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18 The previous trip appears to be King’s 1966 class trip described in detail (including his

experiment with alcohol) in part 32 of the C.V. section of On Writing, which would make it three

years earlier. Oh well!

19 Covered in depth in The Poems chapter of Stephen King: Uncollected, Unpublished by

Rocky Wood with David Rawsthorne and Norma Blackburn; Abingdon, MD: Cemetery Dance

Publications, 2006.

20 A much forgotten aspect of these protests is the fact that many pro-War or just ‘patriotic’

people confronted the protesters, and on a regular basis. In fact, the UMO Student Senate went so far

as to pass a resolution on May 13, 1969 that deplored ‘the actions of those students who willfully

obstructed the march of the University Coalition for Peace in Vietnam....’

21 See our Opinion—Venturing into Politics chapter.

22 Steve Hughes, King’s target, was ‘the first student ever to be elected a University of Maine

trustee and the first in the country ever to be elected with full voting privileges....”, according to The

Maine Campus for June 12, 1969. King seems to have a point about Hughes wanting to get his own

way—by only the 20 June 1969 issue of The Maine Summer Campus Hughes was reported as saying

that the Trustees would “probably” be forced to resign if the University’s budgetary requests were not

met. By the October 30, 1969 column Hughes was ‘gaining immense political and administrative

experience as a PR man for the House of Representatives.’

23 Robert Bloch: An Appreciation (Locus, November 1994), see our Miscellany chapter.

24 King, answering a question at a panel on September 24, 2005 at The New Yorker Festival,

according to Cover Boys by Madeleine Murray in The Sydney Morning Herald (Sydney, Australia)

for December 29, 2005.

25 See King’s Introduction: On Being Nineteen (and a Few Other Things) to The Dark Tower:

The Gunslinger (Revised Edition) (2003), where he credits this movie as one of the two major

inspirations for The Dark Tower Cycle, although in that piece he says he was inspired by seeing the

movie ‘in 1970’, giving no indication it was not his first viewing. He may well have mis-remembered

the actual date.

26 See King’s February 27, 1969 column for more detail.

27 King incorrectly states this movie was released in 1954, one year earlier than the actual date.

28 Students for a Democratic Society, a radical Leftist movement of the 1960s.

29 King says the ‘best scene in the movie’ is the confrontation in the diner. Both Collings and

Spignesi, in their reviews of these columns, see this as inspiration for a similar scene in King’s short

story, Nona.

30 In this column King says he’s been told that ‘the readership of this paper averages about

9,000.’ Few must have kept them, as the appearance of The Maine Campus from this period on eBay

and through King resellers is effectively nonexistent.

31 Ironically, King would write many articles and guest columns (as well as letters to the editor)

for this newspaper over future years. Of course, each would reflect his own, less conservative,

views. And David Bright would also join the staff of the Bangor Daily News.

32 This is one of the columns for which the date was incorrectly listed (as November 6) in all

King sources until 2006, when corrected by the authors (using source microfiche from the Fogler

Library). Quite a bit of pagination information had also been incorrect to that time. It is unclear where

these errors began but this does prove the value of original research, where feasible.

33 By Ed Robertson. Los Angeles, California: Pomegranate Press, 1993 (see our Introducing

the Work of Others chapter). The Fugitive’s real name, of course, is Dr. Richard Kimble (ably

played by Harrison Ford in the movie, also released in 1993).

34 After Charles Fort (1874-1932), a failed novelist and one of the first to gather strange and

unexplained phenomena and publish them in book form— Book of the Damned, Lo!, New Lands and

Wild Talents. King refers specifically to events of pyrokinesis reported by Fort in the first two of

these books in his Afterword to Firestarter (see our Author’s Notes and Introductions to His Own

Work chapter).

35 King says this occurred in ‘the late 1890s’ but was actually on 6 August 1930.

36 Photograph by Frank Kadi.

37 Readers probably won’t find it strange that King attended this film on Valentine’s Day.

38 King incorrectly says Lugosi died in 1957—the actual date was August 16, 1956. He also

says an upcoming movie is ‘ Frankenstein Meets The Werewolf...with Karloff and Lon Chaney.’ The

movie is actually Frankenstein Meets the Wolf Man and starred Lugosi and Lon Chaney, Jr., not

Karloff.

39 See the Danse Macabre, On Writing chapter for detail of the teenage King’s novelisation of

this movie; and his critique of it in Danse Macabre.

