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The result of Mr. Guralnick's meticulous research is not only the most 55 страница



246-247, 385-386, 452-453;

Elvis' record sales, 259,

274, 279, 3II-312, 338-339,

353; Elvis' royalties from,

231-232, 353, 387; purchase

of Elvis' record contract,

215, 218, 224-228, 229,

230-233, 514-515; record

deal with Scotty Moore

and Bill Black, 378, 432;

rerelease of Sun singles,

"Ready Teddy," 338

"Reconsider Baby," 147-148,

Reeves, Glenn, 206

Reeves, jim, 127, 136, 150-151

Relyea, Bob, 4II, 412, 417-418

Reno Brothers (film). See Love Me

Tender

Reporter, 362-363

Rich, Buddy, 262-263

Richards, Corinne, 14, 17, 28,

32-33

Richards, Frank, 14, 427

Richards, Leona, 14, 15, 427

Richardson, jane, 33, 38

Richardson, T. w., 271

Ritter, Tex, 22-23

Rivers, johnny, 184

Robbins, Marry, 128, 155,

Robey, Don, II2, 214

Robinson, Louie, 426

"Rock Around the Clock," 178,

Rock Around the Clock, (film),

"Rocket 88," 38, 218

Romero, Alex, 409-410, 4II

Rose, Fred, 185-186

Rowe, Anne, 318-319

Rush, Clyde, 89

Russwood Park. See Cynthia

Milk Fund benefit

Ryman Auditorium (Nashville),

Sallee, Jack, 157

Sands, Tommy, 170, 421, 439,

"Santa Claus Is Back in

Town," 431

Saperstein, Hank, 332, 354-355

"Satisfied," 131, 163

Saturday Night Roundup (radio

ShOW), 136

Savery, James M., 340, 434

Schroeder, Aaron, 335, 389, 390

Schulten, Marjorie, 464-465

Scott, Lizabeth, 383, 388, 390,

Scott, Vernon, 455

Scrivener, Mildred, 35, 49, 51,

53, 239, 339

"Shake, Rattle and Roll," 218,

Shaughnessy, Mickey, 409

Shavers, Charlie, 251

Shaw, Arnold, 213, 216, 242-243

Shearer, Lloyd, 323-324

Sheldon, Gene, 244

Shelton Brothers, 132, 505

Shepard, Jan, 450, 452, 453-454

Sholes, Steve, 122, 123, 192, 242,

487; and "Blue Suede

Shoes" recording session,

246, 247, 248; and Christmas

album recordings,

429, 431; on Elvis' second

Dorsey show appearance,

249-250; and Elvis' first

RCA recording session,

237, 238, 239; and Elvis' last

pre-army sessions, 452,

453, 469; and "Hound

Dog" recording session,

298, 299, 335; and "I Want

You, I Need You, I Love

You" recording session,

267, 268; andJailhouse

Rock recordings, 406; loss

of influence, 334, 386, 407;

Parker and, 170, 215, 228,

270, 386, 431; and RCA

purchase of Elvis' record

contract, 231, 233, 236, 259;

and recording of "Don't

Be Cruel," 300; and

recording of "Heartbreak

Hotel," 238, 243-244, 268;

and recordings for Elvis'

second album, 25, 268,

298, 332-333, 385; and

5 5 8 '" I N D E X

resignation o f Scotty

Moore and Bill Black, 433;

Sam Phillips and, 227, 240,

247; and song selection for

Elvis' recordings, 235, 240,

299, 300-301

Shook, Katie Mae, 36

Silvers, Phil, 272, 283

Sinatra, Frank, 437

"Since I Met You, Baby," 425

Sing, Boy, Sing (film), 460

Singin' and Pickin Hillbilly (radio

ShOW), 21

Sleepy EyedJohn, 39, 104, u8,

u9, 123-124

Slezak, Walter, 438

Smith, Corene Randle, 14, 17,

19, 26

Smith, Frank, 17, 19-20, 22, 26

Smith, Gene (cousin), 285, 318,

424, 480, 481; adolescence

with Elvis, 51, 53, 63, 72, 79,

200; in Holloywood with

Elvis, 327, 328, 331, 332, 337,

392; salary, 413; travels

with Elvis, 272, 351, 360,

361, 371, 372, 380, 399, 405,

447-448, 454

Smith, Johnny (uncle), 19, 43

Smith, Junior (cousin), 285, 318,

475; and Elvis' army

service, 468, 481, 483;

