Jack and someone else, discussing his escape from the pan-
try.
Discussing the murder of his wife and son.
It would be nothing new inside these walls; murder had been
done here before.
She had gone to the heating vent and had placed her ear
against it, but at that exact moment the furnace had come on,
and any sound was lost in the rush of warm air coming up from
the basement. When the furnace had kicked off again, five
minutes ago, the place was completely silent except for the
wind, the gritty spatter of snow against the building, and the
occasional groan of a board.
She looked down at her ripped fingernail. Small beads of
blood were oozing up from beneath it.
(lack's gotten out.)
(Don't talk nonsense.)
(Yes, he's out. He's gotten a knife from the kitchen or maybe
the meat cleaver. He's on his way up here right now, walking
along the sides of the risers so the stairs won't creak.)
(! You're insane!)
Her lips were trembling, and for a moment it seemed that she
must have cried the words out loud. But the silence held.
She felt watched.
She whirled around and stared at the night-blackened window,
and a hideous white face with circles of darkness for eyes was
gibbering in at her, the face of a monstrous lunatic that had
been hiding in these groaning walls all along-
It was only a pattern of frost on the outside of the glass.
She let her breath out in a long, susurrating whisper of
fear, and it seemed to her that she heard, quite clearly this
time, amused titters from somewhere.
(You're jumping at shadows. It's bad enough without that. By
tomorrow morning, you'll be ready for the rubber room.)
There was only one way to allay those fears and she knew what
it was.
She would have to go down and make sure Jack was still in the
pantry.
Very simple. Go downstairs. Have a peek. Come back up. Oh, by
the way, stop and grab the tray on the registration counter.
The omelet would be a washout, but the soup could be reheated
on the hotplate by Jack's typewriter.
(Oh yes and don't get killed if he's down there with a
knife.)
She walked to the dresser, trying to shake off the mantle of
fear that lay on her. Scattered across the dresser's top was a
pile of change, a stack of gasoline chits for the hotel truck,
the two pipes Jack brought with him everywhere but rarely
smoked... and his key ring.
She picked it up, held it in her hand for a moment, and then
put it back down. The idea of locking the bedroom door behind
her had occurred, but it just didn't appeal. Danny was asleep.
Vague thoughts of fire passed through her mind, and something
else nibbled more strongly, but she let it go:
Wendy crossed the room, stood indecisively by the door for a
moment, then took the knife from the pocket of her robe and
curled her right hand around the wooden haft,:
She pulled the door open.
The short corridor leading to their quarters was bare. The
electric wall flambeaux all shone brightly at their regular
intervals, showing off the rug's blue background and sinuous,
weaving pattern.
(See? No boogies here.)
(No, of course not. They want you out. They want you to do
something silly and womanish, and that is exactly what you are
doing.)
She hesitated again, miserably caught, not wanting to leave
Danny and the safety of the apartment and at the same time
needing badly to reassure herself that Jack was still.
safely packed away.
(Of course he is.)
(But the voices)
(There were no voices. It was your imagination. It was the
wind.)
"It wasn't the wind."
The sound of her own voice made her jump. But the deadly
certainty in it made her go forward. The knife swung by her
side, catching angles of light and throwing them on the silk
wallpaper. Her slippers whispered against the carpet's nap.
Her nerves were singing like wires.
She reached the corner of the main corridor and peered
around, her mind stiffened for whatever she might see there.
There was nothing to see.
After a moment's hesitation she rounded the corner and began
down the main corridor. Each step toward the shadowy stairwell
increased her dread and made her aware that she was leaving
her sleeping son behind, alone and unprotected. The sound of
her slippers against the carpet seemed louder and louder in
her ears; twice she looked back over her shoulder to convince
herself that someone wasn't creeping up behind her.
She reached the stairwell and put her hand on the cold newel
post at the top of the railing. There were nineteen wide steps
down to the lobby. She had counted them enough times to know.
Nineteen carpeted stair risers, and nary a Jack crouching on
any one of them. Of course not. Jack was locked in the pantry
behind a hefty steel bolt and a thick wooden door.
But the lobby was dark and oh so full of shadows.
Her pulse thudded steadily and deeply in her throat.
Ahead and slightly to the left, the brass yaw of the elevator
stood mockingly open, inviting her to step in and take the
ride of her life.
(No thank you)
The inside of the car had been draped with pink and white
crepe streamers. Confetti had burst from two tubular party
favors. Lying in the rear left corner was an empty bottle of
champagne.