40 Even though King actually says ‘Last year in May’, strongly implying 1969, it appears he may

actually be referring to 1968, as he says Nixon ‘had begun his drive for the Presidency earlier...in

New Hampshire.’ Nixon was elected in November 1968 and his first term began in January 1969.

41 For more detail see the Opinion—Venturing into Politics chapter.

42 In Robert Bloch: An Appreciation (Locus, November 1994), published on Bloch’s death,

King gives a wonderful description of Bloch the man and writer (see our Miscellany chapter).

43 The story behind this is related in Stephen King: Unpublished, Uncollected by Rocky Wood,

David Rawsthorne and Norma Blackburn. Abingdon, MD: Cemetery Dance Publications, 2006.

44 In the King’s Garbage Truck column for May 7, 1970 King had stated he ‘was waiting in the

barber shop to get a haircut when that happened’.

45 King uses the generally accepted shortened version of the full title, The Strange Case of Dr.

Jekyll and Mr. Hyde.

46 It is not widely known that the version commonly published today is in fact the third edition

(first published in 1831), having been heavily revised from the original 1818 edition. King uses the

generally accepted shortening of the full title, Frankenstein or, the Modern Prometheus.

47 Dr. Burton Hatlen, of the English Department at the University of Maine at Orono, was a

mentor to King during his college years. Since 1991 he has served as Director of the National Poetry

Foundation, within the UMO English Department. He has also taught courses on King’s novels and

written of his work.

48 According to The American Heritage®Dictionary of the English Language, (Fourth

Edition), ‘archetype’ is defined as: ‘In Jungian psychology, an inherited pattern of thought or

symbolic imagery derived from the past collective experience and present in the individual

unconscious.’

49 See also the King’s Garbage Truck column for December 18, 1969.

50 At this point King makes no mention of his own screenplay adaptation of the classic work,

written no later than 1978, before Danse Macabre (for more detail see Stephen King: Uncollected,

Unpublished). Indeed, at one point he states that the book has ‘defied the moviemakers’. A movie,

using Bradbury’s own screenplay, would be released in 1983.

51 King extended this story with his own reaction in his Virginia Beach lecture—see Banned

Books and Other Concerns: The Virginia Beach Lecture in our Opinion—Venturing Into Politics

chapter.

52 May 10, 1981; Late City Final Edition: section 7, page 15.

5 3 The Stephen King Universe by Stanley Wiater, Christopher Golden and Hank Wagner.

Abingdon, MD: Cemetery Dance Publications, 2001, page 608.

54 The Essential Stephen King by Stephen Spignesi. Williamsburg, Virginia: GB Books, 2001,

page 120.

5 5 Horror Plum’d by Michael Collings. Woodstock, GA: Overlook Connection Press, 2002,

page 120.

56 The Hugo Awards are given by the World Science Fiction Society and are regarded as the

premier Awards in that genre.

57 The Locus Awards are given as the result of polling by readers of Locus magazine in the

genres of fantasy, science fiction and horror.

58 Full citations for publications including King material referred to in this chapter appear in the

Bibliography.

59 The Rock Bottom Remainders are a band formed largely of authors and critics. King relates

part of their sordid history in The Neighborhood of the Beast, a chapter in Mid-Life Confidential:

The Rock Bottom Remainders Tour America with Three Chords and an Attitude edited by Dave

Marsh. New York, NY: Viking Penguin, 1994. For more detail see our Miscellany chapter.

60 Two King short stories, Code Name: Mousetrap and The 43rdDream appeared there (for

more detail see Stephen King: Uncollected, Unpublished); along with one non-fiction piece, Band

Uniforms (see our Miscellany chapter).

61 In Stephen King: Uncollected, Unpublished.

62 From Stephen King by Joel Davison in the Lewiston Maine Sunday-Journal, 25 October

1992, page 4A.

63 The Stokers are awarded annually by the Horror Writers Association.

64 7 October 2000 issue.

65 Scare Tactics in the November 1990 edition, page 20 (see Miscellany chapter).

66 For specific detail see The Complete Guide to the Works of Stephen King by Rocky Wood,

David Rawsthorne and Norma Blackburn. Melbourne, Australia: Kanrock Partners, 2004.

67 Full citations for publications including King material referred to in this chapter appear in the

Bibliography.

