the goddam Silver!"
"Man, where'd you come from?"
"It's the truth, man, here's my right hand."
They were laughing outside the hedge and leaving and I lay in a cramp, wanting to laugh and yet knowing that Ras was not funny, or not only funny, but dangerous as well, wrong but justified, crazy and yet coldly sane... Why did they make it seem funny, only funny? I thought. And yet knowing that it was. It was funny and dangerous and sad. Jack had seen it, or had stumbled upon it and used it to prepare a sacrifice. And I had been used as a tool. My grandfather had been wrong about yessing them to death and destruction or else things had changed too much since his day.
There was only one way to destroy them. I got up from behind the hedge in the waning moon, wet and shaken in the hot air and started out looking for Jack, still turned around in my direction. I moved into the street, listening to the distant sounds of the riot and seeing in my mind the image of two eyes in the bottom of a shattered glass.
I kept to the darker side of streets and to the silent areas, thinking that if he wished really to hide his strategy he'd appear in the district, with a sound truck perhaps, playing the friendly adviser with Wrestrum and Tobitt beside him.
They were in civilian clothes, and I thought, Cops—until I saw the baseball bat and started to turn, hearing, "Hey, you!"
I hesitated.
"What's in that brief case?" they said, and if they'd asked me anything else I might have stood still. But at the question a wave of shame and outrage shook me and I ran, still heading for Jack. But I was in strange territory now and someone, for some reason, had removed the manhole cover and I felt myself plunge down, down; a long drop that ended upon a load of coal that sent up a cloud of dust, and I lay in the black dark upon the black coal no longer running, hiding or concerned, hearing the shifting of the coal, as from somewhere above their voices came floating down.
"You see the way he went down, zoom! I was just fixing to slug the bastard."
"You hit him?"
"I don't know."
"Say, Joe, you think the bastard's dead?"
"Maybe. He sure is in the dark though. You can't even see his eyes."
"Nigger in the coal pile, eh, Joe?"
Someone hollered down the hole, "Hey, black boy. Come on out. We want to see what's in that brief case."
"Come down and get me," I said.
"What's in that brief case?"
"You," I said, suddenly laughing. "What do you think of that?"
"Me?"
"All of you," I said.
"You're crazy," he said.
"But I still have you in this brief case!"
"What'd you steal?"
"Can't you see?" I said. "Light a match."
"What the hell's he talking about, Joe?"
"Strike a match, the boogy's nuts."
High above I saw the small flame sputter into light. They stood heads down, as in prayer, unable to see me back in the coal.
"Come on down," I said. "Hal Ha! I've had you in my brief case all the time and you didn't know me then and can't see me now."
"You sonofabitch!" one of them called, outraged. Then the match went out and I heard something fall softly upon the coal near by. They were talking above.
"You goddam black nigger sonofabitch," someone called, "see how you like this," and I heard the cover settle over the manhole with a dull clang. Fine bits of dirt showered down as they stamped upon the lid and for a moment I sent coal sliding in wild surprise, looking up, up through black space to where for a second the dim light of a match sank through a circle of holes in the steel. Then I thought, This is the way it's always been, only now I know it—and rested back, calm now, placing the brief case beneath my head. I could open it in the morning, push off the lid. Now I was tired, too tired; my mind retreating, the image of the two glass eyes running together like blobs of melting lead. Here it was as though the riot was gone and I felt the tug of sleep, seemed to move out upon black water.
It's a kind of death without hanging, I thought, a death alive. In the morning I'll remove the lid... Mary, I should have gone to Mary's. I would go now to Mary's in the only way that I could... I moved off over the black water, floating, sighing... sleeping invisibly.
BUT I was never to reach Mary's, and I was over-optimistic about removing the steel cap in the morning. Great invisible waves of time flowed over me, but that morning never came. There was no morning nor light of any kind to awaken me and I slept on and on until finally I was aroused by hunger. Then I was up in the dark and blundering around, feeling rough walls and the coal giving way beneath each step like treacherous sand. I tried to reach above me but found only space, unbroken and impenetrable. Then I tried to find the usual ladder that leads out of such holes, but there was none. I had to have a light, and now on hands and knees, holding tight to my brief case, I searched the coal until I found the folder of matches the men had dropped—how long ago had that been?—but there were only three and to save them I started searching for paper to make a torch, feeling about slowly over the coal pile. I needed just one piece of paper to light my way out of the hole, but there was nothing. Next I searched my pockets, finding not even a bill, or an advertising folder, or a Brotherhood leaflet. Why had I destroyed Rinehart's throwaway? Well, there was only one thing to do if I was to make a torch. I'd have to open my brief case. In it were the only papers I had.