She sensed movement above her and wheeled to look up the
nineteen steps leading to the dark second-floor landing and
saw nothing; yet there was a disturbing corner-of-the-eye
sensation that things
(things)
had leaped back into the deeper darkness of the hallway up
there just before her eyes could register them.
She looked down the stairs again.
Her right hand was sweating against the wooden handle of the
knife; she switched it to her left, wiped her right palm
against the pink terrycloth of her robe, and switched the
knife back. Almost unaware that her mind had given her body
the command to go forward, she began down the stairs, left
foot then right, left foot then right, her free hand trailing
lightly on the banister.
(Where's the party? Don't let me scare you away, you bunch of
moldy sheets! Not one scared woman with a knife! Let's have a
little music around here! Let's have a little life!)
Ten steps down, a dozen, a baker's dozen.
The light from the first-floor hall filtered a dull yellow
down here, and she remembered that she would have to turn on
the lobby lights either beside the entrance to the dining room
or inside the manager's office.
Yet there was light coming from somewhere else, white and
muted.
The fluorescents, of course. In the kitchen.
She paused on the thirteenth step, trying to remember if she
had turned them off or left them on when she and Danny left.
She simply couldn't remember.
Below her, in the lobby, highbacked chairs hulked in pools of
shadow. The glass in the lobby doors was pressed white with a
uniform blanket of drifted snow. Brass studs in the sofa
cushions gleamed faintly like cat's eyes. There were a hundred
places to hide.
Her legs stilted with fear, she continued down.
Now seventeen, now eighteen, now nineteen.
(Lobby level, madam. Step out carefully.)
The ballroom doors were thrown wide, only blackness spilling
out. From within came a steady ticking, like a bomb. She
stiffened, then remembered the clock on the mantel, the clock
under glass. Jack or Danny must have wound it... or maybe it
had wound itself up, like everything else in the Overlook.
She turned toward the reception desk meaning to go through
the gate and the manager's office and into the kitchen.
Gleaming dull silver, she could see the intended lunch tray.
Then the clock began to strike, little tinkling notes.
Wendy stiffened, her tongue rising to the roof of her mouth.
Then she relaxed. It was striking eight, that was all. Eight
o'clock
... five, six, seven...
She counted the strokes. It suddenly seemed wrong to move
again until the clock had stilled.
... eight... nine...
(?? Nine??)
... ten... eleven...
Suddenly, belatedly, it came to her. She turned back clumsily
for the stairs, knowing already she was too late. But how
could she have known?
Twelve.
All the lights in the ballroom went on. There was a huge,
shrieking flourish of brass. Wendy screamed aloud, the sound
of her cry insignificant against the blare issuing from those
brazen lungs.
"Unmask!" the cry echoed. "Unmask! Unmask!"
Then they faded, as if down a long corridor of time, leaving
her alone again.
No, not alone.
She turned and he was coming for her.
It was Jack and yet not Jack. His eyes were lit with a
vacant, murderous glow; his familiar mouth now wore a
quivering, joyless grin.
He had the Toque mallet in one hand.
"Thought you'd lock me in? Is that what you thought you'd
do?"
The mallet whistled through the air. She stepped backward,
tripped over a hassock, fell to the lobby rug.
"Jack-"
"You bitch," he whispered. "I know what you are."
The mallet came down again with whistling, deadly velocity
and buried itself in her soft stomach. She screamed, suddenly
submerged in an ocean of pain. Dimly she saw the mallet
rebound. It came to her with sudden numbing reality that he
meant to beat her to death with the mallet he held in his
hands.
She tried to cry out to him again, to beg him to stop for
Danny's sake, but her breath had been knocked loose. She could
only force out a weak whimper, hardly a sound at all.
"Now. Now, by Christ," he said, grinning. He kicked the
hassock out of his way. "I guess you'll take your medicine
now."
The mallet whickered down. Wendy rolled to her left, her robe
tangling above her knees. Jack's hold on the mallet was jarred
loose when it hit the floor. He had to stoop and pick it up,
and while he did she ran for the stairs, the breath at last
sobbing back into her. Her stomach was a bruise of throbbing
pain.
"Bitch," he said through his grin, and began to come after
her. "You stinking bitch, I guess you'll get what's coming to
you. I guess you will."
She heard the mallet whistle through the air and then agony
exploded on her right side as the mallet-head took her just
below the line of her breasts, breaking two ribs. She fell
forward on the steps and new agony ripped her as she struck on
the wounded side. Yet instinct made her roll over, roll away,
and the mallet whizzed past the side of her face, missing by a
naked inch. It struck the deep pile of the stair carpeting
with a muffled thud. That was when she saw the knife, which
had been jarred out of her hand by her fall. It lay glittering
on the fourth stair riser.