68 For the novels The Talisman and Black House. King and friend Chris Chesley self-published

People, Places and Things in 1960; and King is credited with unpublished short stories with each of

his two sons (see Stephen King: Uncollected, Unpublished by Rocky Wood with David Rawsthorne

and Norma Blackburn). He has also worked on a stage musical with John Mellencamp; combined

with Rick Dooling to deliver the TV mini-series Kingdom Hospital; and Josef Anderson wrote the

last episode of King’s mini-series Golden Years.

69 From http://www.liljas-library.com/onanint.html.

70 O’Nan originally intended to title the book Dear Stephen King as it takes the form of a

condemned woman telling her life story in writing to King, who did not give permission for his name

to be used in the title. O’Nan says King read the novel and ‘liked it very much.’

71 Also the subject of Curses! (1998) reviewed later in this chapter.

72 See King’s fond remembrance of Gould, A Man with a Child’s Embrace of the Questions, in

our Miscellany chapter.

73 See also Stephen King (1999) later in this chapter.

74 King acknowledges Russ Dorr in The Stand, Pet Sematary and Misery; and Florence Dorr in

Misery; he dedicates Rita Hayworth and the Shawshank Redemption to both.

75 Dent hit the run in a one-game playoff to determine which team—his New York Yankees or

the Sox playing in front of a home team crowd of 32,925—would proceed to the American League

(AL) playoffs to determine that League’s representative in the World Series. Perhaps more amazing

was how the two teams had managed to reach this one game tiebreak situation: the Yankees trailed the

Sox in the AL East by 14 games on July 19. After the Yankees’ manager was fired they rallied to a

52-21 record. Meanwhile, the Sox lost 14 of 17 games in September but made a late-season

comeback, winning their last eight games, catching the Yankees on the last day of the regular season

and forcing the historic game. Dent’s strike remains one of the most famous (and, in New England,

reviled) in baseball.

76 The Unseen King by Tyson Blue. Mercer Island, WA: Starmont House, 1989, page 148.

77 In 2004 King would write in Faithful of ‘Ray Slyman, who works for Commonwealth

Limousine and has been driving me and my family to Red Sox games ever since the kids were

small....’ (May 21st entry).

78 In 1965 aged 75 Yankees Manager Casey Stengel was asked about his future in baseball. His

response: “How the hell should I know? Most of the people my age are dead. You could look it up.’

79 It is so listed in Michael Collings’ Horror Plum’d: An International Stephen King

Bibliography and Guide (Woodstock, Georgia: Overlook Connection Press, 2002); and George

Beahm’s Stephen King Collectables: An Illustrated Price Guide (Williamsburg, VA: GB Books,

2000).

80 His first collection, We’re All in this Together: A Novella and Stories was published by

Bloomsbury in July 2005. His official website is http://www.owen-king.com/.

81 See also Painful First Lesson in our Letters to the Editor, Guest Columns chapter.

82 See http://bangorinfo.com/Focus/focus_mansfield_stadium.html.

83 See also the May 21st and June 9th entries in Faithful.

84 Full citations for publications including King material referred to in this chapter appear in the

Bibliography.

85 Stefano wrote the screenplay for the original Psycho and produced the original TV series The

Outer Limits.

86 King incorrectly gives this writer’s surname as Langlahan and describes him as ‘Canadian’.

In fact Langelaan was British. Considering the number of reprints it is interesting this minor error has

never been corrected.

87 ‘Substance-abusing writers are just substance abusers—common garden-variety drunks and

druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer

sensibility are just the usual self-serving bullshit...Hemingway and Fitzgerald didn’t drink because

they were creative, alienated, or morally weak. They drank because it’s what alkies are wired up to

do.’ (On Writing, page 73).

88 King’s other articles in this magazine appeared in the June, July, August, September and

November 1980 issues. There was no October issue that year.

89 See our Miscellany chapter for information about our discovery of two of these pieces. King

correctly identifies the newspaper in this article as The Enterprise but changed it in On Writing to

the incorrect Lisbon Weekly Enterprise. See also the footnote in our Danse Macabre, On Writing

chapter.

90 See Banned Books and Other Concerns: The Virginia Beach Lecture in our chapter,

Opinion—Venturing Into Politics.

