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B) COMMENTARY

Archibald Josef Cronin – a representative of realism in contemporary Eng­lish literature. | Graham Greene, an English novelist and short story writer. | Jack Lindsay, an outstanding English writer and public figure, the most ardent fighter for peace and the national liberation movement | Evelyn Waugh - a satirist, prone to the hyperbolization of the evil, to the grotesque concentration of the especially repugnant features of life and human characters. | General problems of contemporary politics, of various ideologi­cal trends or theoretical currents treated in the works of Charles Percy Snow. | William Golding - the writer of philosophical and allegorical novels. | Muriel Spark – a representative of the critical realism in the newest English litera­ture. | Iris Murdoch – the author of novels, drama, philosophical criticism, critical theory, poetry, a short story, a pamphlet, a philosopher and a novelist | Philip Larkin – a poet, a novelist and essayist. | John Robert Fowles |


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  1. Commentary
  2. Commentary

When the play was put on at the Royal Court Theatre in London in 1956, its author was totally unknown. The play was a tremendous success. In the years immediately after the war England possessed some notably successfull dramatists, but even the best of them wrote mainly about the problems of the rich and well-to-do. Working class characters rarely appeared and when they did, it was usually to supply comic relief. With the arrival of “Look Back in Anger” the whole situation changed. It was written by a young author about his own generation. Its hero, an aggressive and unsuccessful university graduate Jimmy Porter, appealed by all the indifference and apathy around him, freely attacks the upper slass, religious relief, etc. He is probably the best-known manifestation in Britain’s angry spirit. He is also a very disagreeable hero – a bully, a self-centred sadist filled with self pity, but pitiless with others. He is angry with his wife and with his mother-in-law. He is also angry with the education, religion, love, government and almost anything and everything that happens to come into his sight.

“I suppose people of our generation aren't able to die for good causes any longer. We had all done for us in the’20s and ‘40s, when we were still kids. There aren’t any good causes left. If a big bang does come and we all get killed off, it won’t be in aid of the old-fashioned, grand, design.”

Jimmy Porter came from a worker’s family, but had broken away from his own slass. He is an enormous cultural snob – reads only the safeclassic, likes only the most traditional jazz, only good books and Sunday Paper. He lives in a tumbledown attic flat in a drab Midlandtown and makes his living by keeping a sweet stall in the market. Everything in his life dissatisfies him and the tone of his conversation which is mainly monologue, is one of complaint.

The other characters of the play (4 altogether) only help to reveal Jimmy’s conflict with the society, the reason of this anger, bitterness and solitude that run through the whole play. It is a play about people who felt that the world of today as not treating them according to their expectations. Jimmy finds no cartainty anywhere, out-side himself or within. He is a rebel without aim.

“Look Back in Anger” was a landmark in the history of the theatre. Althoung not generally thought of as a great play in itself, it nevertheless manages to convey the sense of restlessness and dissatisfaction of the time with intensity and vigour, in the idiom of the actual speech of the young. After its first production in 1956 the theatre in Britain opened up to a whole range of influences and became livelier than at any time for more than 250 years.


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Angry Young men as a result of a disilusionment in post-war bourgeois reality.| John Waine – a poet, novelist and literary critic

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