I started with my high-school diploma, applying one precious match with a feeling of remote irony, even smiling as I saw the swift but feeble light push back the gloom. I was in a deep basement, full of shapeless objects that extended farther than I could see, and I realized that to light my way out I would have to burn every paper in the brief case. I moved slowly off, toward the darker blackness, lighting my way by these feeble torches. The next to go was Clifton's doll, but it burned so stubbornly that I reached inside the case for something else. Then by the light of the smoke-sputtering doll I opened a folded page. It was the anonymous letter, which burned so quickly that as it flamed I hurriedly unfolded another: It was that slip upon which Jack had written my Brotherhood name. I could still smell Emma's perfume even in the dampness of the cellar. And now seeing the handwriting of the two in the consuming flames I burned my hand and slipped to my knees, staring. The handwriting was the same. I knelt there, stunned, watching the flames consume them. That he, or anyone at that late date, could have named me and set me running with one and the same stroke of the pen was too much. Suddenly I began to scream, getting up in the darkness and plunging wildly about, bumping against walls, scattering coal, and in my anger extinguishing my feeble light.
But still whirling on in the blackness, knocking against the rough walls of a narrow passage, banging my head and cursing, I stumbled down and plunged against some kind of partition and sailed headlong, coughing and sneezing, into another dimensionless room, where I continued to roll about the floor in my outrage. How long this kept up, I do not know. It might have been days, weeks; I lost all sense of time. And everytime I paused to rest, the outrage revived and I went off again. Then, finally, when I could barely move, something seemed to say, "That's enough, don't kill yourself. You've run enough, you're through with them at last," and I collapsed, face forward and lay there beyond the point of exhaustion, too tired to close my eyes. It was a state neither of dreaming nor of waking, but somewhere in between, in which I was caught like Trueblood's jaybird that yellow jackets had paralyzed in every part but his eyes.
But somehow the floor had now turned to sand and the darkness to light, and I lay the prisoner of a group consisting of Jack and old Emerson and Bledsoe and Norton and Ras and the school superintendent and a number of others whom I failed to recognize, but all of whom had run me, who now pressed around me as I lay beside a river of black water, near where an armored bridge arched sharply away to where I could not see. And I was protesting their holding me and they were demanding that I return to them and were annoyed with my refusal.
"No," I said. "I'm through with all your illusions and lies, I'm through running."
"Not quite," Jack said above the others' angry demands, "but you soon will be, unless you return. Refuse and we'll free you of your illusions all right."
"No, thank you; I'll free myself," I said, struggling to rise from the cutting sand.
But now they came forward with a knife, holding me; and I felt the bright red pain and they took the two bloody blobs and cast them over the bridge, and out of my anguish I saw them curve up and catch beneath the apex of the curving arch of the bridge, to hang there, dripping down through the sunlight into the dark red water. And while the others laughed, before my pain-sharpened eyes the whole world was slowly turning red.
"Now you're free of illusions," Jack said, pointing to my seed wasting upon the air. "How does it feel to be free of one's illusions?"
And I looked up through a pain so intense now that the air seemed to roar with the clanging of metal, hearing, HOW DOES IT FEEL TO BE FREE OF ILLUSION...
And now I answered, "Painful and empty," as I saw a glittering butterfly circle three times around my blood-red parts, up there beneath the bridge's high arch. "But look," I said pointing. And they looked and laughed, and suddenly seeing their satisfied faces and understanding, I gave a Bledsoe laugh, startling them. And Jack came forward, curious.
"Why do you laugh?" he said.
"Because at a price I now see that which I couldn't see," I said.
"What does he think he sees?" they said.
And Jack came closer, threatening, and I laughed. "I'm not afraid now," I said. "But if you'll look, you'll see... It's not invisible..."
"See what?" they said.
"That there hang not only my generations wasting upon the water —" And now the pain welled up and I could no longer see them.
"But what? Go on," they said.
"But your sun..."
"Yes?"
"And your moon..."
"He's crazy!"
"Your world..."
"I knew he was a mystic idealist!" Tobitt said.
"Still," I said, "there's your universe, and that drip-drop upon the water you hear is all the history you've made, all you're going to make. Now laugh, you scientists. Let's hear you laugh!"
And high above me now the bridge seemed to move off to where I could not see, striding like a robot, an iron man, whose iron legs clanged doomfully as it moved. And then I struggled up, full of sorrow and pain, shouting, "No, no, we must stop him!"
And I awoke in the blackness.
Fully awake now, I simply lay there as though paralyzed. I could think of nothing else to do. Later I would try to find my way out, but now I could only lie on the floor, reliving the dream. All their faces were so vivid that they seemed to stand before me beneath a spotlight. They were all up there somewhere, making a mess of the world. Well, let them. I was through and, in spite of the dream, I was whole.
And now I realized that I couldn't return to Mary's, or to any part of my old life. I could approach it only from the outside, and I had been as invisible to Mary as I had been to the Brotherhood. No, I couldn't return to Mary's, or to the campus, or to the Brotherhood, or home. I could only move ahead or stay here, underground. So I would stay here until I was chased out. Here, at least, I could try to think things out in peace, or, if not in peace, in quiet. I would take up residence underground. The end was in the beginning.
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