91 This is described in George Beahm’s The Stephen King Story. London, England: Little,

Brown and Company, 1993, pages 83-4. Beahm gives the date of the Kings’ stay as October 30,

1974. In Adelina for February 1980, page 45 (see our Opinion—The Craft of Writing chapter) King

writes that the visit occurred in late September that year; but in Whispers for August 1982 he says it

was ‘a lovely October weekend’ in 1974.

92 King expert Stephen Spignesi, inspired by these lines, originally titled a major reference

work The Shape Under The Sheet: The Stephen King Encyclopedia.

93 The Glass Floor for Startling Mystery Stories (Fall 1967); and The Reaper’s Image for the

same magazine’s Spring 1969 issue. King received $35 for each!

94 New York, NY: New American Library, 2004.

95 Notably, King wrote about Fortean phenomena, as the strange phenomena catalogued in the

books of Charles Fort (1874-1932) were once termed, in his Garbage Truck column for December

18, 1969 (see our Early Columns—King’s Garbage Truck chapter).

9 6 Rita Hayworth and the Shawshank Redemption as Hope Springs Eternal; Apt Pupil as

Summer of Corruption; The Body as Fall from Innocence; and The Breathing Method as A Winter’s

Tale.

97 For more detail on this novel, which King has attempted at least once to revive, see Stephen

King: Uncollected, Unpublished by Rocky Wood with David Rawsthorne and Norma Blackburn.

Abingdon, MD: Cemetery Dance Publications, 2006.

98 All That You Love Will Be Carried Away, The Death of Jack Hamilton, Harvey’s Dream,

The Man in the Black Suit and That Feeling, You Can Only Say What It IsIn French.

9 9 Head Down, Cone Head, Leaf-Peepers and On Impact (the last an excerpt from On

Writing).

100 The full title of Browning’s 1855 poem is Childe Roland To The Dark Tower Came. King

had it reproduced after the last lines of the seventh and final novel in the Cycle, The Dark Tower.

101 See Someone Shouted J’accuse in our Miscellany chapter.

102 Stephen King: Uncollected, Unpublished by Rocky Wood with David Rawsthorne and

Norma Blackburn. Abingdon, MD: Cemetery Dance Publications, 2006.

103 Covered in more detail in the 2002 article Cone Head in The New Yorker (see our

Miscellany chapter), where King claims the fine was $100.

104 Originally published as Do the Dead Sing? in Yankee magazine for November 1981 and

revised for Skeleton Crew.

105 Wrightson did illustrate Cycle of the Werewolf, along with the following King projects: The

Stand: The Complete & Uncut Edition, the Cemetery Dance edition of From a Buick 8, Wolves of

the Calla, Creepshow and King’s pages in Heroes for Hope: Starring the X-Men. King wrote Berni

Wrightson: An Appreciation for the Limited Edition TheCycle of the Werewolf Portfolio. This last

piece is covered in the Miscellany chapter of this book.

106 King mentions the Dorrs (without naming them) in his Faithful August 12th entry.

107 See the Miscellany chapter for King’s appreciation of Gould, A Man with a Child’s

Embrace of the Questions, written after his untimely death in 2002.

108 Stephanie Leonard, Tabitha King’s sister. For a period she was King’s personal assistant

and editor of Castle Rock: The Stephen King Newsletter.

109 The original publication runs in the hundreds of dollars, on the rare occasion it comes to

market. The republication appears more often but has commanded prices near $100. However,

reprints of that republication are now available through www.shocklines.com at a much more

reasonable $12.99 or so.

110 Full detail appears in The Complete Guide to the Works of Stephen King. It is interesting to

note, for instance, that Eddie Dean’s middle name is given as Alan in The Bear, and as Cantor in The

Waste Lands.

111 Stephen King’s The Dark Tower: A Concordance Volume 1 by Robin Furth. London,

England: Hodder & Stoughton, 2003, page 132.

112 This story actually exists in three versions, one of those including further variations. The

first publication of the story was in Marshroots for Fall 1973. That version was republished in

Weird Tales for Summer 1991 with minor variations. There was a significant revision of the story for

its publication in Whispers #17/18 for July 1982 and this represents the second version. A very major

revision (including moving the setting from Harlow to Castle Rock) for its inclusion in Nightmares &

Dreamscapes represents the third version.

113 Book of the Dead, edited by John Skipp and Craig Spector. Willimantic, CT: Mark V.

Ziesing, 1989.