erratic behavior of, 399,

405, 419-420;June Juanico

and, 312; at recording

sessions, 299, 300, 301;

travels with Elvis, 290,

292, 302, 307, 372

Smith, Lee Edward, 285

Smith, Lorraine (aunt), 32, 429

Smith, Ronald, 82, 83, U5, 148,

163, 302

Smith, Travis (uncle), 14, 15, 32,

43, 429

Smith, Warren, 181, 281

Snearly Ranch Boys, 179

Snow, Hank, 186, 203, 215, 229,

248, 445; Elvis' admiration

for, 171; and Elvis' RCA

signing, 230, 231, 232; and

Elvis' signing with Parker,

209; on Grand Ole Opry,

127, 129, 232; and Hill and

Range publishers, 216; ")

Don't Hurt Anymore"

record, 121, 168; partnership

with Parker, 279,

518-519; tours with Elvis,

163-164, 170-171, 175, 183,

184, 217-218, 277, 278;

upstaged by Elvis, 172, 173

Snow, Jimmie Rodgers, 180, 334,



509-510; admiration for

Elvis, 129, 171-172, 173;

changes spelling of name,

509; on Elvis' attractiveness

to women, 174, 184;

on Elvis' personality, 172,

446--447; and Elvis' signing

with Parker, 207, 209;

friendship with Elvis, 171,

445; tours with Elvis, 175,

184, 191, 206

"So Glad You're Mine," 247

Songfellows, 67, 69, 75, 77, u6,

Speer, Ben, 236, 267

Speer, Brock, 236, 267

Speer Family Quartet, 87, 236

Spreckels, Judy, 272, 460, 461

Stage Show (Dorsey brothers'

TV program), 236; Elvis'

performances on, 234,

244-246, 249-250, 251, 252,

Stanley, Carter, 122

Stan's Record Shop (Shreveport),

138, 149

Starlite Wranglers, 89, 9Cl-91,

104, 105, 106, U7-u8

Starr, Ben, 226, 231

Starr, Kay, 43, 48

Staten, Vince, 28, 207, 460

Statesmen, 39, 46, 47-48, 78,

86, 87

Stephens, Andrea June, 321, 322

Steve Allen Show, 293-295, 301

Stevenson, Adlai E., 327

Stevenson, Venetia, 415, 426

Stewart, Mike, 222-223

Stoker, Gordon, 394, 401,

444-445; Ed Sullivan Show

appearance, 338; on Elvis'

performing talent, 294,

300, 408; recordings with

Elvis, 235-236, 239,

267-268, 300, 407, 408

Stoller, Mike: "Don't," 416, 431;

"Hound Dog," 273; in

Jailhouse Rock, 415-416;

"Love Me," 334; "Loving

You," 383; Parker and,

416-417, 452; and

recording of Jailhouse

Rock, 406, 407, 408; and

recording of King Creole,

429, 448, 449. See also

Leiber, Jerry

Stone for Danny Fisher

(Robbins), 442

Storm, Tempest, 440

Stuart, Sonny, 153

Stuart's Drive Inn, 153

Sullivan, Ed, 3II, 337, 338-339,

519; Elvis' TV appearances

with, 351, 352, 353,

379, 384; initial refusal to

book Elvis, 301

Sullivan, Gene, 335

Sumner, J. D., 78, 197, 477

Sun Records, 57-59, 103,

III-II2, 122, 164, 169-170,

179, 202; Elvis singles,

RCA rerelease of, 236;

release of "I Don't Care If

the Sun Don't Shine" b/w

"Good Rockin' TOnight,"

130-131; release of 'Tm

Left, You're Right, She's

Gone" b/w "Baby, Let's

Play House," 184; release

of "That's All Right

[Mama]" b/w "Blue

Moon of Kentucky,"

104-105, II4-II5; sale of

Elvis' contract to RCA,

215, 218, 224-228, 231-233

Tamblyn, Russ, 410-4II, 412,

414-415

Tate, Corinne Richards. See

Richards, Corinne

Taylor, Bill, 180

"Teddy Bear," 419, 420-421

Terry, Ken, 219

"Thank You for Calling," 109

"That's All Right [Mamal," 155,

163; Arthur Crudup

version, 95, 99; chart

success, 123; Elvis' performances

of, IIO, 223; Elvis'

recording of, 94--96, 103,

501; radio play and public

reaction, 99-102, II2,

II4-II5, 123

"That's When Your Heartaches

Begin," 64, 367, 386

I N D E X ", 5 5 9

Thomas, Carla, 369

Thomas, Rufus, 62, 97, II2, 368,

369, 507

Thornton, Big Mama, II2, 195,

273, 298, 406

Thorpe, Richard, 409, 413, 417

"Till I Waltz Again with You,"