"Bitch," he repeated. The mallet came down. She shoved
herself upward and it landed just below her kneecap. Her lower
leg was suddenly on fire. Blood began to trickle down her
calf. And then the mallet was coming down again. She jerked
her head away from it and it smashed into the stair riser in
the hollow between her neck and shoulder, scraping away the
flesh from her ear.
He brought the mallet down again and this time she rolled
toward him, down the stairs, inside the arc of his swing. A
shriek escaped her as her broken ribs thumped and grated. She
struck his shins with her body while he was offbalance and he
fell backward with a yell of anger and surprise, his feet
jigging to keep their purchase on the stair riser. Then he
thumped to the floor, the mallet flying from his hand. He sat
up, staring at her for a moment with shocked eyes.
"I'll kill you for that," he said.
He rolled over and stretched out for the handle of the
mallet. Wendy forced herself to her feet. Her left leg sent
bolt after bolt of pain all the way up to her hip. Her face
was ashy pale but set. She leaped onto his back as his hand
closed over the shaft of the Toque mallet.
"Oh dear God!" she screamed to the Overlook's shadowy lobby,
and buried the kitchen knife in his lower back up to the
handle.
He stiffened beneath her and then shrieked. She thought she
had never heard such an awful sound in her whole life; it was
as if the very boards and windows and doors of the hotel had
screamed. It seemed to go on and on while he remained board-
stiff beneath her weight. They were like a parlor charade of
horse and rider. Except that the back of his redand-black-
checked flannel shirt was growing darker, sodden, with
spreading blood.
Then he collapsed forward on his face, bucking her off on her
hurt side, making her groan.
She lay breathing harshly for a time, unable to move. She was
an excruciating throb of pain from one end to the other. Every
time she inhaled, something stabbed viciously at her, and her
neck was wet with blood from her grazed ear.
There was only the sound of her struggle to breathe, the
wind, and the ticking clock in the ballroom.
At last she forced herself to her feet and hobbled across to
the stairway. When she got there she clung to the newel post,
head down, waves of faintness washing over her. When it had
passed a little, she began to climb, using her unhurt leg and
pulling with her arms on the banister. Once she looked up,
expecting to see Danny there, but the stairway was empty.
(Thank God he slept through it thank God thank God)
Six steps up she had to rest, her head down, her blond hair
coiled on and over the banister. Air whistled painfully
through her throat, as if it had grown barbs. Her right side
was a swollen, hot mass.
(Come on Wendy come on old girl get a locked door behind you
and then look at the damage thirteen more to go not so bad.
And when you get to the upstairs corridor you can crawl. I
give my permission.)
She drew in as much breath as her broken ribs would allow and
half-pulled, half-fell up another riser. And another.
She was on the ninth, almost halfway up, when Jack's voice
came from behind and below her. He said thickly: "You bitch.
You killed me."
Terror as black as midnight swept through her. She looked
over her shoulder and saw Jack getting slowly to his feet.
His back was bowed over, and she could see the handle of the
kitchen knife sticking out of it. His eyes seemed to have
contracted, almost to have lost themselves in the pale,
sagging folds of the skin around them. He was grasping the
roque mallet loosely in his left hand. The end of it was
bloody. A scrap of her pink terrycloth robe stuck almost in
the center.
"I'll give you your medicine," he whispered, and began to
stagger toward the stairs.
Whimpering with fear, she began to pull herself upward again.
Ten steps, a dozen, a baker's dozen. But still the first-floor
hallway looked as far above her as an unattainable mountain
peak. She was panting now, her side shrieking in protest. Her
hair swung wildly back and forth in front of her face. Sweat
stung her eyes. The ticking of the domed clock in the ballroom
seemed to fill her cars, and counterpointing it, Jack's
panting, agonized gasps as he began to mount the stairs.
HALLORANN ARRIVES
Larry Durkin was a tall and skinny man with a morose face
overtopped with a luxuriant mane of red hair. Hallorann had
caught him just as he was leaving the Conoco station, the
morose face buried deeply inside an army-issue parka. He was
reluctant to do any more business that stormy day no matter
how far Hallorann had come, and even more reluctant to rent
one of his two snowmobiles out to this wild-eyed black man who
insisted on going up to the old Overlook. Among people who had
spent most of their lives in the little town of Sidewinder,
the hotel had a smelly reputation. Murder had been done up
there. A bunch of hoods had run the place for a while, and
cutthroat businessmen had run it for a while, too. And things
had been done up at the old Overlook that never made the
papers, because money has a way of talking. But the people in
Sidewinder had a pretty good idea. Most of the hotel's
chambermaids came from here, and chambermaids see a lot.