114 A pastiche is defined as, ‘A dramatic, literary, or musical piece openly imitating the

previous works of other artists, often with satirical intent’ (The American Heritage®Dictionary of

the English Language).

115 See our Miscellany chapter— The Drum, The Enterprise and The Village Vomit—Tales of

a Young Writer for the full story.

116 However, this poem had only been published three times before—once in 1971 in an

obscure literary magazine, Io; then in Tyson Blue’s study, The Unseen King (Mercer Island, WA:

Starmont House/San Bernardino, CA: The Borgo Press, 1989); and finally in The Twentieth-Century

Treasury of Sports, edited by Al Silverman and Brian Silverman (New York, NY: Viking Adult,

1992). It has not been republished since Nightmares & Dreamscapes.

117 The Joy of Stephen King in The Complete Guide to the Works of Stephen King; and in

Stephen King: Uncollected, Unpublished.

118 The piece first appeared in the stand-alone editions issued in 1999 by Signet as follows

— The Long Walk (April), Roadwork (June) and The Running Man (August). The Bachman Books,

including all four tales, is still in print in the United Kingdom.

119 It only appears as follows: in US Signet editions of The Bachman Books from 1996-1998

and in the Signet reprints of The Long Walk, Roadwork and The Running Man from 1999 onwards.

120 Daphne Du Maurier’s classic and widely loved gothic, the tale features in Bag of Bones.

121 New York: A Berkley Prime Crime Book, November 1999 (hardcover); January 2001

(paperback).

122 For more detail see Stephen King: Uncollected, Unpublished by Rocky Wood with David

Rawsthorne and Norma Blackburn. Abingdon, MD: Cemetery Dance Publications, 2006.

123 Northeastern Writers’ Conference (or ‘Camp Necon’) See www.campnecon.com for more

information.

124 For more detail see Stephen King: Uncollected, Unpublished; and Untitled: Before the

Play, earlier in this chapter.

125 Coined by Robert Heinlein, this word describes a fictional setting created by writing any

fictional story or series of stories, for instance Oz, Alice’s Wonderland, the Territories or Roland’s

All-World.

126 They also did not appear in the Scribner and Hodder & Stoughton proofs, according to King

collector John Hanic. This may explain their absence in the Cemetery Dance editions.

127 It seems King may have the date wrong—he wrote of having seen the movie in his King’s

Garbage Truck column in The Maine Summer Campus for 18 July 1969 and gives no indication here

that this ‘1970’ viewing was not the first.

128 In the context of the Dark Tower universe it matters, Big Steve, it matters.

129 Stephen King’s The Dark Tower: A Concordance Volume II by Robin Furth. London,

England: Hodder & Stoughton, 2005, page 140.

130 On February 2, 2002 King, Pat Conroy, John Grisham and Peter Straub gave readings at the

New York Town Hall for an audiobook benefiting the Foundation. King read The Revenge of

Lardass Hogan from The Body; and Straub read from Black House. The latest on Muller’s condition

can be found at http://bitchen.com/muller/.

131 The term reaching ‘the clearing at the end of the path’ is synonymous with death in Roland’s

dialect.

132 The Best American Mystery Stories, 2004, edited by Nelson DeMille, series editor, Otto

Penzler. Boston, MA: Houghton Mifflin, October 2004.

133 As noted above, first referred to in the Afterword to the original version of The Gunslinger.

134 In a Q&A session for young readers at www.weeklyreader.com.

135 And wrote two concordances for the Dark Tower Cycle: Stephen King’s The Dark Tower:

A Concordance Volume I (New York, NY: Scribner, 2003) and Volume II (New York, NY:

Scribner, 2005). King wrote a Foreword to the first of these volumes; see our Introducing the Work

of Others chapter.

136 On March 24, 2006 King posted an update about the ending of Cell on his official website

(see our Miscellany chapter).

137 We list these alternate titles at the end of our review of each column.

138 In American political terms States that may ‘swing’ from supporting one party to the other in

a Presidential Election.

139 See THE Introducing the Work of Others chapter.

140 For more on King’s Red Sox fandom and love of the sport see our Baseball chapter.

141 Some weeks, that column ran in EW in place of The Pop of King.

142 For those who don’t, we provide an entire chapter on King’s baseball writings in this book.

143 King provided the liner notes to McDermott’s 1996 album Michael McDermott (see

Untitled (1996) in our Opinion—Radio, Music, Film and Television chapter).