Tily, H. Coleman, III, 231, 232

Timbrell, Hilmer J. ("Tiny"),

Time, 176-177, 270, 362, 394

Tindall, Roland, 25, 26

Tipler, Gladys, 80, 81, 84, II9,

Tipler, James, 80, 84, II9

"Tomorrow Night," 74, 76, 131

Tonight (TV show), 287

"Too Much," 335, 386

"Too Much Monkey

Business," 366

Top Jock. See Pied Piper of

Cleveland

Tover, Leo, 353

"Treat Me Nice," 431

Tri-State Defender; 369

"Trouble," 449

Trout, Gloria, 53

Trout, Ronny, 50, II4-II5

"Trying to Get to You," 178,

205, 214-215

Tubb, Ernest, 93, 130, 216, 431,

Tubb, Justin, 250, 251-252, 253,

Thcker, Gabe, 166, 167, 168, 169,

271, 518

Thrner, BigJoe, 195, 218, 245

Turner, Grant, 129

"Tutti Frutti," 249

TV Guide, 319, 320

Twentieth Century Fox, 3II,

343, 390, 442

"Two Hearts," 222

Tyler, Judy, 409, 421

Ulrich, Ernie, 298

"Under the Double Eagle," 51

Van Horne, Harriet, 287

Variety, 274, 283, 352, 353-354,

362, 372, 383

Vaughan, Regis, 53-54

Vaughan, Sarah, 244

Vincent, Gene, 282, 301, 385

Vinson, Eddie "Cleanhead,"

Wagoner, Porter, 219

Wakely; Jimmy, 65, 132

Walker, Billy; 109, 136, 183, 505

Walker, Frank, 202

Walker, Ray, 469

Walker, Wiley; 335

Walk on the Wild Side (Algren),

Wallis, Hal, 272, 3II, 437, 440;

production of King Creole,

448, 450-451, 454-455;

production of Loving You,

344, 371, 383-384, 385,388,

389-390; screen test of

Elvis, 259, 260, 261-262,

Ward, Billy, and His Dominoes,

176, 361

Wardlaw, Billie, 42, 48

Washington, Fats, II2

Waters, Dickie, 312

WCMA (Corinth), 160

WDIA (Memphis), 39, 368, 442

WDIA Goodwill Revue,

368-370 (1956), 442 (1957)

Webb, Robert, 326, 327, 330, 336,

Weiner, Monte, II7

Weisbart, David, 327, 330, 332

Weisman, Ben, 335, 388-389,

390, 449

Weiss, Allan, 260-261

Welch, Billy, 26

Wells, Kitty; 121, 136, 221, 233

WELO (Tupelo), 18, 20, II4

Welsh, Patty, 314

WERE (Cleveland), 175, 176,

"We're Gonna Move," 330

Wertheimer, Alfred, 303; on

Elvis in recording studio,

297, 298-299, 300, 301-302;

photographs of Elvis, 290,

291, 292, 301, 302; on Steve

Allen Show apperance,

293, 295

West, Red, II5; Dixie Locke

and, 200; friendship with

Elvis, 50, 148; June

Juanico and, 312, 318; in

Marines, 323, 480; scrape

with Parker. 266; travels

with Elvis. 252. 307.

376-- 377. 454. 468. 481-482.

483. 485. 488

Wetherington. Jim ("Big

Chief"). 48. 78

"When It Rains. It Really

Pours." 214-215

"When My Blue Moon Turns

to Gold Again." 335. 379

WHER (Memphis). 225. 226.

White. Kitty. 449

"White Christmas." 431

Whitman. Slim. 106. 108. 109.

IIo-III. 127. 136. 184. 374.

