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Sandasko 22/16

Maqsuum 4/4

1-+-2-+-3-+-4-+-|D-T-__T-D-__T-__| basic formD-T-kkT-D-kkT-kk| filledD-S-tkS-D-tkS-tk| accentedD-T-tkT-D-tkT-tk|

Baladii 4/4

1-+-2-+-3-+-4-+-|D-D-__T-D-__T-__| basic formD-D-tkT-D-tkT-tk| filledD-D-t-S-D-t-S-tk| "Egyptian Classical"

Walking maqsuum 4/4

1-+-2-+-3-+-4-+-|D-T-k-T-D-k-T---| D-T-k-T-D-k-T-tk| with the bridge

Sayyidii 4/4

1-+-2-+-3-+-4-+-|D-T-__D-D-__T-__| D-T-tkD-D-tkT-tk| T-T-tkD-D-tkT-tk| after 1st measureD-tk-kD-D-tkT-tk| syncopated at the beginningDkS-kkDDD-tkS-tk| syncopated with 3 DUMs

Sombati 4/4

1-+-2-+-3-+-4-+-|D-__T-T-D-__T-__| D-_kTkT-D-kkT-tk|

 

WaaHida 4/4

1-+-2-+-3-+-4-+-|D---____D---m---| sayyaara (slow)D---____T---k---| D---__T-____T---| saghiiraD-tktkT-tktkT-k-| "tawil"D-Tk-kT-Tk-kT-k-| khafiif (fast)

 

Bambii 4/4

1-+-2-+-3-+-4-+-| D-Tk-kT-Tk-kD-D-| D-D-D-Tk-kT-Tk-k|

Ciftitelli (shiftaatellii) 8/4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-|D---__T---__T---D---D---T---____|

D-tkt-T-tkD-T-tkD---D---Tktkt---|

MaSmuudii 8/4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-|D---D---____T---D---____T---T---| D---D---tktkT-tkD-tktkt-TktkT-tk| D---D---D---T---D---____T---T---|

 

Falaahii 2/4

1-+-2-+-|Dk-kD-k-| DtktDktk| DgkgDkgk|

 

Ayyuub 2/4

1-+-2-+-|

D--kD-T-|

D-kkD-S-|

DktkDtkt|

D-kD-T

Dk-kD-T

 

Bayou 2/4

1-+-2-+-|

D--DD-T-|

D-kDD-S-|

KarAtshi 2/4

1-+-2-+-|T--kT-D-| TktkT-D-|

 

Foks/vox 2/4

1-+-2-+-|D---T-K-|

 

Jerk/jaark 4/4

1-+-2-+-3-+-4-+-|D---T---DD--T---| D-kkT-tkDDtkT-tk| D---T---D-D-T---| D-tkG-tkDkDkG-tk|

 

Bolero 4/4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-|

D---t3kkT---k---T---k---D---k---|

D---k-k-T---k-k-T-k-T-k-D---T---|

Rumbaa/rhumba 2/4

1-+-2-+-3-+-4-+-|

D---____T---D---|

D-tkt-K-T-K-D-k-|

 

zaffah 4/4 (or 8/4)

1-+-2-+-3-+-4-+-|D-tkt-t-D-t-t---| D-tkt-t-D-t-t-tt| D-tkt-t-D-t-D---| D-D-D-t-tktkt-t-| Hossam Ramzy's "Big Zaffa"

 

WaaHida saghiira 4/4

1-+-2-+-3-+-4-+-|D---__T-____T---| D---__T-____T---|1-2-3 1-2-3 1-2 | 3 + 3 + 2

cocek 4/4=3+3+2

1-+-2-+-3-+-4-+-|D---t-T---t-T-k-|

 

malfuuf 2/4=3+3+2

1-+-2-+-|

D--T--T-|

DkkTkkTk|

D-kT-kT-|

 

sa`udI 2/4=3+3+2

1-+-2-+-|

D--D--T-|

D-kD-kTk|

 

syrto 4/4=3+3+2

1-+-2-+-3-+-4-+-|

D---k-D---k-T-k-|

D---k-T---k-T-k-|

MuHajjar 14/4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-0-+-1-+-2-+-3-+-4-+-|

D---D---D---____T---____D---____________T---____T---____| 4+2+4+4

D---D---D---____T---____D---____T---____T---____T---T---|

D-tkD-tkD-tkt_k_T-tkt_k_D-tkt_k_T-tkt_k_T-tkt_k_T---T---| al-maSrii 2+4+4+2+2

 

murabb`a 13/4=3+4+2+2+2

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-0-+-1-+-2-+-3-+-|

D---T---T---D---__T---__T---T---____T---T---D---____|

D---T-tkt-k-D-tkT-k-t-k-T-k-T-tkt-k-T-tkT-k-D-tkt-k-|

 

 

Samaa`ii ath-thaqiil (or Aghr aqSaaq samaa`ii) 10/4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-0-+-|

D-______T-__k-______D-__D-__T-______T-__|

D-__t-k-T-k-S-__t-k-D-__D-__S-__t-k-T-k-|

 

samaa`ii darij (or darj) 6/8 or ¾

 

1-+-2-+-3-+-|

D-T-T-D-T-__|

D-TkT-D-T-__|

D---T-T-T-__|

Darj 6/8

1-+-2-+-3-+-|D-ktk-D-T---| D-D-__T-T-__| Algeria

Dawr hindii/"Andalus" 7/8

1-+-2-+-3-+-4-+-5-+-6-+-7-+-|D---T---T---D-------T-------| 3+4D---T-k-T-k-D---t-k-T---t-k-| filled

karsilama 9/8=2+2+2+3

1-+-2-+-3-+-4-+-5-|D-__T-__D-__T-T-t-| D-kkT-kkD-kkT-T-t-| D-tkT-tkD-tkTkT-t-|

karsilama-variation 9/8=2+2+2+3

1-+-2-+-3-+-4-+-5-|D-__T-__D-__T-t-k-| 2+2+2+3 variation of aboveD-__T-__D-__t-T-k-| 2+2+3+2 compare!