But when Hallorann mentioned Howard Cottrell's name and
showed Durkin the tag inside one of the blue mittens, the gas
station owner thawed.
"Sent you here, did he?" Durkin asked, unlocking one of the
garage bays and leading Hallorann inside. "Good to know the
old rip's got some sense left. I thought he was plumb out of
it." He flicked a switch and a bank of very old and very dirty
fluorescents buzzed wearily into life. "Now what in the tarnal
creation would you want up at that place, fella?"
Hallorann's nerve had begun to crack. The last few miles into
Sidewinder had been very bad. Once a gust of wind that must
have been tooling along at better than sixty miles an hour had
floated the Buick all the way around in a 360ш turn. And there
were still miles to travel with God alone knew what at the
other end of them. He was terrified for the boy. Now it was
almost ten minutes to seven and he had this whole song and
dance to go through again.
"Somebody is in trouble up there," he said very carefully.
"The son of the caretaker."
"Who? Torrance's boy? Now what kind of trouble could he be
in?"
"I don't know," Hallorann muttered. He felt sick with the
time this was taking. He was speaking with a country man, and
he knew that all country men feel a similar need to approach
their business obliquely, to smell around its corners and
sides before plunging into the middle of dealing. But there
was no time, because now he was one scared nigger and if this
went on much longer he just might decide to cut and run.
"Look," he said. "Please. I need to go up there and I have to
have a snowmobile to get there. I'll pay your price, but for
God's sake let me get on with my business!"
"All right," Durkin said, unperturbed. "If Howard sent you,
that's good enough. You take this ArcticCat. I'll put five
gallons of gas in the can. Tank's full. She'll get you up and
back down, I guess."
"Thank you," Hallorann said, not quite steadily.
"I'll take twenty dollars. That includes the ethyl."
Hallorann fumbled a twenty out of his wallet and handed it
over. Durkin tucked it into one of his shirt pockets with
hardly a look.
"Guess maybe we better trade jackets, too," Durkin said,
pulling off his parka. "That overcoat of yours ain't gonna be
worth nothin tonight. You trade me back when you return the
snowsled."
"Oh, hey, I couldn't-"
"Don't fuss with me," Durkin interrupted, still mildly. "I
ain't sending you out to freeze. I only got to walk down two
blocks and I'm at my own supper table. Give it over."
Slightly dazed, Hallorann traded his overcoat for Durkin's
fur-lined parka. Overhead the fluorescents buzzed faintly,
reminding him of the lights in the Overlook's kitchen.
"Torrance's boy," Durkin said, and shook his head. "Good-
lookin little tyke, ain't he? He n his dad was in here a lot
before the snow really flew. Drivin the hotel truck, mostly.
Looked to me like the two of em was just about as tight as
they could get. That's one little boy that loves his daddy.
Hope he's all right."
"So do I." Hallorann zipped the parka and tied the hood.
"Lemme help you push that out," Durkin said. They rolled the
snowmobile across the oil-stained concrete and toward the
garage bay. "You ever drove one of these before?"
"No.
"Well, there's nothing to it. The instructions are pasted
there on the dashboard, but all there really is, is stop and
go. Your throttle's here, just like a motorcycle throttle.
Brake on the other side. Lean with it on the turns. This baby
will do seventy on hardpack, but on this powder you'll get no
more than fifty and that's pushing it."
Now they were in the service station's snow-filled front lot,
and Durkin had raised his voice to make himself heard over the
battering of the wind. "Stay on the road!" he shouted at
Hallorann's ear. "Keep your eye on the guardrail posts and the
signs and you'll be all right, I guess. If you get off the
road, you're going to be dead. Understand?"
Hallorann nodded.
"Wait a minute!" Durkin told him, and ran back into the
garage bay.
While he was gone, Hallorann turned the key in the ignition
and pumped the throttle a little. The snowmobile coughed into
brash, choppy life.
Durkin came back with a red and black ski mask.
"Put this on under your hood!" he shouted.
Hallorann dragged it on. It was a tight fit, but it cut the
last of the numbing wind off from his cheeks and forehead and
chin.
Durkin leaned close to make himself heard.
"I guess you must know about things the same way Howie does
sometimes," he said. "It don't matter, except that place has
got a bad reputation around here. I'll give you a rifle if you
want it."
"I don't think it would do any good," Hallorann shouted back.
"You're the boss. But if you get that boy, you bring him to
Sixteen Peach Lane. The wife'll have some soup on."