"Whole Lotta Shakin' Going

On." 420-421

Wiginton. Chuck. 435

Wilbanks. Janie. 484

Wilburn Brothers. 184

Wilde. Cornel. 452

Wilder. Paul. 319-321

Wilder. Paula. 319

5 6 0 c-.., I N D E X

Wileman. Willie. 24

Williams. A. C. "Moohah." 39

Williams. Bill. 168

Williams. Dick. 438

Williams. Frank. 273-274

Williams. Hank, 20. 48. 127. 136.

141-142. 149. 174. 196. 374

Williams. Professor Nat D.. 39.

206. 369. 370. 507

Williamson. Sonny Boy. 39

Wills. Bob. 156. 216. 220

Wilson. Jackie. 361. 378-379

Wilson. Kemmons. 214. 227

Wise. Fred. 449

"Without You." 84-85

Wolverton. Bessie. 200

Wood. Anita. 459; dates Elvis.

422-423. 424. 426. 427. 429.

433. 434-435. 482. 483. 484;

and Elvis' army service.

460. 461. 462. 466. 467-468.

471. 485; entertaining

career. 422. 429. 430-431.

467. 470. 474; and Gladys'

death. 474. 476, 477

Wood. Lana. 355-356

Wood. Natalie. 328. 336--337.

348. 350. 355-356. 357. 361

Wood. Randy. 122. 135. 142. 203

Wooten. Hoyt. 60. 61

Wortham, Red. 57. 84. 500

WREC (Memphis). 5. 59-61

WSM (Nashville). 168

Wynette. Tammy (Wynette

Pugh). 342

"Yellow Rose of Texas," 202

Yothers. Jean. 188-189

Young, Faron. 127. 136. 163. 184.

189. 190. 367. 374. 445

Young. Reggie, II9

"You're a Heartbreaker." 157.

"(You're So Square) Baby, I

Don't Care." 408

Yow. Millard. 89

Zuber, W. A. • 426

The author is grateful for permission to include the following previously

copyrighted material:

Excerpt from America. Copyright © 1956 by America. Used by pennission of America.

Excerpt from Billboard. Copyright © 1955 by Billboard. Used by pennission of Billboard.

Excerpt from "A Hound Dog to the Manor Born" by Stanley Booth, Jr. Copyright ©

1968 by Stanley Booth, Jr. Used by pennission of the author.

Excerpt from Charlotte Observer. Copyright © 1956 by Charlotte Observer. Used by pennission

of Charlotte Observer.

Excerpt from a Steve Sholes interview by Tandy Rice. Used by pennission of the Country

Music Foundation Collection.

Excerpt from "Inside Paradise" by Hal Kanter. Copyright © 1957 by Hal Kanter. Used by

pennission of the author.

Excerpt from The Orlando Sentinel. Copyright © 1955 by The Orlando Sentinel. Used by

pennission of The Orlando Sentinel.

Excerpt from Waco News-Tribune. Copyright © 1956 by Waco News-Tribune. Used by permission

of Waco News-Tribune.

A L S O B Y P E T E R G U R A L N I C K

FEEL LIKE GOING HOME

Portraits i n Blues and Rock 'n' Roll

With portraits of Muddy Waters, "Brings it back alive better than any book of its kind ever

Howlin' Wolf,jerry Lee Lewis, published.... Guralnick has a lover's passion, a novel-

Charlie Rich, the Chicago blues ist's sensitivity to nuances of character and event, a

scene, and the legendary Chess musician's ear, a historian's insatiable appetite for detail

record label in itsfinal days - a and fact." - Charles Shaar Murray, New Musical Express

vivid celebration of the artists

who were the building blocks of

blues and early rock 'n' roll.

With profiles of Ernest Tubb,

Charlie Feathers, Rufos

Thomas, Bigjoe Turner, Bobby

"Blue" Bland, Merle Haggard,

Sleepy LaBee!, and others - a

stirring tribute to American

roots music: country,

rockabilly, and the blues.

The story of the legendary

artists - Sam Cooke, Ray

Charles,james Brown,

Solomon Burke, Aretha

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who merged gospel and

rhythm and blues to create

Southern soul music.

"The most loving book I have ever read about American

popular music." - Greil Marcus, Rolling Stone

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Journeys and Arrivals of American Musicians

"Guralnick consistently gives us scenes along the road

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writing." -John Rockwell, New York Times

SWEET S O U L M U S I C

Rhythm and Blues and the Southern Dream of Freedom

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The story that began in

LAST TRAIN TO MEMPHIS

"Riveting... a masterwork."

continues in

HE UNMAKING OF

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