curcuna 10/8 1-+-2-+-3-+-4-+-5-+-|

D-__T-k-__D-__T-____| 2+3+2+3D---__T---D---T---__| 5+5

kalamantiano 7/8=3+2+2

1-+-2-+-3-+-4-|

D-t-t-D-t-D-t-|

D-----T---T---|

D-ktk-D-k-S-k-|

D-tkt-D-tkT-t-|

 

 

zeymbekiko/zeybek 9/4=4+4+1

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-|D---t-k-D---t-k-D---t-k-D---t---t---| D-t---k-D---t---D-t---k-D---t---t---|

Tsamiko 6/8 or 3/4

1-+-2-+-3-+-4-+-5-+-6-+-|D-----k-T---k---T---k---| maybe thisD-----k--T--k--T--k-----| or maybe like this

BasiiT 6/4 or 12/8

1-+-2-+-3-+-4-+-5-+-6-+-|

D-_TD-T-T-TkT-TkT-____T-|

D-k-D-tkT-k-t-k-D-k-t-k-|

 

BTaa'iHii 8/4 or 8/8

 

1-+-2-+-3-+-4-+-|

D-_D-TDTD-T-DD-T| Morocco

D-_T__T-__D-T-__| Tunisia

 

QayIm wa niSf 8/4 or 8/8

 

1-+-2-+-3-+-4-+-|

D-D-T-_T-_T-T-__|

TkTkDtTktkDkDkt-| 3+2+3 Touma writes it this way (rotated?)

 

Quddaam 3/4 or 6/8

 

1-+-2-+-3-+-|

D-D-_TD-_T-_|

D-tkt-t-D-t-| Touma

D--kt-k-D--t|

 

InSiraaf 5/8

 

1-+-2-+-3-|

D-T-__D-__| 1st bar

DDT-__T-__| 2nd bar

T-T-D-_D-T|

 

KhlaS or makhlaS 3/8

 

1-+-2-|

D-tT-_|

D-D-TT| Algeria

Sha'bia 6/8x2 and 12/8

1-+-2-+-3-+-4-+-5-+-6-+-|T-K-T-K-D-K-T-K-T-K-D-K-| 6 part (heart)G---D---K-G---K-D-------| 12 part (lung)

Sha'bia 6/8x2 and 12/8

1-+-2-+-3-+-4-+-5-+-6-+-|T-t-t-T-D-t-T-t-t-T-D-t-| 6 part (darabuka - heart)____t---D-----t---t-D---| 12 part (bendir - lung)

mukhammas 16/4=7+3+2+4

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-0-+-1-+-2-+-3-+-4-+-5-+-6-+-7-+|D---____D---____D---__T---__|T---T---____|T---T---|D---____________|

 

awfar 19/8=6+4+2+7

1-+-2-+-3-+-4-+-5-+-6-+-7-+-8-+-9-+-0-|D---D-------T---T---D---D-T---T-------| D---D-------T---T---D---D-T---D-------|

Daem 4

1-+-|

D-tt|

 

Garyan 14

 

1-+-2-+-3-+-4-|

D-_D-t-t-_D-t-|

 

Haddadi 8

 

1-+-2-+-|

D-Dtt_tt|

 

HalGerten 16

 

1-+-2-+-3-+-4-+-|

D-ttD-t-T-ttD-t-|

 

HayAllah 8

 

1-+-2-+-|

D-Dtt-T-|

 

HayAllahAllah 10

 

1-+-2-+-3-|

D-kT-D-T--|

 

Maddahi 12

 

1-+-2-+-3-+-|

D-D-TtD-T---|

 

Saghghezi 12

 

1-+-2-+-3-+-|

DttDt-TttDt-|

 

ZekrEDovvom 16

 

1-+-2-+-3-+-4-+-|

D-ttD-ttD---T-T-|

The Balkans

Dajchovo 9/4

1-+-2-+-3-+-4-+-5-|D---T---D---T-----| D---T---D---T-t-t-| D---T---D---T----- 1 2 3 4(long)

Grantchasko 9/4

1-+-2-+-3-+-4-+-5-|D---D-----D---T---| D---D---t-D---T-T-| D---D-----D---T---,1 2long 3 4

sandasko 22/16

1-+-2-+-3-+-4-+-5-+-6-|D-t-t-t-.t-t-D-t-.t-t-| 1 2 3 4+ 5 6 7 8+ 9 10

sedi donka 25/16=7+7+11

1-+-2-+-3-+-4-+-5-+-6-+-7|D--t-t-D--t-t-D-t-t-.t-t-| |<-real start |<- real end t-t-D--t-t-D--t-t-D-t-t-.t-t-1----- 1----- 1----- *** |<-but it might sound like it starts here

rachenitsa 7/8=2+2+3

1-+-2-+-3-+-4-|D---D---D---k-| D---T---T---k-| D---k---D---k-| lesnoto 7/8=3+2+3 1-+-2-+-3-+-4-|D---k-T---T---| D---k-D-kkT-tk|

pravo 2/4 1-+-2-+-|


Дата добавления: 2015-10-24; просмотров: 61 | Нарушение авторских прав


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На схеме 1—2 изображено положение семьи в системе первичных и вторичных социальных групп.| Склонение по падежам

mybiblioteka.su - 2015-2024 год. (0.015 сек.)