Haruki Murakami Norwegian Wood 3 страница

bably on a drive. Her boyfriend works for some car company. He loves cars. I don't love cars." Midori stopped talking and washed. I stopped talking and wiped. "And then there's my father," she said after some time had gone by. "Right," I said. "He went off to Uruguay in June last year and he's been there ever since." "Uruguay?! Why Uruguay?" "He was thinking of settling there, believe it or not. An old army buddy of his has a farm there. All of a sudden, my father announces he's going, too, that there's no limit to what he can do in Uruguay, and he gets on a plane and that's that. We tried hard to stop him, like, "Why do you want to go to a place like that? You can't speak the language, you've hardly ever left Tokyo.' But he wouldn't listen. Losing my mother was a real shock to him. I mean, it made him a little cuckoo. That's how much he loved her. Really." There was not much I could say in reply. I stared at Midori with my mouth open. "What do you think he said to my sister and me when our mother died? "I would much rather have lost the two of you than her.' It knocked the wind out of me. I couldn't say a word. You know what I mean? You just can't say something like that. OK, he lost the woman he loved, his partner for life. I understand the pain, the sadness, the heartbreak. I pity him. But you don't tell the daughters you fathered "You should have died in her place'. I mean, that's just too terrible. Don't you agree?" "Yeah, I see your point." "That's one wound that will never go away," she said, shaking her head. "But anyway, everyone in my family's a little different. We've all got something just a little bit strange." "So it seems," I said. "Still, it is wonderful for two people to love each other, don't you think? I mean, for a man to love his wife so much he can tell his daughters they should have died in her place "Maybe so, now that you put it that way." "And then he dumps the two of us and runs off to Uruguay." I wiped another dish without replying. After the last one, Midori put everything back in the cabinets. "So, have you heard from your father?" I asked. "One postcard. In March. But what does he write? "It's hot here' or "The fruit's not as good as I expected'. Stuff like that. I mean, give me a break! One stupid picture of a donkey! He's lost his marbles! He didn't even say whether he'd met that guy - that friend of his or whatever. He did add near the end that once he's settled he'll send for me and my sister, but not a word since then. And he never answers our letters." "What would you do if your father said "Come to Uruguay'?" "I'd go and have a look around at least. It might be fun. My sister says she'd absolutely refuse. She can't stand dirty things and dirty places." "Is Uruguay dirty?" "Who knows? She thinks it is. Like the roads are full of donkey shit and it's swarming with flies, and the toilets don't work, and lizards and scorpions crawl all over the place. She maybe saw a film like that. She can't stand flies, either. All she wants to do is drive through scenic places in fancy cars." "No way." "I mean, what's wrong with Uruguay? I'd go." "So who's running the shop?" "My sister, but she hates it. We have an uncle in the neighbourhood who helps out and makes deliveries. And I help when I have time. A bookshop's not exactly hard labour, so we can manage. If it gets to be too much, we'll sell the place." "Do you like your father?" Midori shook her head. "Not especially." "So how can you follow him to Uruguay?" "I believe in him." "Believe in him?" "yeah, I'm not that fond of him, but I believe in my father. How can I not believe in a man who gives up his house, his kids, his work, and runs off to Uruguay from the shock of losing his wife? Do you see what I mean?" I sighed. "Sort of, but not really." Midori laughed and patted me on the back. "Never mind," she said. "It really doesn't matter." One weird thing after another came up that Sunday afternoon. A fire broke out near Midori's house and, when we went up to the third-floor laundry deck to watch, we sort of kissed. It sounds stupid when I put it like that, but that was how things worked out. We were drinking coffee after the meal and talking about the university when we heard sirens. They got louder and louder and seemed to be increasing in number. Lots of people ran past the shop, some of them shouting. Midori went to a room facing the street, opened the window and looked down. "Wait here a minute," she said and disappeared; after which I heard feet pounding up stairs. I sat there drinking coffee alone and trying to remember where Uruguay was. Let's see, Brazil was over here, and Venezuela there, and Colombia somewhere over here, but I couldn't recall the location of Uruguay. A few minutes later Midori came down and urged me to hurry somewhere with her. I followed her to the end of the hall and climbed a steep, narrow stairway to a wooden deck with bamboo laundry poles. The deck was higher than most of the surrounding rooftops and gave a good view of the neighbourhood. Huge clouds of black smoke shot up from a place three or four houses away and flowed with the breeze out towards the high street. A burning smell filled the air. "It's Sakamoto's place," said Midori, leaning over the railing. "They used to make traditional door fittings and stuff. They went out of business some time ago, though." I leaned over the railing with her and strained to see what was going on. A three-storey building blocked our view of the fire, but there seemed to be three or four fire engines over there working on the blaze. No more than two of them could squeeze into the narrow lane where the house was burning, the rest standing by on the high street. The usual crowd of gawkers filled the area. "Hey, maybe you should gather your valuables together and get ready to evacuate this place," I said to Midori. "The wind's blowing the other way now, but it could change any time, and you've got a petrol station right there. I'll help you pack." "What valuables?" said Midori. "Well, you must have something you'd want to save - bankbooks, seals, legal papers, stuff like that. Emergency cash." "Forget it. I'm not running away." "Even if this place burns?" "You heard me. I don't mind dying." I looked her in the eye, and she looked straight at me. I couldn't tell if she was serious or joking. We stayed like that for a while, and soon I stopped worrying. "OK," I said. "I get it. I'll stay with you." "You'll die with me?" Midori asked with shining eyes. "No way," I said. "I'll run if it gets dangerous. If you want to die, you can do it alone." "Cold-hearted bastard!" "I'm not going to die with you just because you made lunch for me. Of course, if it had been dinner..." "Oh, well... Anyway, let's stay here and watch for a while. We can sing songs. And if something bad happens, we can think about it then." "Sing songs?" Midori brought two floor pillows, four cans of beer and a guitar from downstairs. We drank and watched the black smoke rising. She strummed and sang. I asked her if she didn't think this might anger the neighbours. Drinking beer and singing while you watched a local fire from the laundry deck didn't seem like the most admirable behaviour I could think of. "Forget it," she said. "We never worry about what the neighbours might think." She sang some of the folk songs she had played with her group. I would have been hard pressed to say she was good, but she did seem to enjoy her own music.

She went through all the old standards - "Lemon Tree", "Puff (The Magic Dragon)", "Five Hundred Miles", "Where Have All the Flowers Gone?", "Michael, Row the Boat Ashore". At first she tried to get me to sing bass harmony, but I was so bad she gave up and sang alone to her heart's content. I worked on my beer and listened to her sing and kept an eye on the fire. It flared up and died down several times. People were yelling and giving orders. A newspaper helicopter clattered overhead, took photographs and flew away. I worried that we might be in the picture. A policeman screamed through a loudspeaker for bystanders to get back. A little kid was crying for his mother. Glass shattered somewhere. Before long the wind began shifting unpredictably, and white ash flakes fell out of the air around us, but Midori went on sipping and singing. After she had gone through most of the songs she knew, she sang an odd one that she said she had written herself: I'd love to cook a stew for you, But I have no pot.

I'd love to knit a scarf for you, But I have no wool. I'd love to write a poem for you, But I have no pen.

Дата добавления: 2015-11-04