144 Romero has also directed two King films— Creepshow (1985) and The Dark Half (1993)—

and is slated for The Girl Who Loved Tom Gordon and From a Buick 8. He also wrote the

screenplay adaptation of King’s Cat From Hell for Tales From the Darkside: The Movie (1990).

145 King has an interesting history with Dobyns. He wrote a letter supportive of his novel, The

Church of Dead Girls, which was circulated with Advance Readers’ Copies of the book (see

Untitled (March 1997) in our Book Reviews chapter); and dedicated an obscure poem, Dino to this

poet and novelist (for the full story behind the poem see Stephen King: Uncollected, Unpublished by

Rocky Wood with David Rawsthorne and Norma Blackburn).

146 Full citations for publications including King material referred to in this chapter appear in

the Bibliography.

147 The full story may be found in The Killer chapter of Stephen King: Uncollected,

Unpublished by Rocky Wood with David Rawsthorne and Norma Blackburn. Abingdon, Maryland:

Cemetery Dance Publications, 2006.

148 A “dollar baby” is a short film based on a Stephen King short story, for which he sold the

film rights to the filmmaker(s) for a dollar, on the condition the filmmaker doesn’t profit from the

work.

149 A reprint of the classic King non-fiction piece ‘Ever Et Raw Meat?’ and Other Weird

Questions (see our Miscellany chapter).

150 He has made numerous other such lists, including Stephen King’s Guilty Pleasures;

Stephen King’s List of the 6 Scariest Scenes Ever Captured on Film; Favorite Films; Horrors!; His

Creepiest Movies; Lists That Matter (Number 7); Lists That Matter (Number 8); My Favorite

Movies; The Reel Stephen King; My Favorite Movies of 2002-2003; The Pop of King: 2004: The

Year in Movies; and The Pop of King: My 2005 Picks: Movies.

151 These refer to Berni Wrightson: An Appreciation and Nightmares in the Sky (both covered

in our Miscellany chapter).

152 Note this familiar term, through which King also addresses loyal readers in introducing

many of his novels. In The Dark Tower VI: Song of Susannah he went so far as to describe us as

‘CRs’ in his imaginary Journal!

153 He is currently slated to write and direct an adaptation of King’s novella The Mist.

154 It is an expanded edition of Saturday Night at Moody’s Diner and Other Stories, published

in 1985.

155 A revised version appears in King’s Skeleton Crew collection.

156 Goldman is one of the scriptwriting greats. Apart from also adapting King’s Misery and

Hearts in Atlantis; he was responsible for such classics as Butch Cassidy and the Sundance Kid, A

Bridge Too Far, The Princess Bride (adapted from his novel), and The General’s Daughter. His

books on screenwriting, Adventures in the Screen Trade and Which Lie Did I Tell? (which features

his development of Misery) are required reading.

157 These are King’s contributions to Ubris: Here There Be Tygers and Cain Rose Up (short

fiction, Spring 1968); Strawberry Spring (short fiction, Fall 1968); Harrison State Park ’68 (poem,

Fall 1968); Night Surf (short fiction, Spring 1969); Stud City (short fiction, Fall 1969); and The

Dark Man (poem, Fall 1969).

158 See our chapter, Opinion—The Craft of Writing. Also, full citations for publications

including King material referred to in this chapter appear in the Bibliography.

159 King also wrote an introduction for a mass-market paperback printing of When Michael

Calls (see our Introducing the Work of Others chapter).

160 For the full story see Stephen King: Uncollected, Unpublished by Rocky Wood with David

Rawsthorne and Norma Blackburn. Abingdon, Maryland: Cemetery Dance, 2006.

161 King tells of some of his Dave’s Rag experiences in subsection 17 of the C.V. section in On

Writing.

162 The Complete Stephen King Encyclopedia by Stephen J. Spignesi. Ann Arbor, Michigan:

Popular Culture Ink, October 1991.

163 Stephen King: A Primary Bibliography of the World’s Most Popular Author by Justin

Brooks. Abingdon, Maryland: Cemetery Dance Publications, 2006.

164 See The Neighborhood of the Beast in our Miscellany chapter for Marsh’s relationship

with King through the Rock Bottom Remainders band.

165 Briggs appeared in one of the ‘dollar baby’ movies made from King’s work, as Alfie

Zimmer in James Renner’s superior adaptation of All That You Love Will Be Carried Away.

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