"Okay. Thanks for everything."
"You watch out!" Durkin yelled. "Stay on the road!"
Hallorann nodded and twisted the throttle slowly. The
snowmobile purred forward, the headlamp cutting a clean cone
of light through the thickly falling snow. He saw Durkin's
upraised hand in the rearview mirror, and raised his own in
return. Then he nudged the handlebars to the left and was
traveling up Main Street, the snowmobile coursing smoothly
through the white light thrown by the streetlamps. The
speedometer stood at thirty miles an hour. It was ten past
seven. At the Overlook, Wendy and Danny were sleeping and Jack
Torrance was discussing matters of life and death with the
previous caretaker.
Five blocks up Main, the streetlamps ended. For half a mile
there were small houses, all buttoned tightly up against the
storm, and then only wind-howling darkness.. In the black
again with no light but the thin spear of the snowmobile's
headlamp, terror closed in on him again, a childlike fear,
dismal and disheartening. He had never felt so alone. For
several minutes, as the few lights of Sidewinder dwindled away
and disappeared in the rearview, the urge to turn around and
go back was almost insurmountable. He reflected that for all
of Durkin's concern for Jack Torrance's boy, he had not
offered to take the other snowmobile and come with him.
(That place has got a bad reputation around here.)
Clenching his teeth, he turned the throttle higher and
watched the needle on the speedometer climb past forty and
settle at forty-five. He seemed to be going horribly fast and
yet he was afraid it wasn't fast enough. At this speed it
would take him almost an hour to get to the Overlook. But at a
higher speed he might not get there at all.
He kept his eyes glued to the passing guardrails and the dime-
sized reflectors mounted on top of each one. Many of them were
buried under drifts. Twice he saw curve signs dangerously late
and felt the snowmobile riding up the drifts that masked the
dropoff before turning back onto where the road was in the
summertime. The odometer counted off the miles at a
maddeningly slow clip-five, ten, finally fifteen. Even behind
the knitted ski mask his face was beginning to stiffen up and
his legs were growing numb.
(Guess I'd give a hundred bucks for a pair of ski pants.)
As each mile turned over, his terror grew-as if the place had
a poison atmosphere that thickened as you neared it. Had it
ever been like this before? He had never really liked the
Overlook, and there had been others who shared his feeling,
but it had never been like this.
He could feel the voice that had almost wrecked him outside
of Sidewinder still trying to get in, to get past his defenses
to the soft meat inside. If it had been strong twenty-five
miles back, how much stronger would it be now? He couldn't
keep it out entirely. Some of it was slipping through,
flooding his brain with sinister subliminal images. More and
more he got the image of a badly hurt woman in a bathroom,
holding her hands up uselessly to ward off a blow, and he felt
more and more that the woman must be-
(Jesus, watch out!)
The embankment was looming up ahead of him like a freight
train. Woolgathering, he had missed a turn sign. He jerked the
snowmobile's steering gear hard right and it swung around,
tilting as it did so. From underneath came the harsh grating
sound of the snowtread on rock. He thought the snowmobile was
going to dump him, and it did totter on the knife-edge of
balance before halfdriving, half-skidding back down to the
more or less level surface of the snowburied road. Then the
dropoff was ahead of him, the headlamp showing an abrupt end
to the snowcover and darkness beyond that. He turned the
snowmobile the other way, a pulse beating sickly in his
throat.
(Keep it on the road Dicky old chum.)
He forced himself to turn the throttle up another notch. Now
the speedometer needle was pegged just below fifty. The wind
howled and roared. The headlamp probed the dark.
An unknown length of time later, he came around a driftbanked
curve and saw a glimmering flash of light ahead. Just a
glimpse, and then it was blotted out by a rising fold of land.
The glimpse was so brief he was persuading himself it had been
wishful thinking when another turn brought it in view again,
slightly closer, for another few seconds. There was no
question of its reality this time; he had seen it from just
this angle too many times before. It was the Overlook. There
were lights on the first floor and lobby levels, it looked
like.
Some of his terror-the part that had to do with driving off
the road or wrecking the snowmobile on an unseen curve-melted
entirely away. The snowmobile swept surely into the first half
of an S curve that he now remembered confidently foot for
foot, and that was when the headlamp picked out the
(oh dear Jesus god what is it)
in the road ahead of him. Limned in stark blacks and whites,
Hallorann first thought it was some hideously huge timberwolf
that had been driven down from the high country by the storm.
Then, as he closed on it, he recognized it and horror closed
his throat.
Not a wolf but a lion. A hedge lion.
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